Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.
Sprache: Englisch
Verlag: Washington University Gallery of Art, 2002, 2002
ISBN 10: 1588211061 ISBN 13: 9781588211064
Anbieter: A Good Read, LLC, San Antonio, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Edition Not Stated. Hard Cover. Very Good/No Jacket. Edition Not Stated. 4to - over 9¾" - 12" tall. Minor scuffs and rubbing to boards.
Verlag: The University of Iowa), (Iowa City, Iowa, 2011
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Fine. Magazine. Octavo. Perfectbound in wrappers. Ink note of first page else in fine. Literary anthology with poetry from Ned Balbo, Mike Schorsch, Mary Jo Bang, George Economou, Kim Lozano; and short stories by Speer Morgan, Jeanne Shoemaker, Eduardo Halfon, and Jenny Zhang, among others.
Verlag: London : D. Giles ; Washington, D. C. : Smithsonian American Art Museum, 2007
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 192 pages; Description: 192 p. : ill. (col. ) ; 28 cm. "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, D. C. , April 13-July 29, 2007." Includes bibliographical references. Subjects: American Art Forum --Art, American --19th century --20th century --Art --Private collections --United States --Exhibitions. Summary: A beautiful color presentation of over 70 paintings by the leading names in 19th and 20th century art, including Sargent, Willem de Kooning, Andrew Wyeth and many more. 3 Kg.
Verlag: The Smith, New York, 1968
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition. Illustrated wrappers. Cover design by Stephen Dowskin. 192pp. Covers slightly rubbed with modest edgewear, very good. Includes "How Our Day Began" by James T. Farrell; additional contributions by E.S. Rock, Laurel Speer, Sidney Bernard, Ed Stone, James E. Paulding, Sam Cornish, H.L. Van Brunt, Alicia Ostriker, George Abbe, James Hoggard and more.
Verlag: The Smith, New York, 1971
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Near Fine. Magazine. Cover by Stephen Dworkin. Octavo. Illustrated stapled wrappers. Near fine with some rubbing. A poetry anthology with contributions from C.G. Hanzlicek, V.H. Adair, F. Keith Wahle, Susan Wong, Robert Nelson Moore, William Childress, Edward Zuckrow, Dan Curley, Benjamin K. Bennett, Susan Fromberg, Karen Swenson, Carol Helbald, Frances Hall, David Jaffin, Charle Angoff, Sol Newman, Anthony Olknow, Charles Potts, Bill Castley, Harold Bond, Theodore Dimon, James Hearst, Henry Hubert Hutto, Harland Ristau, Gail Madonia, Robert Tyler, Mryon Levoy, Lynne Banker, Terry Porter, George Anthony, Paul Oppenheimer, Laurel Speer, and John Jacob.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 36,79
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 192 pages. 10.50x10.75x1.00 inches. In Stock.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 71,39
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 192 pages. 10.50x10.75x1.00 inches. In Stock.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In the 1930s, the crises brought about by the Depression, climatic devastation, and the rearmament of Europe led Americans from all walks of life to believe that capitalism and technology had synthesized into a monstrous force that threatened the human race. And yet, this chaotic decade also witnessed an unprecedented level of support, both rhetorical and institutional, for the importance of art in the lives of everyday Americans. This book investigates that paradox, asking why, when simple survival presented its own obstacles, our historically pragmatic culture began to define art as a necessity rather than a luxury. To answer this question, the book traces the symbolism of the embattled and recuperative body across a broad spectrum of American culture in the Machine Age. The book situates this symbolism within the commentary of artists, novelists, critics, and educators who trusted in the power of artistic expression and the experience of art to restore the health of the body politic.