Southey robert translator (9 Ergebnisse)

hardcover. Zustand: Very Good. Unmarked hardcover in slipcase. Sandglass newsletter included but does not lay flat.

Hardcover. Zustand: Very Good. 1st Edition. First printing thus. No jacket as published. With slipcase. Light rubbing/bumping to edges of boards. Small bit of soiling and pen mark to spine. Previous owner's name and acquisition date in ink on reverse of front board, interior otherwise clean and unmarked. Slipcase has some wear, scuffing and a few small (1-2inch) partial splits.…

Hardcover. 4to. White and pink decorated cloth over boards, slipcase. xxxiv, 196pp. Color illustrations. Near fine/very good. Bookplate on front pastedown; mild bit of slipcase edgewear. Tight, attractive copy of this "poor man's LEC," the trade edition of the Limited Editions Club version. Southey's popular translation, as Pritchett tells us, was actually an amalgamation of three different Spanish tales. …

Hardcover. Zustand: Fine. New York: Heritage Press (1958). Hardcover with slipcase. In fine condition. Some tanning to spine. An otherwise clean, tight copy. Slipcase has some shelfware and fading. Shipped in well-padded box. Smoke-free shop.

Hardcover. Zustand: VG+. 4to 11" - 13" tall; 196 pages. Very Good+. Translated from Spanish by Robert Southey and with an introduction by J. S Pritchett and illustrated by Rene Ben Sussan. VG+ book with some sunning on spine and a few spots on the fore edge. Original sandglass laid in. VG+ slipcase with some general wear.…

Zustand: Fine. 196 pp. + color plates, gilt-stamped full BROWN leather (hardcover), a.e.g., moire endpapers and pastedowns, FINE. Includes Notes from the Archives laid in. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Hardcover. Small quarto (7-3/4" x 11") bound in full two-color patterned cloth. With an introduction by V.S. Pritchett. Printed in two colors on Magnani paper by Joh. Enschede en Zonen. A beautiful edition of the Cid with line drawings at the beginning of each book and brightly colored full-page illustrations by Rene Ben Sussan. Copy #1087 of 1500 SIGNED by the illustrator on the colophon page. Monthly Letter laid in. Very mild rubbing to the top of the leather label on the spine which is a little sunned. About Fine in a Fine slipcase with some sunning. Rene Ben Sussan (illustrator).…

Hardcover. Small quarto (7-3/4" x 11") bound in full two-color patterned cloth. With an introduction by V.S. Pritchett. Printed in two colors on Magnani paper by Joh. Enschede en Zonen. A beautiful edition of the Cid with line drawings at the beginning of each book and brightly colored full-page illustrations by Rene Ben Sussan. Copy #120 of 1500 SIGNED by the illustrator on the colophon page. Monthly Letter laid in. Touch of sunning to the spine. Fine in a close to Fine slipcase with some sunning. Rene Ben Sussan (illustrator).…

First Edition. First edition in English, the first prose version in any language of the great Spanish realist epic, recounting the heroic life of El Cid (Rodrigo Díaz de Vivar, 1040-1099). 4to (261 x 213mm), pp. [2], [ii], [10], [iii]-xli, [1], map, 468. Rebound in old marbled wrappers matching the page edges. No half title, else complete with fly-titles, errata and advertisements, all notes, and the engraved map of Spain and Portugal. Interior clean but for a light damp stain to the margin of the map. Very good. A thorough rendering, describing the 11th-century deeds of the actual Castilian warrior known as El Cid during the period of the Reconquista that took back northern Spain from the Moors. Its source was the medieval saga Poema del Cid(Cantar del Mio Cid), written around 1140 as a metrical history by an unknown poet (the Homer of Spain), with the earliest surviving manuscript dating from 1207, preserved at Vivar, first published by Tomás Sánchez in 1779. This is the prose version, acclaimed around the world and not amalgamated or fully realized in a previous edition in any language. Southey drew partly from the 1552 Spanish Chronica del Famoso Cavallero Cid Ruydiez Compeador (based on a 13th-century manuscript), partly from the 1604 La Cronica General de España, partly from Corneille's 1637 French play Le Cid, and from other sources besides. Southey was 34 when he published this, already established as one of the Lake Poets but not yet Poet Laureate (that came in 1813). He had spent years teaching himself Spanish and Portuguese specifically to translate their medieval epics, driven by the conviction that England needed access to the heroic literature of the Iberian peninsula. He was right. The Chronicle became the standard English version and remained so for over a century, introducing El Cid to readers who knew him only vaguely as the subject of Corneille's drama or as a footnote in histories of the Reconquista. El Cid himself was a mercenary who fought for both Christian and Muslim rulers, a pragmatist in an era being retroactively simplified into a clash of civilizations. The medieval chronicles turned him into a paragon of Christian knighthood; Southey's translation preserves that mythology while letting enough historical detail through to complicate it. The result is a portrait of medieval Spain that is both more romantic and more real than anything available to English readers before 1808.…