soupault p (15 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:2904388117.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:

Paris, Editions du Sagittaire, 1923. In-8 (180x130mm) relié en demie toile, 218 p. Bon état général.

Berlin, Edition Sirène, 1983, in-12, br., n.c., 50 p. Poèmes en français et en allemand. Un dessin en frontispice.

Couverture souple. Zustand: Très bon. SOUPAULT (Ph.).Mémoires de l'oubli 1914-1923.P., 1981, pet. in-8°, br., ill. h.t. dont un portr. et 9 dessins automatiques de l'auteur in-t. 300 gr.

Couverture souple. Zustand: bon. R260161400: 1953. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur frais. 200 pages. Manque le dos et les plats. . . . Classification Dewey : 928-Ecrivains.

Philosophies, N°1, 15 mars 1924, 110 p., broché, couverture insolée avec des rousseurs, dos un pue aplati vers le premier plat, intérieur propre. Revue fondée par un groupe de jeunes sociologues proches du marxisme et du surréalisme naissant.Sommaire : Notes à propos des beaux-arts par Jacob / Prière de Paul Lotte / Poèmes de Jules Supervielle / Cinq fragments par Mrohange / Conseils. Carnets de l'Amiral X par Cocteau / Etude de chair par honnert / Le nihilisme européen et les appels de l'orient par Caves / Fragment d'un discours sur les difficultés du temps par Drieu la Rochelle / Billet de John Brown / Rétrospection par Jean Weber / Hors-texte de Pruna (et note de Morhange) / Notes et commentaires de : Charles-Henri Barbier, Emile Benveniste, Jean Caves, René Crevel, Georges Duvau, Edgard Forti, Francis Gérard, Norbert Guterman, Henir Journadan, Anton Juer, Pierre Morhange, Léon-Pierre Quint, André Vigan, Yves Simon.

Agen, Association des Amis de Philippe Soupalt, no date. 283 pp., ills in b/w, 4to, softcover.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Sm.8° - 336pp - 343 Color reproductions. German edition of "Dictionnaire de l'art moderne" by Fernand Hazan, Paris. Original cloth and dust jacket. Very good condition.

Wrappers. Zustand: Fine Condition. 128 pages with 160 illustrations 72 in color. Some minor rubbing and wear to the paper covers and edges.Text is in Spanish. Published on the occasion of the exhibition from the Centro Cultural & Arte Contemporaneo, A.C., México June to October 1992. Select Biography. List of Chronological Work.

in-4, agrafé, pagination continue, 80p. Chaque fascicule compte 8p. Encadrements et lettrines de Hubert Dupond. Grands titres : Recueil de Planches d'Art 1928-1929. Histoire du Livre et de l'Imprimerie en Belgique. La semaine du Livre Belge. L'exposition Couloma. Expositiond u Mémorial Walter Sauer. Exposition de la Gravure et du Livre Danois. Exposition de l'Imagerie Populaire d'Art Religieux et Folklorique. Exposition de l'ensemble des productions graphiques publiées par le Musée du Livre.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:

Small 4to. (270 x 210 mm). [7 bifolia including wrappers]. Front wrapper with typographic title, justification verso, text and verse by various dadaists recto and verso illustrated with four tipped-in illustrations on white paper (see below) by Arp, RIbemont-Dessaignes, Ernst and Duchamp, final leaf (rear wrapper) with 'Catalogue' recto and verso; sheet size: 270 x 210 mm. Original publisher's printed wrappers with typographic title to front cover in black, justification verso, catalogue to rear wrapper and interior, staple preserved, later stitching. A presentation copy of the very scarce 'SaLoN DAda' with the rare invitation to the highly controversial 'Soirée dada'. From the edition limited to 600 numbered copies, each stamp-numbered to the justification to front wrapper verso. Tristan Tzara's presentation is in black ink to the left-hand margin of the centre spread: 'à Hannie et Aldo / van Eyck / Pour le 30ème Anniversaire / de Dada // avec le souvenir amical / de / Tristan TZARA / Sur les lieux du crime / Zürich 23 févr. 46' and with a typical Tzara sketch of a flower. The spread includes (above) the legend 'Conformément aux règlements en vigueur l'amour est interdit aux végétaux des squares', (at left) Tzara's 'L'art et la chasse' and (at right) the tipped-in illustration of Duchamp's 'Mariée'. Opening with Philippe Soupault's 'Le Profil de dada', the catalogue 'SaLoN DAda' represents both the highwater mark and the beginning of the end of dada in Paris. 'SaLoN DAda' was convened in June 1921, after Picabia had left the movement (although he was to return) despite all he had done to initiate 'SaLoN DAda', Breton did not participate and Duchamp had departed both physically for New York and metaphorically: although his contribution to the catalogue (the reproduction of his painting 'Mariée') remains, his contributions to the exhibition (nos. '28' to '31' under his name are blank) were removed. 'SaLoN DAda' as an exhibition held at the Galerie Montaigne (within the Théâtre des Champs-Elysées) was largely successful albeit not without controversy, featuring international contributions from Arp, Baargeld, Man Ray, Charchoune, Walther Mehring, J. Evola, Aldo Fiozzi and Joseph Stella, as well as Jacques Rigaut, Jacques Vaché, Gala and Paul Eluard and Théodore Fraenckel among others. Literary contributors include the aforementioned Soupault ('Le Profil de dada'), Paul Eluard ('L'Ombre aux soupirs'), Arp (as poet: 'Le Pompe des nuages' from the German 'Die Wolkenpumpe'), J. Evola ('Croix jaune'), Stanislas Margarine [sic] (untitled), Man Ray ('L'Inquiétude'), Jacques Rigaut ('Fable'), Georges Ribemont-Dessaignes ('Plaisir secret'), Tzara (as above and 'Epiderme de la nuit croissance'), Benjamin Péret ('Mémoires de Benjamin Péret' and 'Mystère de ma naissance') and Louis Aragon ('Autre procès-verbal'). Also included, inserted loose, is the announcement for 'Soirée dada'. A single sheet of cream glossy paper printed in black recto only (270 x 206 mm), the announcement details the soirée to be held on June 10th, 1921, at 9 o'clock in the Galerie Montaigne with a programme of nine performances. Tickets were available for 10 Francs and for that price one could have seen the following: I. 'La Chanson du catalogue de l'exposition (au piano)' by Mme E. Bujaud; II. 'La Boite d'allumettes (Le Président de la République de Liberia visitera l'exposition)' by Philippe Soupault; III. 'A l'évangile' by Louis Aragon; IV. 'La Volaille miraculeuse (Danse créée par l'auteur)' by Valentin Parnak; V. 'Le livre des rois' by Georges Ribemont-Dessaignes; VI. 'Par le cou des brises' by Paul Eluard; VII. Le vol organisé (nouveau système de gyravion) by Benjamin Péret; VIII. 'Diableret (au piano Mmme. Pirouelle et M. Emile Sab)' by Philippe Soupault; IX. 'Le coeur à gaz (Pièce de Théâtre)' by Tristan Tzara. The performances were absurd and the reception mixed at best. By the time of the performance of 'Le Coeur à gaz', with a coterie of dadaists taking part, the audience was riotous: 'Après l'entracte, la troupe des dadaïstes représente 'Le Coeur à gaz' de Tzara. La pièce, totalement absurde, est lue avec une accentuation grossière et provoque l'hilarité du public qui exprime son mécontentement en partant massivement et bruyamment. Une fois de plus, Dada réussit à faire scandale . ' (Xavier Rey). Tzara's drama was performed again - and again aroused a furore - in 1923 at the final rupture of Paris dada; it was not published in book form until Guy Lévis Mano's edition in 1946. 'Ce projet, en germe depuis que le Salon des Indépendants a refusé de l'integrer à son programme, tient autant de Tzara que de Picabia . La création dada parisienne se présente à son apogée, provocation, humour talentueux et inventions incongrues agrémentant un programme particulièrement riche. L'exposition ouvre le 6 juin dans le hall du studio des Champs-ELysées, au huitième étage du théâtre, baptisé pour l'occasion 'galerie Montaigne' . Tzara parvient ainsi a réaliser ce qu'il recherche tant: la fusion entre les poètes et les artistes plasticiens dans une exposition inattendue qui abolit la frontière entre les genres . Ce catalogue, tout comme la plupart des cartons d'invitation et le programme, témoigne d'un certain retour à la rigueur typographique . La parole dadaïste trouve tout son éclat dans cette mise en page régulière, dotée d'une frise guindée . '. (Xavier Rey). Aldo van Eyck (1918 - 1999) and Hannie van Rooijen (1918 - 2018) were influential Dutch architects of international repute. In the 1940s the couple lived in Zurich where through Siegfried Giedion and Carola Giedion-Welcker they met a number of the artists and poets connected to dada: Arp, Tzara, Ernst, Brancusi and others; these friendships led too to a connection with CoBrA and, of course, through the architecture they held in common, Constant. Initially the pair collaborated or worked separately but from 1983 - Aldo's own studio with Theo Bosch was closed - they formed the.

ex. numéroté - E.O. - 19,2 x 14 cm - (2)+86+(4) pgs - couverture originale - quelques rousseurs, petite restauration au dos, autrement bien.