sonnabend yolanda (7 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This is a pamphlet. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:0728704811.

Paperback. Zustand: Very Good. Card wrappers are slightly creased and marked, corners worn, spine sunned and lighly curled; binding is tight; pages are age-toned with black and white and colour plates. ; 8.25 x 0.25 x 7.75 inches; 48 pages.

Paperback. Zustand: Very good in wraps. First Edition. 20 x 21cm 48pp very good exhibition catalogue, a small sticker at top rear wrapper. signed by Yolanda Sonnabend on the title page: 'For David and Nikos from a possible (?) woman, alllove, Y'. With black and white reproductions.

SOFTCOVER. Zustand: Near FINE. 1st Edition. 4to in stiff card covers, 48pp on stiff art paper, plates in colour and (mainly) b/w, etc . [CONDITION: Front cover unevenly sunned else FINE, an otherwise well preserved clean and tight unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

1p., 4to. In fair condition, on lightly aged and creased paper. He thanks her 'for giving me the wrongly addressed envelope'. He has tried ringing her 'a dozen times' and gives her number for checking. He ends by inviting her to dinner.

1p., 8vo. On aged and worn paper. Brook writes: 'I do of course know your work and I was very interested to get your letter. Unfortunately, the committee at the I.C.A. have panicked and abandoned our very interesting project. | Another time, I hope.'.

Thirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock. Apparently taken in Sonnabend's studio, and not published, the photographs show Macmillan in different postures from a number of angles, full face, from the the side, seated on a wicker chair in front of a canvas, arms crossed. Two of the images in particular resemble Sonnabend's portrait, showing Macmillan resting his right arm on a white ledge. A product of the Slade School theatre design course, Sonnabend collaborated with MacMillan for over thirty years, beginning with Symphony in 1963. Image on application.