Son 1847 (9 Ergebnisse)
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Zustand: New. KlappentextrnrnThis is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the origina.
Verlag: 'Dublin Castle 5 June ', 1846
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In den WarenkorbSee his entry, and those of his father and uncle, in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and worn, with two small punch holes to one edge, affecting one word of text. Folded for postage. Addressed to 'S. Gordon Esqr. / 40 Aungier Street', and signed 'Richard Pennefather'. Reads: 'Sir, / In acknowledging the…receipt of your letter of the 3d Instant, I am directed by the Lord Lieutenant to acquaint you, that His Excellency finding that the case to which you refer is pending bef[or]e the competent legal tribunal, does not feel Himself called upon to interfere therein.'.
Verlag: Donington Rectory Albrighton Wolverhampton. 15 September, 1875
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In den Warenkorb3pp., 12mo. Bifolium. In good condition, lightly aged. Replying to a request for autographs, he is sending 'an Envelope addressed by my Father' and (writing in a postscript) another 'addressed to me by the Dean of Westminster', but he 'cannot give you one of the great Niebuhr'. He agrees with Clarke's 'feeling as to possessing s…omething coming from, or belonging to some great or good man. It is a link - as is the signature of a loved friend or companion, with the unseen world.' He enquires after Clarke's health, and recalls 'calling at your School once - & another time at your house'. He ends in the hope that 'Mr & Mrs. Cholmondeley will be spared to you all very many years!'.
[Charles Edward Fewster of Hull.] Scrapbook containing chromolithograph leaves from the Sermon on the Mount, 'Illuminated by Owen Jones', and other material including a long manuscript letter on 'Japanesque stationery' by Charles Goodall & Son.
Charles Edward Fewster (1847-1896), Hull paint maker; Owen Jones; Henry Warren; Chas. Goodall & Son [Charles Goodall & Son] of Camden, printers; Marcus Ward & Co., of Belfast; Albrecht Dürer [Durer]
Verlag: In album by Marcus Ward & Co. of London and the Royal Ulster Works Belfast. Owen Jones item: London: Longman & Co Charles Goodall & Son letter: London: 1 February 1877, 1844
- Hardcover
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In den WarenkorbA cultured man (an authority on numismatics), Fewster worked for the family firm of Thomas Fewster of Hull, paint, colour and varnish manufacturers. The present item is an attractive example of his professional interest in the developments in late nineteenth-century design (another is his collection of the designs of Christopher… Dresser, in two albums, is now in the Victoria and Albert Museum, London). It is a small 4to (21 x 17 cm) album of green cloth, with embossed design of birds and foliage around the words 'Scrap Album' on front cover, and printed illustrated title by Marcus Ward & Co. (The rear pastedown carries the firms ticket.) Both album and its contents are in very good condition, with light signs of age. Fewster's bookplate and library label are on front pastedown. The contents begin with four items which the context indicates are by Chas Goodall & Son. The first is a 12mo leaf carrying a full-page advertisement for 'Kiku' and 'Mume' Japanese paper, printed in silver on light blue, and with an oriental decorative border. This is followed by three leaves of white paper with oriental floral designs on one side, the first 35 x 11 cm (the first a stylised pattern printed in gold, and the second depicting small flowers on a long bough, printed in silver), and the third, 17.5 x 22.5 cm, in silver. The manuscript letter (2pp., landscape 12mo) follows, signed by 'Chas Goodall & Son'. Written in a neat, attractive hand, it begins: 'Dear Sir | We are very glad to reply to your enquiry respecting "Japanesque" stationery. As you are probably aware there is no nation which produces such an infinite variety of paper as the Japanese and they have hitherto stood alone in the use of a characteristically decorated paper for the purpose of communication one to another. The "Japanesque" stationery is based on a study of these Japanese papers many of which have a special symbolism and meaning, altogether independent of the correspondence for which they are the vehicle, and the peculiarity we have preserved, thus in the "Mume" & "Kiku" patterns congratulation and social joyousness are conveyed, hence these patterns are especially adapted for correspondence from friend to friend'. The letter continues with a discussion of the symbolism of the 'Bamboo' and 'Dead Willow' patterns. The letter is followed by an 11.5 x 8.5 cm card, laid down, with eight label designs in colour, each with birds and foliage surrounding a religious text ('BE ye followers of GOD', 'YE must be born again', 'NOW is the day of salvation' and so on). Next comes the laid-down title of 'Little Ella and the Fire King and other Fairy Tales | With Illustrations by Henry Warren' (Edinburgh: Edmonston and Douglas, 1861), with its beautiful design printed in colours. This is followed by fourteen leaves from 'The Sermon on the Mount' ([London:] Longman & Co, 1844), 'Illuminated by Owen Jones', with each leaf tipped-in onto a leaf of the album by a strip of tissue tape, thus enabling examination of both sides. Jones's work is one of the high points of Victorian printing, and these examples (28pp. of the book's 32pp.) are taken from the unrevised first edition. The last item in the album is an 11.5 x 7.5 cm reversed print on India paper of Durer's 1512 depiction of a peasant man and woman at market.
Memoirs, illustrative of the life and writings of John Evelyn, Esq. F.R.S. author of the "Sylva", &c. &c. : comprising his diary, from the year 1641 to 1705-6, and a selection of his familiar letters : to which is subjoined, the private correspondence between King Charles I. and his Secretary of State, Sir Edward Nicholas, whilst his majesty was in Scotland, 1641, and at other times during the Civil War : also between Sir Edward Hyde, afterwards Earl of Clarendon, and Sir Richard Browne, ambassador to the Court of France, in the time of King Charles I. and the usurpation : the whole now first published from the original mss. in two volumes. First edition.
Evelyn, John, 1620-1706; Colburn, Henry, d. 1855, publisher; Bray, William, 1736-1832, editor; Bragg, Thomas, d. 1840, engraver; Meyer, Henry Hoppner, 1783-1847, engraver; John and Arthur Arch, bookseller; J. Nichols and Son, printer
Verlag: London : Printed for Henry Colburn, Conduit Street and sold by John and Arthur Arch, Cornhill
- Hardcover
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In den WarenkorbZustand: Good. 2 vols. 4to. 9 x 11-5/8 inches. Vol. I: xxxii, 620 pp. with 7 plates. Vol II: xii,366,ii, 336pp. with 4 plates, Contemporary sheepskin with 5 raised bands the gilt embossing on spine, expertly repaired. Lowndes, II, p. 767.
[Mary Russell Mitford, author of 'Our Village'.] Autograph Letter in the third person to the bookseller William Baynes, expressing pleasure at sending contributions for his 'intended publication'. With reference to her publisher G. B. Whittaker.
Mary Russell Mitford (1787-1855), author and playwright, best known for her collection of sketches, 'Our Village' [William Baynes & Son; George Byrom Whittaker (1793-1847), London publisher]
Verlag: 'Three Mile Cross near Reading / June 10th', 1825
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In den WarenkorbSee her entry, and that of Whittaker, in the Oxford DNB. 1p, landscape 12mo. A corner of the letter carrying a few words of text has been torn away on opening; it is still attached, beneath a red wax seal, so that the entire document is present in two parts. Otherwise in fair condition, lightly aged and worn. Addressed by Mitfor…d 'To / Messrs. Baynes & Son / 23 Paternoster Row'. Begins: 'Miss Mitford presents her Compts. to Mr. Baynes & has great pleasure in joining the highly respectable list of Contributors to his intended publication - She encloses a tale in prose, & some detached verses - & trusts that they will be found adapted to the character of the work. In a postscript she asks to be informed if 'her contributions suit him - If not they may be returned through her Bookseller, Mr. Whittaker, will transmit to her any communication'. Perhaps contribution(s) to "The Amulet". See Image.
Verlag: Bromesberrow Place Tewkesbury. 4 January post, 1842
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In den Warenkorb3pp., 12mo. Bifolium. On paper with the 1842 watermark of R. Turner of Chafford Mills.In fair condition, aged, and with a central spike hole. He has received the ten books, and is returning them 'by the night mail', and will return 'the box of books' later, 'as unfortunately a courier only passes here but on certain days in the…week'. Changing tone, he continues: 'I beg that my name may not be put down as a subscriber this year to the library; for I feel after the number of years we have been subscribers that we might have had the 5th Vol of Mad. D'Arblay before now and that greater attention might have been paid to us.'.
[William Lock, artist] MS copy of letter from William Lock to Alexander Murray, complaining from Italy about the sale results of his books and prints, discussing his estate, planning the sale by Sotheby of his own paintings and those of Henry Fuseli.
William Lock (1767-1847), painter, son of the connoisseur William Lock [Locke] (1732-1810) of Norbury Park, Surrey [Henry Fuseli; Samuel Sotheby; Alexander Murray; John Julius Angerstein]
Verlag: 2 June Florence Casa Quaratesi Piazza Ognissanti, 1821
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In den Warenkorb1p., 4to. Neatly written out in a contemporary hand (presumably the recipient's), with 'Copy' at the head. In very good condition, on lightly-aged laid paper with watermark of 'W D WELLS'. Signature transcribed as 'Wm. Lock'. Lock has just received Murray's letter of 18 May, 'giving me an Account of the Sales of my Books and Pri…nts which is so much below what I had reason to expect, that I must beg you to apply only One thousand to the Payment of my Debt to my Fathers Executors'. He expects that the 'Produce of the Models' will be 'trifling, especially after what they have suffered in packing'. As far as his own paintings are concerned, 'Mr. Sotheby will follow the directions of Mr. J. Angerstein - I understand from my Sister Amelia that they were to go into Hertford Street - Mr. Fusiles [sic] Pictures will of course go with mine'. He assumes that the 'other Water Colour Pictures and the Seasons by Rosalba' were sold with the prints and drawings. He hopes that 'Mr. Robins' (the auctioneer George Henry Robins) has 'disposed of the Organ which remain'd with him'. He ends by thanking Murray for his 'prompt attention to my concerns', assuring him that he is 'persuaded [.] that all is done that can be done, when you do it yourself or when you direct others'. In a postscript he explains that he has 'put the whole of my direction [i.e. address] because there is here another William Lock'.
Verlag: N. p., 1 April [before 1800]., 1800
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In den Warenkorb1 p. with address and fragments of a broken red wax seal on verso. To Gaspard-Francois-Xavier Gaufridi (Gaufridy, 1757-99), his father's longtime legal advisor, describing a complicated legal and financial incident involving six francs, the knowledge of de Sade's family, and a reimbursement, and mentioning his brother Louis-Mari…e: "Votre lettre m'a extrêmement touché mon cher Gofredi, je vois avec douleur tous les chagrins qu'ont vous donné et je suis prêt à trouver les moyens de les réparer. Si vous n'aviez pas parlé de ses six francs à quelqu'un, je ne vous les aurai point ôté. Mais célà étant venue à la connaissance de ma famille je suis obligé de vous prier de remettre le billet entre les mains de mon frère ou de ma mere. Mais ne vous en affligez pas, car vous en ferez serez bien dedamager parvenu que ceci ne transpire pas et qu'au contraire vous disiez que je vous ai abandonné. Vous saurez bientôt de quoi il est question. Sade" (punctuation added). - Old folds, toning, corners folded.
