Solkin david h (66 Ergebnisse)

Zustand: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Profusely Illustrated (illustrator).

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1992; black cloth covered boards with gold titles; glossy illustrated paper jacket; wear around edges; corners are bumped; 4to,9 3/4" to 12" tall; ink marks on pages 249, 274, 276, and 277; 312 pages. Additional shipping charges may need to be requested due to size or weight of book.…

Zustand: Good. : Este libro explora la obra de J.M.W. Turner en relación con los grandes maestros del arte. Publicado con motivo de la exposición en la Tate Britain, Londres, y presentado también en las Galeries nationales del Grand Palais en París y el Museo Nacional del Prado en Madrid, el libro incluye referencias bibliográficas e índice. Editado por David H. Solkin. EAN: 9781854377982 Tipo: Libros Categoría: Arte y Cultura Título: Turner and the Masters Autor: David H. Solkin Idioma: eng Páginas: 240.…

First Edition. Fine paperback copy; edges very slightly dulled with age. Remains well-preserved overall. Physical description: 251 pages : illustrations (some color) ; 30 cm. Notes: Exhibition catalog. Catalogue of an exhibition at the Tate Gallery, Nov. 1982-Jan. 1983. Subjects; Wilson, Richard 1713-1782 ; Exhibitions. Artists Wales 18th century ; Exhibitions. Tate Gallery (London, England) ; Exhibitions. Landscape painting Great Britain 18th century ; Exhibitions. 1 Kg. Profusely Illustrated (illustrator).…

First Edition. Near fine paperback copy; wrapper edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 251 pages : illustrations (some color) ; 30 cm. Notes; Catalogue of an exhibition at the Tate Gallery, Nov. 1982-Jan. 1983. Includes bibliographical references. Subjects; Wilson, Richard 1713-1782 ; Exhibitions. Wilson, Richard 1713-1782 Criticism and interpretation. Painting, Welsh. Artists Wales 18th century ; Exhibitions. Landscape painting Great Britain 18th century ; Exhibitions. 1 Kg. Profusely Illustrated (illustrator). …

1st Edition. Very good copy in the original stiff-card wrappers; edges somewhat nicked and dust-dulled as with age. Remains quite well-preserved overall. Physical description: 251 pages: ill.(some color), ill.; 30 cm. Subjects: Wilson, Richard 1713-1782 ; Exhibitions. Wilson, Richard 1713-1782 Criticism and interpretation. Painting, Welsh. Wilson, Richard (Welsh painter, born 1713 or 1714, died 1782); Exhibitions. Tate Gallery (London, England); Exhibitions. Artists Wales 18th century; Exhibitions. Landscape painting Great Britain 18th century; Exhibitions. Landscape painting. Artists. Painters, British 18th century. Artists, Welsh; Exhibitions. Landscape painting 18th century. Genre: Bibliography. Catalogue. Illustrated. Tate Gallery. 2 Kg. Profusely Illustrated (illustrator).…

Paperback. Zustand: Very Good. heavy, may require extra postage outside South Africa. minor shelf wear on wraps. light foxing. a rather clean and presentable copy in very good condition. binding is intact. [SK]. Our orders are shipped using tracked courier delivery services. Profusely Illustrated (illustrator).…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Used-Very Good. Cloth, no dj. Slight shelf-wear, else very sound, with clean internals.

hardcover. Zustand: Used-Very Good. Cloth, no dj. Minor shelf wear. Several scratches and scrapes on rear board, affecting cover image. Else fine. A sound copy with clean internals.

Paperback. Zustand: Very Good. At the height of the Napoleonic Wars, a new generation of painters led by the precociously talented David Wilkie took London's art world by storm. Their novel approach to the depiction of everyday life marked the beginning a trajectory that links the art of the Age of Revolution with the postmodern culture of today.What emerged from the imagery of Wilkie and other early 19th-century British genre paintersamong them William Mulready, Edward Bird, and the controversial watercolorist Thomas Heaphywas a sense that common people were increasingly bound up with the exceptional events of history, that traditional boundaries between country and city were melting away, and that a more regularized and dynamic present was everywhere encroaching upon the customary patterns of the past. Published for the Paul Mellon Centre for Studies in British Art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Zustand: Very Good. From the Library of Ying Yeung Li. Profusely Illustrated (illustrator).

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Soft cover. Zustand: Good. No Jacket. Softcover. Condition: Very good, with light shelfwear to covers. 251pp. 16 colour plates and more than 150 b/w illustrations. This catalogue was published to accompany the exhibition of work by the British artist Richard Wilson (1714-1782) held at the Tate Gallery, London from 3 November 1982 to 2 January 1983. It was at the time the first substantial study of Wilson to appear for nearly thirty years. Richard Wilson was a Welsh landscape painter who worked in Britain and Italy. He began his career as a portrait artist but converted to landscapes during his sojourn in Italy during the 1750s, depicting various classical Italian scenes. On his return to England, he continued to paint landscapes in a manner reminiscent of his Italian works. He enjoyed great success in the 1760s becoming a founding member of the Royal Academy. His reputation dwindled in the 1770s due to ill health. However, his legacy lived on, capturing the attention of later generations of landscape painters including Turner and Constable. Profusely Illustrated (illustrator).…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. 2022. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 160 pages. 10.25x8.50x0.55 inches. In Stock.

Zustand: Sehr gut. 251 Seiten. Mit zahlreichen farbigen Abbildungen. Nur der Einband mit ganz leichten Gebrauchsspuren. Sonst SEHR gutes Exemplar. ( near fine copy). U.a. The happy rural life. Italy and he lessons of history. Historic Britain. The rule of Nature. Aufgrund der von der Europäischen Union erlassenen Handels-Erschwernisse (die neue europäische Verpackungsverordnung mit extremen Gebühren für Händler) kann in folgende Länder KEIN VERSAND erfolgen: Bulgarien, Dänemark, Estland, Finnland, Griechenland, Irland, Kroatien, Lettland, Litauen, Luxemburg, Malta, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien, Ungarn, Zypern. Falls Sie eine Rechnungs- und Lieferadresse in DEUTSCHLAND ermöglichen, kann an diese deutsche Adresse OHNE PROBLEME geliefert werden. Sprache: Englisch Gewicht in Gramm: 1200 Originalbroschur. ( Wrappers) 30 cm.…

Softcover/Paperback. Zustand: Gut. 251 p. Good. Cover shows very mild wear. Clean pages. Sprache: Englisch Gewicht in Gramm: 1190.

Zustand: Neuf.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. A distinctly modern art world emerged in 18th-century England. The period witnessed the establishment of the first public spaces for the display of art, widespread discussion of artistic issues and commercial patronage of painting and sculpture. In this book, David Solkin discusses these phenomena, showing how developments in painting were related to the rapid growth of commerce and analyzing how the sudden light of public exposure affected pictorial practice and theory. 312 p. : ill. (some col.) ; 27 cm. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). Shelf wear to edges, small closed tear to foot of spine, jacket faded in places, corner creasing to some pages, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:0300057415.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0300057415.…

Zustand: New. In English.

Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Plates bright and vivid. Nice book in great condition. Hardcover. English. See images for condition. About the book >.>.> At the height of the Napoleonic Wars, London's art world was taken by storm by a new generation of painters, whose novel approach to the depiction of everyday life critics loudly trumpeted as a sign of the nation's cultural pre-eminence. Led by the precociously talented David Wilkie, this highly successful artistic movement sought to transform what was generally regarded as a low and vulgar pictorial tradition, with its roots in seventeenth-century Flanders and Holland, into a vehicle for entertaining but improving narratives which would set new standards of truthfulness in their imitation of nature. But on a deeper level, as David Solkin shows in this provocative yet highly accessible study, the same phenomenon also registered the profoundly ambivalent feelings of a country in the throes of accelerating economic growth, and of conflict both at home and abroad. What emerges from the imagery of Wilkie and his colleagues - among them William Mulready, Edward Bird and the controversial watercolourist Thomas Heaphy is a wide. …