Soderholm james (24 Ergebnisse)

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Near Fine. No damage, markings or signs of use. Very slight shelf wear to cover. 2015 paperback. The photo is of the actual book you will receive. Fast dispatch from UK seller.

Zustand: very good. From the Library of John Russell Taylor.

Original softcover. Zustand: Gut. XI, 229 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Minimally rubbed binding, pencil annotation on mock title, otherwise very good. / Minimal beriebener Einband, Bleistiftanmerkung auf Schmutztitel, sonst sehr gut. - Introduction (JAMES SODERHOLM) -- Criticism: An Art or a Craft? (JACQUES BARZUN) -- Whats Art Got to Do with It? The Status of the Subject of the Humanities in an Age of Cultural Studies (CHARLES BERNSTEIN) -- The Alice Fallacy; or, Only God Can Make A Tree: A Dialogue of Pleasure and Instruction (JEROME MCGANN) -- Oscar Wilde: The Man of Soul Under Socialism (PAUL A. CANTOR) -- Recuperating the Aesthetic: Contemporary Approaches and the Case of Adorno (CHRISTOPHER BEACH) -- On the Sublime of Self-disgust; or, How to Save the Sublime from Narcissistic Sublimation (CHARLES ALTIERI) -- Aesthetics of the Dust; or, In the Beginning Was the Land (JOAN HEIGES BLYTHE) -- The Poetry Professors: Literary Imitation, Untutored Genius, and Cultural Identity (DAVID HILL RADCLIFFE) -- Let the Fresh Air In: Graduate Studies in the Humanities (IHAB HASSAN) -- Tales of Two Disciplines (RICHARD RORTY). ISBN 9780817308919 Sprache: Englisch Gewicht in Gramm: 6391. …

softcover. Zustand: Sehr gut. 326 p. Near mint condition. ISBN: 9780521007221 Sprache: Englisch Gewicht in Gramm: 450.

Zustand: New. In English.

Zustand: New. Num Pages: 195 pages, illustrations. BIC Classification: 2AB; DSBF; DSC. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 229 x 152 x 22. Weight in Grams: 431. . 1995. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Very Good. Unread. There is some minor wear to the cover. In stock ready to dispatch from the UK.

Zustand: New. This 2002 collection of essays represents twenty-five years of McGann's work on Romanticism and Byron Studies. Editor(s): Soderholm, James. Series: Cambridge Studies in Romanticism. Num Pages: 326 pages, black & white illustrations. BIC Classification: 2AB; DSBD; DSBF; DSC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 153 x 17. Weight in Grams: 456. . 2002. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 311 pages. 8.75x5.75x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - Byron was--to echo Wordsworth--half-perceived and half-created. He would have affirmed Jean Baudrillard's observation that 'to seduce is to die to reality and reconstitute oneself as illusion.' But among the readers he seduced, in person and in poetry, were women possessed of vivid imaginations who collaborated with him in fashioning his legend. Accused of 'treating women harshly,' Byron acknowledged: 'It may be so--but I have been their martyr. My whole life has been sacrificed to them and by them.' Those whom he spell bound often returned the favor in their own writings tried to remake his public image to reflect their own.Through writings both well known and generally unknown, James Soderholm examines the poet's relationship with five women: Elizabeth Pigot, Caroline Lamb, Annabella Milbanke, Teresa Guiccioli, and Marguerite Blessington. These women participated in Byron's life and literary career and the manipulation of images that is the Byron legend.Soderholm argues against the sentimental depictions of biographers who would preserve Byron's romantic aura by diminishing the contributions of these women to his social, sexual, and literary identity. By restoring the contexts in which literary works charm or bedevil particular readers, the author shows the consequences of Byron's poetic seductions during and after his life.…

Zustand: New. These women participated in Byron s life and literary career and the manipulation of images that is the Byron legend. Soderholm argues against the sentimental depictions of biographers who would preserve Byron s romantic aura by diminishing the contribution.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. …

Zustand: New. In English.

Zustand: New. This 2002 collection of essays represents twenty-five years of McGann's work on Romanticism and Byron Studies. Editor(s): Soderholm, James. Series Editor(s): Butler, Marilyn; Chandler, James. Series: Cambridge Studies in Romanticism. Num Pages: 328 pages, black & white illustrations. BIC Classification: 2AB; DSBD; DSBF; DSC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 22. Weight in Grams: 650. . 2002. hardcover. . . . . Books ship from the US and Ireland. …

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. …