snozzi nando (7 Ergebnisse)

Zustand: NEW.

paperback. Zustand: Ottimo (Fine). Catalogo di mostra, 16 dicembre 1989 - 28 gennaio 1990. Catalogo a cura di Kahn-Rossi. Manuela. Testo di Matthias Vogel e Domenico Lucchini. Numerose illustrazioni in nero e a colori a piena e doppia pagina. Biografia, attività espositiva, bibliografia . 8vo. pp. 56. . Ottimo (Fine). . . . Book.

Hardcover. Zustand: Fine. 2nd Edition. 12° - 47pp - Banana Story, eccetera by Franco Beltrametti (1937-1995) Swiss-Italian artist and writer Franco Beltrametti published over 30 books and pamphlets of poetry, prose, collaborations and translations, in several languages and countries; and had a similar number of solo and group exhibitions of his graphic works. First edition, text in Italian. Original wrappers. In Fine condition.

Soft cover. Zustand: Very Good. 1st Edition. Sm.8° - B/w reproductions (Photo & reproductions). Published as exhibition Catalogue. First edition, text in Italian. Original wrappers. In Very good condition.

1.Ausgabe. 20 nn.Bl. Mit 35 meist ganzseitigen schwarz-weissen Abb. Kleine Bibliotheks-Stempel unten auf den Deckel-Innenseiten. Sprache: Italienisch Gewicht in Gramm: 120 21 cm. x 14,5 cm. Kartonierte Original-Broschur mit Deckel-Illustr.(ohne Rückenbeschriftung).

24 cm. x 17 cm. 1.Ausgabe. 11 nn.Bl. Mit 23 teilweise ganzseitigen schwarz-weissen Abb. Kleiner Bibliotheks-Stempel und Signatur mit Bleisift oben auf der Vorderdeckel-Innenseite. Sprache: Italienisch Gewicht in Gramm: 150.

No Binding. Zustand: Fine. Original serigraph by Nando Snozzi, 7/99 edition signed by the artist. 53,5 x 37,5 cm , In fine condition. Nando Snozzi (*1951)is a well-known artist from Bellinzona active for more than thirty years in the field of painting and theatrical performance. His painting have always been strong, colourful, capable of bringing us back to a surreal dimension, which evokes the most hidden sensations. On this occasion the face is the protagonist, projected in the foreground, looming over the observer. Snozzi draws faces in which one has the impression that stories are written not only of the single individual, but of humanity as a whole. The excited and disorganized language, the broken lines, the deformed features, the chromatic highlights, are all elements that denounce the artist's profound emotional participation. The observer can in fact understand that Snozzi gave autonomous life to these images, leaving visible traces of his laborious intervention, of the effort of creation. The "Visidivisi"("divided faces" or "faces of faces") require an ability to investigate which often finds tenacious opposition in the delicate and sometimes controversial relationship that each of us has with our own image. These faces challenge the perimeter of the canvas and impose themselves in their physicality, projecting wrinkles and imperfections into the foreground. Nando Snozzi's faces therefore shout out their authenticity through the multifaceted and erotic expressiveness of painting, fascinating and embracing the viewer in their splendid and ferocious vortex.