Snow dash (11 Ergebnisse)

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

First Edition. First edition. Softcover. 435 pages. Published in conjunction with an exhibition that ran February 11 through April 20, 2012 at Contemporary Fine Arts in Berlin. Features texts by Glenn O'Brien, Blair Hansen, and Gavin McInnes. A wide ranging collection of black and white and color images by Dash Snow who sadly died of a drug overdose at the age of only 27. A fine copy in photo-illustrated French style wrappers. An as new copy and still in the publisher's shrinkwrap.…

Brossura. Zustand: come nuovo. prima edizione. "Loves roses" are glass tubes, 3/8 inches in diameter, 4 inches long. Covered on one end with foil, each contains a cloth flower: red, yellow, blue, violet, white or green. They are duplicitous objects. If you ask one kind of person, they'll tell you these "stems" are romantic offerings, valentine's gifts. If you ask another kind of person, they'll tell you these are pipes for smoking crack cocaine. In September 2008 at a palazzo gallery in Brescia, Italy, Dan Colen and Nate Lowman installed the third incarnation of an evolving body of collaborative work. A long-envisioned but, until Italy, unrealized plan for a sculpture had been a "beaded" curtain made of "love roses" (and titled the same). The curtain was hung in a doorway leading into the ornate spaces housing the rest of their show. Dash snow arrived in Brescia when Colen and Lowman were finishing their installation. A close friend of the collaborators, snow had documented their shared process since its inception in 2007, and he continued here. As well-heeled Italian patrons (almost all of them women) arrived for the show's opening night, snow began shooting photographs of them passing through love roses on their way into the galleries. The piece created a theatrical plane through which snow could enter the partnership and break apart the odd boundaries of inclusivity and exclusivity inherent to art making and art consumption. In turn, this staging ground quickly provoked the visitors to make dramatic entrances. Every passage through love roses and across snow's lens built on the collaborative armature whether or not the participants were aware of the potential irony of the curtain or of the cumulative performance itself. At certain points, Lowman and Colen enter the frame of the photographs; at others, snow is visible in his simultaneously primary and tertiary role as auteur. The three planned to create a book from the images as soon as they saw Snow's processed film in 2008, however Snow passed away before they initiated the project. This book is made now through the collaboration of the Dash Snow Estate, Dan Colen, Nate Lowman and Brendan Dugan. cm 16x24; pp. 312; BW ills.; paperback. Rare and as new.…

Zustand: gut. 2013. Dash Snow. I love you, stupid. In englischer Sprache. pages.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Black cloth-covered boards with title debossed on spine; no dust jacket as issued. Photographs, collages and video by Dash Snow. Unpaginated (268 pp.), with four-color and black-and-white plates throughout. 11-3/8 x 8-3/4 inches. Published on the occasion of an exhibition at Peres Projects, Los Angeles. Out of print. Very scarce. As New. A Mint copy. From the publisher: "Readers of this book will not lack for images of penises (soft and hard), drug paraphernalia, naked old men, naked young women or melancholic landscapes. Featuring a variety of well chosen papers and several special inserted elements-like a bound-in, folded flyer reading, YOUNG PERFORMERS / TRANSEXUALS NEEDED For film by DASH SNOW (Private Location), $50hr, party favors included, Must be willing to take it off, Take IT FAR' -- God Spoiled a Perfect Asshole When He Put Teeth in Yer Mouth is titled after Snow's [recent] one-person exhibition at Peres Projects, Los Angeles. This riveting and highly collectible exhibition catalogue contains full-color illustrations of Snow's Dada-esque, playful and often nasty collage works and his photographs of Lower East Side 'counter-counter-culture.' It begins and ends with production stills from Snow's 2007 video, 'Untitled (Penis Envy).'" From Parr & Badger: "Snow began taking photographs as a teenager, as Thomas Michelli has written, 'to reclaim pockets of lost time: countless nights of hard partying that neither he nor his friends could remember the following day.' He became known for his small artist's books, in a typical zine style, which combined his snapshots, collages and found imagery with irreverant and ironic found texts, set a 'objects' against a matte black background.".…

Brossura. Zustand: ottimo. prima edizione. SNOW Dash (New York 1981 - New York 2009). New York, Karma, 2011, 23,6x16,8 cm., paperback [softcover], pp. [312], black and white illustrated artist's book, published after the exhibition "Wet Pain" by Dan Colen and Nate Lowman (Brescia, Apalazzo Gallery, September 29 November 29, 2008). Edition of 1000 unnumbered copies. …

Brossura. Zustand: ottimo. prima edizione. SNOW Dash (New York 1981 - New York 2009), COLEN Dan (Leonia, New Jersey, United States 1979) New York, Deitch Projects, 2008, 28,5x22,5 cm., hardcover, pp. [400], typographic cover, artist's book entirely illustrated with images taken during the installation / performance "Nest" at Deitch Project, from July 26 to August 18, 2007. Photographs by Jade Berreau, Jason Dill, Stefan Fitzgerald, Leo Fitzpatrick, Kathy Grayson, Patrick Griffin, Kristy Liebowitz, Julia Machado, Tom Powel Imaging, Jason Schmidt, SeMeNSPeRms, Dash Snow, Josh Wildman.…

Rilegato. Zustand: ottimo. prima edizione. New York, Karma - Dash Snow Archive, 2011, 22x15 cm., loose sheets with elastic band, pp. [168], black and white zine facsimile of the original maquette, illustrated with various movie posters, mostly challenging or related to adult contents. Artist Dan Colen probably collaborated to this edition.…

Zustand: Wie neu. D.A.P., New York. 2013. First english edition, first printing. Mint, new, unread; originally shrink-wrapped in publisher`s plastic foil. Paperback with flaps (as issued). 185 x 278 mm. 440 pages. 430 color photos. Edited by: Mary Blair Hansen. Text: Glenn O`Brien. Text in english. Perfect condition! Sammler-Exemplar! "New York artist Dash Snow`s death in July 2009, two weeks before his 28th birthday, sent shockwaves of grief through the art world, though it was not unexpected. Since his late teens, Snow had used photography to documents his days and nights of extreme hedonism - nights which, as he famously claimed, he might not otherwise remember. As these Polaroid photographs began to be exhibited in the early 2000s, Snow was briefly launched to art-world superstardom, keeping company with the likes of Dan Colen and Ryan McGinley, with whom he pioneered a photographic style whose subject matter is best characterized in McGinley`s brief memoir of Snow: "Irresponsible, reckless, carefree, wild, rich--we were just kids doing drugs and being bad, out at bars every night. Sniffing coke off toilet seats. Doing bumps off each others` fists. Driving down one-way streets in Milan at 100 miles an hour blasting `I Did It My Way` in a white van." Dash Snow: I Love You, Stupid compiles these famous Polaroids, previously only published in relatively expensive editions. Opening with scenes of friends crashed on beds and couches, floors and even the street, it records hazily snatched glimpses of sex, hard drugs and hanging out; adventures in cars, baths, pools, subway cars, friends` apartments, on boardwalks and rooftops." (from the publisher)**********D.A.P., New York. 2013. Amerikanische Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Klappenbroschur (wie erschienen). 185 x 278 mm. 440 Seiten. 430 Farbfotos. Herausgeber: Mary Blair Hansen. Text: Glenn O`Brien. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! "Die Polaroids waren Dash Snows "Eintritt" in die Kunstwelt und wurden der Legende nach von ihm gemacht, um Erlebnisse zu dokumentieren, an die er sich aufgrund seines Rauschzustandes sonst nicht erinnern könnte. Die sehr spontan wirkenden Aufnahmen zeigen skurrile Alltagsszenen, Partys, Drogenkonsum, sexuelle Anspielungen und sehr intime Portraits aus der Umgebung des Künstlers. In vielen Polaroids taucht der Künstler selbst auf und wird damit gleichzeitig zum Verwalter und Subjekt seiner Bilder." Sprache: Englisch Gewicht in Gramm: 1600. …

Zustand: Gut bis sehr gut. Snow, Dash - [Roth, Andrew] (Hrsg.). Movie List. Mit zahlreichen Offset-Illustrationen. [New York], Movie List PPP Editions, 2011. 21,5 x 14 x 12 cm. 83 ] Bll. Handgeschöpftes schwarzes japanisches Gampi-Papier als Buchrücken, Vollgoldschnitt, in Original-Papp-Schuber mit handgeschöpftem schwarzem japanischen Gampi-Papier als Überzug. - Eines von 75 auf losem Beiblatt nummerierten Exemplaren. Von den ursprünglich 175 geplanten Exemplaren wurden lediglich 75 realisiert. - Ein Buch-Objekt, das aus einer Original-Maquette aus dem Nachlass von Dash Snow entstanden ist und die Ausstellung mit einer Auswahl seiner Original-Zine-Arbeiten begleitet. Buch zur ersten Einzelausstellung von Snow in New York City seit 2006. - Einband in den Rändern leicht berieben und kratzspurig. Innen sehr gut erhalten.…

0. The End of Living - The Beginning of Survival. Katalog. Berlin 2007. Text von Anna T. Berger. 4to. 244 S. mit 285 meist farb., meist ganzseit. Abb., Ppbd. Die MarkeÙ Dash Snow hat sich schon vor Jahren in New York etabliert: als Tag an jeder freien Wand der Stadt. Mit sechzehn organisierte er eine Gruppe von Sprayern, die sich Irak nannte, was im Slang soviel bedeutet wie Ich klaueÙ und in dieser Zeit zu seinem Überlebensprinzip avancierte. So thematisieren seine Polaroids, die oftmals auch in Fanzines integriert wurden, von den nächtlichen Streifzügen durchweg das Abseitige der urbanen Jugendkultur. Diesen dokumentarischen Betrachtungen einer exzessiv erlebten Umwelt, die allein an das Gesetz der Straße gebunden ist, folgen neuerdings politische Collagen, die sich mit der Wildwest-Politik der amerikanischen Regierung auseinandersetzen. In ihrem Verständnis der visuellen Anarchie knüpft Snow mit ihnen konzeptuell an die dadaistische Tradition von Hannah Höch und John Heartfield an. Auch formal scheinen die Collagen aus einer anderen Zeit zu stammen. Snow unterzieht alle Materialien einem sorgfältigen Alterungsprozeß, treibt die Werke an den Rand ihrer Substanz und unterstreicht so das inhaltliche Thema, Endlichkeit. Gleichzeitig haftet den Fragmenten aus antiquarischen wie aktuellen Vorlagen etwas Zeitloses an.…