snelson kenneth (27 Ergebnisse)

First Edition. First edition. Oblong softcover. 88 pages. Exhibition catalog for a show that started in Washington, D.C. for a run of June 4 through August 9, 1981, then September 12 through November 8, 1981 in Buffalo and January 15 through February 21, 1982 in Houston. Organzied by Douglas G. Schultz. Features a foreword by Robert T. Buck and an essay by Howard N. Fox. Includes numerous black and white illustrations. A near fine copy in wrappers.

Zustand: Muy bueno. : Full Circle es una colección de fotografías panorámicas de Kenneth Snelson de ciudades como París, Venecia, Roma, Siena y Kioto. El libro incluye un ensayo de Laurance Wieder y un epílogo del propio Snelson. EAN: 9780893814380 Tipo: Libros Categoría: Arte y Cultura Título: Full circle Autor: Kenneth Snelson Idioma: en Páginas: 95 Formato: tapa dura.

Soft cover. Zustand: Very Good. 1st Edition.

First Edition. First edition. Oblong softcover. 16 pages. Exhibition catalog for a show that ran November 4 through December 30, 1984. Includes color and black and white images by Chuck Close, Robert Cumming, David Hockney, Nancy Holt, Sol Lewitt, Lucio Pozzi, Robert Rauschenberg, Lucas Samaras, Naomi Savage, George Segal, and Kenneth Snelson. A near fine copy in stapled wrappers.

OKart., 26 x 31 cm (quer). Zustand: Gut. 88 Seiten, Begleitband zu einer Ausstellung. - Mit zahlreichen Abbildungen. - Etwas berieben. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9780914782391 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1001.

Softcover. Zustand: Sehr gut. 1. Auflage.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran March 31 through May 27, 1995. Features text in English and Japanese. Features a foreword by Kiichi Iino, an artist statement by Snelson and some additional comments by various people. Includes 12 black and white illustrations, chronology, a list of public collections and a checklist. A fine copy in French style wrappers. A nicely printed catalog that is fairly uncommon, with only 4 copies listed in OCLC.

Softcover. Quarto, unpaged. In Very Good condition. Spine is white with black print. Cover is white with illustration, black print. Illustrated: b&w frontispiece portrait, color photographs. Exhibition catalog. Text in Japanese and English. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in quarto column. 1408116. FP New Rockville Stock.

Soft cover. Zustand: Fine. First Edition. Fold out in a portfolio, illustrated in B&W. - Kenneth Snelson - Stress Structures - Text by John Coplans. Size: 293 x 210 Mm. Book.

Soft cover. Zustand: Very Good. Text in dutch and english, 4to, soft cover, portfolio with 12 fold out pages, illustrated, very good copy. Cover yellowed.

Zustand: Good. Folio. 16 pp. Very Good. Soft cover. Illustrated paper wraps. Staple binding. Color plates throughout. Text in French.From the Collection of the Art Historian Peter Selz (1919-2019).

Zustand: Good. Folio. 14 pp. Very Good. Soft cover. Illustrated paper wraps. Minor shelf wear. Color plates throughout. From the Collection of the Art Historian Peter Selz (1919-2019).ISBN: 9780897974189.

Hardcover. Zustand: Gut. Schutzumschlag berieben - ansonsten sauberes und wohlerhaltenes Exemplar. Halbleineneinband mit Schutzumschlag. 95 Seiten. 849 Gramm. 25x29cm. Englisch. Mit zahlreichen farbigen Fotoabbildungen.

softcover. Zustand: Sehr gut. [34] p. Text in Croatian and Italian. Sprache: Italienisch Gewicht in Gramm: 124.

OLeinen ( Flexibel ). 107 S., 6 Blatt Inserententeil. GUTER ZUSTAND leicht fingerfleckig Size: 20 x 19 Cm. 550 Gr.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Hard Press Editions, 2009. Quarto. Hardcover. Signed and inscribed by Kenneth Snelson on the title page. Book is like new with very light toning to the page ends. Dust jacket is like new with very light shelf wear. A fine copy of this look into the art and constructions of Kenneth Snelson.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

broschiert, 0. zahlr. Abbildungen, 60 S., broschiert, gut erhalten, 0.500 kg.

First Edition. First edition. Oblong softcover. Exhibition catalog for a show that ran September 18 through October 20, 1978. Acknowledgements and introduction by Elaine A. King. Includes two black and white images by each of these photographers: James Alinder, David Avison, Rusty Culp, Globus Brothers, Anne Noggle, Joanne Rijmes, Art Sinsabaugh, Kenneth Snelson, Robert Stiegler, and Laura Volkerding. Also includes information about each artist and a checklist. A near fine copy in stapled wrappers with some minor wear. Uncommon.

Erste Auflage. 24 x 29 cm. 95 S. OHalbleinen mit OUmschlag. Einband und Umschlag mit geringen Stauchungen an den Stoßkanten, sonst gutes Exemplar. Text in Englisch / Text English. Durchgehend mit doppelseitigen farbigen Abbildungen versehen.

Wraps. 60p. A fine copy. From an exhibition organized by NOVO in 1989-90. Contains several articles and numerous illustrations. SIGNED BY SNELSON on half-title page. Size: 8vo. Book.

Soft cover. Zustand: New. In the Returned Letter Offices of Great Britain to 1912 and Beyond (referred to as RLOGB in text), published in 2017, we described the development and roles of Returned Letter Offices (1). We also provided lists of relevant stationery items known to us at that time. These included wrappers and envelopes for undeliverable mail, detained for postage notices, form letters and labels. The Postmaster General approved the replacement of wrappers by envelopes for returning undeliverable mail on 19 January 1852. Envelopes from Period I and early Period II show features seen on the wrappers which preceded them. These include an explanation, caution about sending valuables and an imitation seal. From then there was a gradual change in the type of envelope seen with different sizes, different purposes, different designations and different coloured paper all being seen. In addition, on several occasions standardisations of envelopes took place. These factors have led to a complex family of envelopes developing over more than 150 years. Major changes in design of or printing on envelopes are listed as subtypes. Minor changes have been excluded so as not to over complicate the Tables many of which, for example those of the PR types, are already rather long. We have previously illustrated the reason for different designations, the range of numbers printed on envelopes (purpose and size) and devised a description-based classification (RLOGB page 185). The complete classification is shown here for the first time. It divides envelopes into seven Periods from their introduction in 1852 to 2020, near to the end of the reign of Queen Elizabeth II. In RLOGB our description of envelopes ended in about 1920, midway through Period V. The aim of this publication is to update and complete the classification of envelopes used for returning undeliverable items. The text is divided into two parts. Part 1 describes an overview of all seven Periods of the classification. New information for and corrections to RLOGB are also included. In Part 2 envelopes of Period V are completed and those of Periods VI and VII are described. The same style has been used as in the original book.

24 pp.; 42.8 x 31.5; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February - March 1971 issue of Flash Art, edited by Giancarlo Politi. Cover artworks: Field that can be entered, by Gianni Colombo; Amore Mio, exhibition at Montepulciano, July 1970, by Jannis Kounellis; One-man show at the Daniel Templon Gallery, Paris, October, 1970, by Ben Vautier and Mass at the Daniel Templon Gallery, Paris, November, 1969 by Michel Journiac. Contents include: artists' statements, images and texts by Michel Journiac, Catherine Millet, Gianni Colombo, Jannis Kounellis, Ben Vautier, Angela Davis, Enea Ferrari, Joseph Beuys, Bruce Nauman, Walter de Maria, Gilbert and George, Emilio Prini, Gail Schneider, Clair Colquitt, William Wiley, Italo Tomassoni, Francois Morellet, Dan Flavin, Fred Sandback, Ed Kienholz, Bernar Venet, Roberto Sanesi, Claudio Costa, Mario Ceroli, Giancarlo Croce, Gina Pane, Aldo Tagliaferro, James Coleman, Kenneth Snelson, and Georges Noel. Texts in English and Italian. Good / Very Good. Folded in through the horizonal center as issued. Light edgewear and bumping of corners. 4 cm. staining on bottom right corner of verso. Contents otherwise clean and unmarked.

1. Auflage. 29 x 21 cm. 12 unpaginierte S. OKarton-Klappmappe. Hinterer Umschlagdeckel oben am Rand lichtrandig, sonst gutes Exemplar. Mit einer Leporelloeinlage mit 6 ganzseitigen s/w Fotoabbildungen von Plastiken, verso ein Interview mit John Coplan und Kenneth Snelson in Niederländisch und Englisch. Die Mappe ebenfalls mit Klappentexten. Beiliegend 5 Bleistiftskizzen, jeweils 10,5 x 7,5 cm auf Papier mit angedeuteten Strukturen, die sich aus den Metallstabskulpturen der "Stress Structures" ergeben: ein Tutlinscher Turm, ein Ladekran im Rheinhafen, eine Barriere etc. Eine Zeichnung unten rechts handschriftlich monogrammiert K.S. und datiert 1970. Die Wanderausstellung, die im Rijksmuseum Kröller-Müller in Otterlo / Niederlande begann, war für den 27. September bis 26. Oktober 1969 auch im Düsseldorfer Rheinpark geplant. Realisiert wurde sie dann tatsächlich erst in der Zeit vom 24.4. bis 13.5.1970 im Rheinpark. Snelson war anwesend und hat am Aufbau mitgewirkt. In diesem Zusammenhang entstanden wohl auch die kleinen Zeichnungen, da eine davon einen nahe dem Park gelegenen Ladekran zeigt. [Aus dem Besitz eines ehemaligen Angestellten der Kunsthalle Düsseldorf].

Soft cover. Zustand: New. The book, arranged in 3 parts, provides postal historians and collectors of UK postal history with a comprehensive reference on the handling of undeliverable mail, the history of the Returned Letter Offices (RLOs), the stationery of the RLOs and the rules and procedures used in the RLOs. - Part A handles the history of the RLOs based on extensive research in PO archives, including information on some of the PO officials who were influential. - Part B lists the stationery of the RLOs including wrappers and envelopes used to enclose returned mail and forms and labels used. This is the first comprehensive listing since Dendy Marshall's listing of wrappers and envelopes in 1940. - Part C presents a collection of documents, rules and procedures relating to the treatment of undeliverable mail, including complete transcripts of the rules as they were in 1897 and again in 1917. The wide range of stationery used is listed. In 1912 most returned letter work was moved to Head Post Offices and several RLOs were closed. The book shows the effects of these changes.

x + 486pp, 1st ed., new in D/W.

4 vol. : [1] pp. ; [2] pp. ; [1] pp. ; [1] pp.; 4 vol. : 12.5 x 17.5 cm. ; 14.5 x 14.5 cm. ; 16 x 21.3 cm. ; 16 x 21 cm.; loose card[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Complete set of four announcement cards published in conjunction with the "Language" exhibitions at Dwan Gallery: "Language to be looked at and / or things to be read [aka : Language I]," opening June 3, 1967, including artists Carl Andre, Arakawa, Walter De Maria, Marcel Duchamp, Dan Flavin, Dan Graham, Robert Indiana, Jasper Johns, On Kawara, Edward Kienholz, Sol LeWitt, Roy Lichtenstein, Rene Magritte, Filippo Marinetti, Robert Morris, Claes Oldenburg, Francis Picabia, Ad Reinhardt, Robert Smithson, Kenneth Snelson. "Language II," held May 25 - June 22, 1968, including Bill Copley, Hanne Darboven, Robert Indiana, Arakawa, Robert Morris, Dan Graham, Dan Flavin, Dennis Oppenheim, On Kawara, Lawrence Weiner, Carl Andre, Joseph Kosuth, Robert Rauschenberg, Michael Heizer, Robert Smithson, Ray Johnson, Sol LeWitt, Marcel Duchamp, Edward Kienholz, Walter De Maria, Allan Kaprow, William Anastasi, Bernar Venet, James Lee Byars, Jackson MacLow, William T. Wiley, Nikolai Kozlov, Elaine Sturtevant, Rosemarie Castoro, Dick Higgins, H.C. Westermann, Lila Katzen, Mel Bochner, Peter Hutchinson, Geoff Hendricks, Rentersward, Dunn, Freifeld, Meeneley, Katz. "Language III," May 24 - June 18, 1969, including Jim Richmond, Luis Camnitzer, Roger Cutforth, Ronald Gross, Schuldt, Michael Benedikt, Charles Frazier, Ruth Jacoby, Joseph Kosuth, Fred Sandback, Walter De Maria, Sol LeWitt, Robert Smithson, Robert Rauschenberg, Robert Newman, John Perreault, Vito Acconci, Lawrence Weiner, Robert Barry, Douglas Huebler, John Baldessari, Adrian Piper, Hannah Weiner, John Giorno, Terry Atkinson, Michael Baldwin, Iain Baxter, Hanne Darboven, On Kawara, Christine Kozlov. "Language IV," held June 2 - June 25, 1970, including Arakawa, Joseph Kosuth, Kenneth Snelson, Robert Morris, William Anastasi, Mel Bochner, Bernar Venet, Francis Picabia, Fillipo T. Marinetti, Johnson, Jasper Johns, Marcel Duchamp, Walter De Maria, Robert Smithson, Ross, Claes Oldenburg, Michael Heizer, Terry Fugate-Wilcox, Wilson, Reinhardt Bryant, Denes, Gins, Edward Kienholz, Carl Andre, Novak, Adrian Piper, Lawrence Weiner, HoJo, Dorothea Rockburne, Jonathan Borofsky. Fine. All four cards clean and unmarked as issued.

Farbige Originalgraphik (Farbserigrafie, Ibiza, Galeria Carl van der Voort,10 x 10 cm) in Klappkarte (15 x 15 cm), eigenhändig signiert, nummeriert und datiert 1971. Nr. 265/350 Geometrische Figur in blau, rot und schwarz.