Anbieter: Ammareal, Morangis, Frankreich
EUR 5,84
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Bon. Ancien livre de bibliothèque. Edition 1968. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1968. Ammareal gives back up to 15% of this item's net price to charity organizations.
Sprache: Englisch
Verlag: Museum of Modern Art New York, NY, 1976
ISBN 10: 0870702882 ISBN 13: 9780870702884
Anbieter: Specific Object / David Platzker, New York, NY, USA
96 pp.; 28 x 21 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1976. Essay by Bernice Rose. Artists include Carl Andre, Art & Language, Joseph Beuys, Mel Bochner, James Lee Byars, John Cage, Christo, Chuck Close, Hanne Darboven, Jim Dine, Mark di Suvero, Oyvind Fahlström, Dan Flavin, Richard Hamilton, Michael Heizer, Eva Hesse, David Hockney, Jasper Johns, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Robert Morris, Bruce Nauman, Claes Oldenburg, Blinky Palermo, Panamarenko, Larry Poons, Robert Rauschenberg, Bridget Riley, Dorothea Rockburne, Robert Ryman, Fred Sandback, Richard Serra, Robert Smithson, Frank Stella, Jean Tinguely, Richard Tuttle, Cy Twombly, Andy Warhol, and Lawrence Weiner. Includes notes to the text. Very Good. Light yellowing and rubbing of cover edges with a 3 cm. area of staining from removed pricing sticker on verso and light bumping of bottom edge of verso. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Sprache: Englisch
Verlag: University of Utah Press, Salt Lake City, 2001
ISBN 10: 0874804469 ISBN 13: 9780874804461
Anbieter: Bookfever, IOBA (Volk & Iiams), Ione, CA, USA
Erstausgabe
Zustand: FINE. First printing. Written in consultation with some of the last shamans of the Havasupai Indians, who lived for centuries untouched by modern life in Cataract Canyon, a branch of the Grand Canyon, this book details their religious beliefs, customs and healing practices. xxi,123 pp plus bibliography. Fine in illustrated wrappers.
Verlag: New York, Johnson Reprint Corporation, 1971., 1971
Anbieter: Charbo's Antiquariaat, Amsterdam, Niederlande
Zustand: VG/--. Reprinted with the permission of the University of Utah. 4to. VIII+170 pp. With 19 b/w photogr., 2 tables. Bibliogr. Hardcover. Or. maroon cloth. (Ex-lib. copy: stamp on endp. & title, no outer marks).
Verlag: Los Angeles County Museum of Art Los Angeles, CA, 1971
Anbieter: Specific Object / David Platzker, New York, NY, USA
387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Verlag: Städtische Kunsthalle Düsseldorf, Germany, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.
Verlag: Museum of Contemporary Art / Specific Object Chicago / New York, IL / NY 1969 / 2008, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.
Verlag: Vito Acconci, New York, 1969
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Very Good. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. 96pp. Side stapled in unprinted white wrappers and NOT stamp "9 to 0" o the cover as usual. Very good or better with hint of toning, a bit of edgewear and the bottom edge of one internal page that is larger then the rest with tears and creases. Contributors include Jasper Johns, Sol Lewitt, John Perreault, Larry Fagin, John Giorno, Philip Corner, Rosemary Mayer, Hannah Weiner, Yvone Rainer, Alan Sondheim, Lee Lozano, Lawrence Weiner, Steve Paxton, Bernar Venet, Robert Barry, Dan Graham, Douglas Heubler, Robert Smithson, Karen Pirups-Hvarre, Michael Heizer, Robert Barry, Adrian Piper, Nels Richardson, and Bern Porter. The final standard issue of this important poetry magazine.
Verlag: Vito Hannibal Acconci / Bernadette Mayer New York, NY, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
116 pp.; 28 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue Number six of the irregularly issued periodical "0 to 9" edited by Bernadette Mayer and Vito Hannibal Acconci. Contains texts by Sol LeWitt, "Sentences on Conceptual Art"; Richard Johnny Jon and Jerome Rothenberg; Robert Smithson, "Non-Site Map of Mono Lake, California"; John Perreault; Yvonne Rainer; Mayer; Clark Coolidge; Acconci; Hannah Weiner; Les Levine; Adrian Piper; Eduardo Costa; Kenneth Koch; Philip Corner; Jack Anderson; Rosemary Mayer John Inslee. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 34 - 35 and 37. No. 3.6, 3.7, and 3.8 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 82, 86, 88, 230. Fair. Moderate soiling of covers including overall rubbing; 17.6 x 1.1 cm. area of water damage to bottom of recto which lightly carries through to the first two pages; multiple small tears along spine edge and areas of loss measuring 2 cm. and 6 mm.; 3.1 cm dog-ear to upper left corner; 2. 5 cm. dog-ear to upper right corner of recto and first two pages; and a 3 cm. indentation on recto. 2.3 cm. dog ear to top corner of verso with moderate rubbing and light indentations of verso; 1.2 cm. thick strip of soiling along top edge. Verso and last 26 pages of periodical have gentle bisecting fold mark. Soiling to page edges. Additional light handling wear.
Verlag: Dwan Gallery New York, NY 1967, 1968, 1969, 1970, 1967
Anbieter: Specific Object / David Platzker, New York, NY, USA
4 vol. : [1] pp. ; [2] pp. ; [1] pp. ; [1] pp.; 4 vol. : 12.5 x 17.5 cm. ; 14.5 x 14.5 cm. ; 16 x 21.3 cm. ; 16 x 21 cm.; loose card[s]; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Complete set of four announcement cards published in conjunction with the "Language" exhibitions at Dwan Gallery: "Language to be looked at and / or things to be read [aka : Language I]," opening June 3, 1967, including artists Carl Andre, Arakawa, Walter De Maria, Marcel Duchamp, Dan Flavin, Dan Graham, Robert Indiana, Jasper Johns, On Kawara, Edward Kienholz, Sol LeWitt, Roy Lichtenstein, Rene Magritte, Filippo Marinetti, Robert Morris, Claes Oldenburg, Francis Picabia, Ad Reinhardt, Robert Smithson, Kenneth Snelson. "Language II," held May 25 - June 22, 1968, including Bill Copley, Hanne Darboven, Robert Indiana, Arakawa, Robert Morris, Dan Graham, Dan Flavin, Dennis Oppenheim, On Kawara, Lawrence Weiner, Carl Andre, Joseph Kosuth, Robert Rauschenberg, Michael Heizer, Robert Smithson, Ray Johnson, Sol LeWitt, Marcel Duchamp, Edward Kienholz, Walter De Maria, Allan Kaprow, William Anastasi, Bernar Venet, James Lee Byars, Jackson MacLow, William T. Wiley, Nikolai Kozlov, Elaine Sturtevant, Rosemarie Castoro, Dick Higgins, H.C. Westermann, Lila Katzen, Mel Bochner, Peter Hutchinson, Geoff Hendricks, Rentersward, Dunn, Freifeld, Meeneley, Katz. "Language III," May 24 - June 18, 1969, including Jim Richmond, Luis Camnitzer, Roger Cutforth, Ronald Gross, Schuldt, Michael Benedikt, Charles Frazier, Ruth Jacoby, Joseph Kosuth, Fred Sandback, Walter De Maria, Sol LeWitt, Robert Smithson, Robert Rauschenberg, Robert Newman, John Perreault, Vito Acconci, Lawrence Weiner, Robert Barry, Douglas Huebler, John Baldessari, Adrian Piper, Hannah Weiner, John Giorno, Terry Atkinson, Michael Baldwin, Iain Baxter, Hanne Darboven, On Kawara, Christine Kozlov. "Language IV," held June 2 - June 25, 1970, including Arakawa, Joseph Kosuth, Kenneth Snelson, Robert Morris, William Anastasi, Mel Bochner, Bernar Venet, Francis Picabia, Fillipo T. Marinetti, Johnson, Jasper Johns, Marcel Duchamp, Walter De Maria, Robert Smithson, Ross, Claes Oldenburg, Michael Heizer, Terry Fugate-Wilcox, Wilson, Reinhardt Bryant, Denes, Gins, Edward Kienholz, Carl Andre, Novak, Adrian Piper, Lawrence Weiner, HoJo, Dorothea Rockburne, Jonathan Borofsky. Fine. All four cards clean and unmarked as issued.
Verlag: Museum of Contemporary Art Chicago, IL, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.
Verlag: Museum of Contemporary Art Chicago, IL, 1969
Anbieter: Specific Object / David Platzker, New York, NY, USA
[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.