smith susan davis (13 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Folio.

Zustand: New. In.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. 1st ed., 1st printing ; 379 pp. : ill., maps ; 25 cm. ; LCCN: 96-17740 ; ISBN: 1570362777 ; OCLC: 34584021 ; grey and black cloth with silver lettering, in white, black and red dust jacket ; slight wear, Contents: Preface -- Prologue -- Chap. 1. Zaire, 1983/1965 -- Chap. 2. Of epidemiology and potato salad -- Chap. 3. Suffer the children -- Chap. 4. The death of a nurse from Yambuku -- Chap. 5. The battle commences -- Chap. 6. The Ebola trail -- Chap. 7. The deserted hospital -- Chap. 8. My place among the dead -- Chap. 9. Learning Lassa -- Chap. 10. Of souls and centrifuges -- Chap. 11. Magic bullets -- Chap. 12. Kadiatu -- Chap. 13. Nzara revisited -- Chap. 14. Sue's story -- Chap. 15. Virology, plumbing and Ebola -- Chap. 16. Level 4 : British style -- Chap. 17. The outbreak that escaped -- Chap. 18. A free woman from La Cite? -- Chap. 19. Project SIDA begins -- Chap. 20. HIV reveals its past -- Chap. 21. HIV goes downriver -- Chap. 22. The Lassa project revisited -- Chap. 23. Jenny Sanders in Segbwema -- Chap. 24. Sunset over Segbwema -- Chap. 25. Of mice and peanut shells -- Chap. 26. Lassa moves to Chicago -- Chap. 27. Juju -- Chap. 28. Ebola in Virginia? -- Chap. 29. The Asian bombshell -- Chap. 30. The infected animal handlers -- Chap. 31. The monkey expedition -- Chap. 32. Desert fevers -- Chap. 33. Cathedrals -- Chap. 34. The stricken surgeons -- Chap. 35. Between two worlds -- Appendix 1. A viral pedigree -- Appendix 2. The hot lab -- Acknowledgements -- Index. ; Personal account of the author's work in the ultra high-tech "hot zone" lab that he created at the Centers for Disease Control headquarters in Atlanta battling such viruses as Ebola, Lassa fever, Crimean Congo Hermorrhagic Fever, and AIDS and searching for weapons with which to combat them. ; VG/VG. Book.

Soft cover. Zustand: Very Good. 1st Edition. Softcover, 96 pages : illustrations (some color) ; 25 cm. Very good, spine/wrappers sunned (as usual).

196 pp.; 30.8 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1974 issue of Studio International with cover specially designed for this issue by Klaus Rinke. Edited by Peter Townsend. Contents include: "Art and industry: a systematic approach," by Bernard Smith; "Correspondence;" "On Mounds," by James Davis; "Memories of passing: a note on Richard Long," by R.H. Fuchs; "Phenomenology of a time-space system," by Evelyn Weiss; "Georges Vantongerloo: mathematics, nature and art," by Margit Staber; "Sage of machine wit," by Howard E. Wooden; "Malevich and 'the fourth dimension,'" by Susan Compton and "Review." Good. Light curling of spine edge, rubbing of cover edges, scratching of covers, and finger oil staining on verso from handling. 3.7 cm. dog-ear to top left corner of verso. 5.7 cm. of writing in pencil on first page. Bumping of top right corner of contents. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

60 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1987 issue of Journal. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors.and were created especially for the magazine." -- from the introduction. Each artist provided a single page for individual artists' projects. COntents include: "Local/International," edited by Muntadas and Mar Villaspesa, featuring Agustin Parejo School, Joan Rabascall, Victoria Gil, Federico Guzman, Ana Busto and Rafael Agredano; "Chicago Artists," edited by Hudson, featuring Kay Rosen, Mark Pederson, David Sedaris, Jeanne Dunning and Johnny Pixchure; "German Artists," edited by Stuart Regen, featuring Imi Knoebel, Andreas Shulze, Jiri Georg Dokoupil, Walter Dahn and Rosemarie Trockel; "London Artists," edited by Andrew Graham-Dixon, Greg Hilty and Kate Macfarland, featuring Hannah Collins, Anthony Wilson, Richard Wilson, Helen Chadwick and Kate Whiteford; "Los Angeles Artists," edited by Colin Gardner, featuring Larry Johnson, Douglas Huebler, Alexis Smith, David French and Mitchell Syrop; "Eight Artists Respond to a Photo," edited by Dorit Cypis, featuring Paul McMahon/Leeny Sack, John Schlesinger/Reese Williams, Valerie Ellis/ Marion McClinton and Adriana Angel/Morgan Thomas; "New York Artists," edited by Susan A. Davis, featuring Susan Davis, Beje LaRico, Michael N. Ballou, Aura Rosenberg and Barbara Broughel; "French Artists," edited by Catherine Arthus-Bertrand, featuring Dominique Gonzalez-Foerster, Gilles Mahé, Ernest T. and Felice Varini; "Pirri Mantegna Petroiusti Roma," edited by Caterina Borelli, featuring Alfredo Pirri, Gianfranco Mantegna and Cesare Petroiusti and "Artists in Vienna," edited by Peter Pakesch, featuring Heimo Zobernig, Herbert Brandl, Gerwald Rockenschaub, Markus Geiger and Otto Zitko. Very Good / Fine. Light rubbing of covers and spine edge with 1.3 cm. area of gentle bumping to verso. Contents clean and unmarked.

Softcover. Zustand: Near Fine. First edition. Stapled wrappers. 65pp. Edges lightly age-toned and bumped, near fine. Contributions by Robert M. Philmus, Margaret Edwards, Ron Loewinsohn, Priscilla Shames, James Reiss, Eric Felderman, Louise Gluck, Daniel Cassidy, Jr., Douglas L. Eichhorn, Paul W. Roewade, Joseph W. Survant, David Landon, Paul Brinkley-Rogers, Peter Welter, Helen Pringle, Anne Cleaves, David E. Cummings, William Pitt Root, Paul Oppenheimer, Shirley Kaufman, Stan Rice, DeWitt Beall, Jane Yolen, Gay Cothran, Kenneth Fields, Benito Cereno, John Peck, David Ransom, Tim Reynolds, L. Wittgenstein, Rodham Tulloss, McLister, Mary Maxwell Davis, Janis Adams, Roger H. Fogelman, Henry Taylor, Richard L. Pevear, Alexander Theroux, James Scay, Coburn Freer, E.G. Leimbacher, Frances McConnel, Susan Mitchell, David F.R. McGeary, Hunt Hawkins, and Patricia C. Smith.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.