smith john raphael (25 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

1st edition. Good copy in the original paper-covered boards. Spine bands and panel edges somewhat dulled and dust-toned as with age. Remains well-preserved overall. Physical description; 1 preliminary leaf, 6 pages VIII color mounted plates 31 x 25 cm. Notes; Each plate accompanied by guard sheet with descriptive letterpress. Subjects; Smith, John Raphael 1752-1812. Smith, John Raphael 1752-1812 color prints 18th century. Printmakers Great Britain. Prints. Color prints. 3 Kg.

1st edition. Very good cloth copy, gilt-blocked title to spine. Spine bands and panel edges slightly dust-toned and rubbed as with age. Minor library marks remain (internally). Remains particularly well-preserved overall. Physical description; 6 pp., 8 plates ; 30 cm. Subjects; Smith, John Raphael 1752-1812. Printmakers Great Britain. Color prints. 3 Kg.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

First Edition. Fair to good copy in the original title-labelled, decorative paper-covered boards. With a protecitve clear plastic cover. Lacking spine cover - text block intact. Hinges starting. Panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Further scans, images etc. and additional bibliographical material available on request.; 8vo 8" - 9" tall; 1 pages; Physical description: 6 p., [8] leaves of colour plates ; 31cm. Subjects: Smith, John Raphael, 1752-1812. Printmakers -- Great Britain -- Prints. Notes: Each plate accompanied by guard sheet with descriptive letterpress. 6-page introduction by Malcolm C. Salaman. 3 Kg.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good hardcover copy without dustjacket. Clean, unmarked pages. Text is in French.

Soft cover. Zustand: Fine. 27 Plates (illustrator). 1st Edition. (32) Pp. Booklet, Staple-Bound, Illustrated, In Card Covers. 27 Loose Plates. In Portfolio With $7.50 Price. Booklet And Plates Fine, Portfolio Dusty And With Many Small Chips Right Along Fore Edge And Upper Folds. The American Social Artist William Gropper's Copy Although Not Marked As Such; He Furnished One Of The Tributes In The Booklet.

Hardcover. Zustand: Brand New. illustrated edition. 320 pages. 10.75x8.50x1.25 inches. In Stock.

John Raphael Smith (illustrator). 'WHAT YOU WILL.'This print shows an image of a naughty looking lady in a fancy dress sitting under a huge tree on a bench with a dog next to her feet. The titel is: What you will. Mirror image can be found on the internet.Made by John Raphael Smith after own design.Medium: Photogravure in reverse on wove paper.Sheet size: 28.7 x 39 cm (11.3 x 15.35 inch). Image size: 20.3 x 37.5 cm. (7.99 x 14.76 inch).NAUGHTY WOMAN-DOG-FASHION-HUGE TREE-BENCH | RBOS-A8-15BACKGROUND INFORMATIONSource: unknown, to be determined.Biography artist: John Raphael Smith (1751 1812) was an English painter and mezzotint engraver, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Condition: good, given age. Fold in upper right corner. Foxing. Remains of paper tape on reverse. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. Stipple Engraving. Oval. 4" x 3.5", Very Good. Name penciled on verso.

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr. Francis Burdett for your portfolio & one in an unfinished state of Mr. Tooke which the bearer will bring back or call again for & a compleat impression shall be sent you in a ten day, as soon as they can be printed, the plate is finished but none taken off yet, the unfinished one will do for a certain purpose & a finished one much the better for your portfolio'.

Platte: 29,8 x 24 cm; Blatt: 42,2 x 32 cm etwas angestaubt, etwas stockfleckig, rechtes obere Eck leicht knittrig, sonst gut Sprache: Deutsch 1001 gr.

96 pp.; 25.5 x 20.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Zine published in conjunction with exhibition held in Paris which presented work from the JRP|Ringier publishing program. Artists and writers who had collaborated with JRP|Ringier in the past were invited by Gilles [Gavillet] and Ari Marcopolous to submit work on a 20.5 x 25.5 cm (8 x 10 inch) page or spread. Artists include: Ari Marcopoulos, Ugo Rondinone, Erik Steinbrecher, Allen Ruppersberg, Richard Prince, Olaf Breuning, Tom Burt, Steven Shearer, David Robbins, Francis Baudevin, Scott King, Mai-Thu Perret, Michele Robecchi, Daria Martin, Christophe Cherix, Liam Gillick, Amy O'Neill, Pierre Huyghe, Armin Linke, Art & Language, Xavier Veilhan, Vidya Gastaldon, Gianni Motti, AA Bronson, Karl Holmqvist, Jim Shaw, Olivier Mosset, Michael Smith, Philippe Decrauzat, Andrea Thal, Monica Bonvicini, Nicolas Trembley, Frabrice Gygi, Balthazar Lovay, Hans Ulrich Obrist, Paul O'Neill, Fabrice Stroun, Guyton\Walker, Walter Pfeiffer, Flag, Ján Mancuska, Andro Wekua, Raphael Gygax, John Welchman, Elodie Pong, Ivana Keser, Mathieu Mercier, Philippe Rahm, William Kentridge, Valentin Carron, Sean Landers, John Armleder, Dan Walsh, and Linder. Cover by Ari Marcopoulos. Fine. New, as issued. Contents clean and unmarked.

London, MacMillan and Co., 1902, in-8°, 259 pp, ed. decorated cloth, 30 bl/w ills. Contains the oeuvre catalogue. Some foxing, especially the endpapers.

2. London, The Studio, 1927, in-4°, 6 pp + coloured tipped in reproductions, publisher's cased binding. (covers a bit soiled and discolored).

Zustand: Good. Mezzotint . Tipped onto a blue support sheet. 35 x 25cm. Tears without loss in lower margin. Repaired tear from the dog to the printed text. The copy at the British Museum lacks the printed date in the lower margin.British Museum number 1935,0522.1.16.Description Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest. 1774.Inscription content: Lettered with title and "Printed for Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church Yard, London.Published as the Act directs 25 June 1774.Curator's comments:. The shop is Carington Bowles's own shop in St Paul's Church Yard. All the prints in the window must be his publications. The date June 25 1774 appears on another impression. For another print of the window, see BMSat.6352.Bibliographic references:. D'Oench 1999 / Copper into Gold: Prints by John Raphael Smith (1751-1812) (45) BM Satires / Catalogue of Political and Personal Satires in the Department of Prints and Drawings in the British Museum (3758) . Frankau 1904 / Eighteenth Century Artists and Engravers: William Ward A.R.A. and James Ward R.A. (332). Chaloner Smith 1883 / British Mezzotinto portraits from the introduction of the art to the early part of the present century (undescribed).

Pastel. Glazed in the orig. contemp. giltwood frame; some light wear to extremities. Image approx. 61 x 51 cm A very nice large head-&-shoulders portrait of James White, 1775-1820, author and advertising agent. Born in Worcester, he spent his earliest days in the Malvern Hills, but in 1783 was admitted to Christ's Hospital on the presentation of Thomas Coventry. At school he cut something of a dandy: Leigh Hunt recalled 'admiring his handsome appearance, and unimprovable manner of wearing his new clothes'. His education ended in 1790, but he continued at Christ's Hospital, working as a clerk in the treasurer's office. A friendship with Charles Lamb, begun in their student days, now ripened. By the mid-1790s White was Lamb's 'most familiar friend'. Lamb introduced White to Shakespeare's Henry IV and White, a natural humorist, developed a powerful imaginative identification with Falstaff. He would 'talk to you nothing but pure Falstaff the long evenings through', and occasionally dressed up as Shakespeare's comic hero. He was even known among his friends as Sir John. This fascination with Falstaff culminated in Original Letters, &c. of Sir John Falstaff and his Friends from Genuine Manuscripts (1796), written with Lamb's assistance. The volume was designed as a humorous counterpart to William Henry Ireland's recent 'discovery' (i.e. forgery) of Shakespeare's manuscripts, though Lamb later liked to emphasise the purely literary value of the Letters, deriving, he said, 'from the fullness of a young soul, newly kindling at the Shakspearian flame, and bursting to be delivered of a rich exuberance of conceits'. Letters was not a success on first publication (although there were several posthumous editions) and appears to have been White's only attempt at authorship. In 1800 he founded an advertising agency in Warwick Square which moved to 33 Fleet Street about 1808, and became R. F. White & Son Ltd. This was, arguably, the first such agency to introduce the idea of writing copy for clients' advertisements. Tradition has it that James White was called on to place advertisements for the school and was thus pulled into the world of newspapers and advertising which had long centered around the taverns of Fleet street. Before long White found himself handling advertising for other people, he was able to operate this from his house which was next door to the school whilst continuing to work as a clerk in the treasurer's office. White had romantic ideas about the feasting practised in 'Old' England and took over Elizabeth Montagu's role as patron of May Day feasts for London's chimney sweepers. He served sausages instead of beef and pudding, acting as head waiter himself: Lamb's account of these merry occasions came in the form if his celebrated essay 'The praise of chimney-sweepers', which first appeared in the London Magazine in 1822, then in Essays of Elia. White married Margaret Faulder, 17921864, daughter of Robert Faulder, a bookseller, in 1811, and they had six children. He died at his house in Burton Crescent, London, on 13 March 1820, leaving a sizeable fortune, and was buried in Paddington churchyard. He was remembered as a man of unmatched good humour and drollness. In 1822 Lamb wrote of his friend: 'He carried away with him half the fun of the world when he died - of my world at least'. After his death, his business seems to have been initially managed by his wife, and was later taken over by his son Robert Faulder White. White's advertising agency, subsequently R.F. White & Son Ltd, remained in the hands of his family until the death of his great-grandson, Gilbert White, in 1962. PLEASE NOTE: For customers within the UK this item is subject to VAT at 20%.

Two uncoloured mezzotints, slight flaking to edges of sheets not affecting image. Attributed to John Raphael Smith, these satires comprise part of a set of six. D'Oench (1999), p. 19.

John Raphael Smith (illustrator). 'JOHN METCALF AGED 79.'Original antique print showing a portrait of John Metcalf (1717 - 1810), known as Blind Jack of Knaresborough or Blind Jack Metcalf, the first professional road builder to emerge during the Industrial Revolution.Made by Anonymous after John Raphael Smith.Medium: Engraving / etching on wove (vellin) paper.Sheet size: 10.3 x 18.3 cm (4.06 x 7.2 inch). Image size: 9 x 12.6 cm. (3.54 x 4.96 inch).JOHN METCALF-BLIND JACK-PORTRAIT | PCO-C46-20BACKGROUND INFORMATIONLater impression of a print published in York in 'The Life of John Metcalf 9.', 1795.Biography engraver: Engraver unknown / to be determined. Condition: good, given age. A few wrinkles. Remains of paper from previous attachment shining through, which we can remove on request. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Gut. Size (plate): 362 x 400 mm, mit kleinem umlaufenden Rändchen um die Plattenkante. *Chaloner Smith 187 (mit der Velegeradresse unten). - Nagler No. 96. Das Motiv der verliebten Lady nach Peters wurde später in kleinerem Format noch einmal gestochen von Charles White, aber nicht in der meisterlichen Behandlung wie bei Smith. - J.R. Smith war einer der größten Meister der Schabkunst in England, die zarten Abstufungen von Licht und Schatten sind hier im Bereich des Schleiers virtuos gemeistert. - Schöner, noch fast samtiger Abzug. Sprache: Deutsch Gewicht in Gramm: 1000.

Zustand: guter Zustand. Smith, John Raphael. Landschaft mit Stadt im Hintergrund.1810. Radierung / Strichätzung, alt ankoloriert. Originale Künstlergrafik, von John Raphael Smith. 8,4 x 9,3 cm (Blatt), 7,7 x 8,6 cm (Platte).Bauer 802. Engelmann 377. Aus: Desiderius Erasmus von Rotterdam, Lob der Narrheit. aus dem Lateinischen des Ersamus (Berlin und Leipzig: Georg Jacob Decker 1781). Schmalrandiges Blatt. Guter Zustand.John Raphael Smith (1752 Derby - 1812 Doncaster). Englischer Maler, Kupferstecher und Schabkünstler. Sohn des Landschaftsmalers Thomas Smith of Derby, Vater des Malers John Rubens Smith. 1767 ging er nach London, um sich im Kupferstich und der Miniaturmalerei zu etablieren. 1768 Heirat mit Ann Darlow. Danach wandte er sich der Mezzotinto-Technik zu, in der er seine größten Erfolge erzielte. So reproduzierte er über 40 Gemälde von Joshua Reynolds. Schabkunstblätter nach George Romney's Bildnis der Kinder von Earl Gower oder nach Thomas Gainsborough's Bildnis George, Prince of Wales führten ihn in den königlichen Hof ein. 1784 ernannte man ihn zum Mezzotint Engraver to the Prince of Wales. Ab 1781 erschienen Smith's Kupferstiche und Mezzotinto-Blätter im eigenen Verlag in London. Seine Schabkunst wurde bewundert, wurde allerhöchsten Ansprüchen gerecht, kultivierte delikate Zeichnung und ausdrucksstarke Farbwirkung gleichermaßen. Oben rechts monogrammiert und datiert: RJS 1810.

John Raphael Smith (illustrator). 'A WIFE / UNE FEMME MARIEE'A young married woman sits sewing in a domestic interior. A work-basket rests on a small round table to her right. A little girl sits on the floor beneath the table, propping up a doll on a small stool, while a little boy stands to the left by the window, reading from a book. The scene emphasizes family life, education, and domestic virtue.Made by John Raphael Smith after own design.Medium: Stipple engraving on wove (vellin) paper.Sheet size: 28.8 x 42.7 cm (11.34 x 16.81 inch). Image size: 26 x 39 cm. (10.24 x 15.35 inch).WIFE, MARRIED WOMAN, FAMILY SCENE, DOMESTIC INTERIOR, CHILDREN, MOTHERHOOD, SEWING, 18TH CENTURY, BRITISH PRINT | PCO-30-28BACKGROUND INFORMATIONPublished by John Raphael Smith, London.Reference: D'Oench, Copper into Gold, no. 310; Frankau, John Raphael Smith, no. 376.Biography engraver: John Raphael Smith (17511812) was a leading British engraver and publisher, renowned for his refined stipple engravings after paintings and his own designs. He played a major role in popularizing the stipple technique in late 18th-century Britain, particularly for portraits and genre subjects. Condition: good, given age. Light creasing, foxing and soiling. Trimmed to image. Thin paper spotin middle , backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

John Raphael Smith (illustrator). 'BRITISH STIPPLE PRINT; PART OF A KNOWN SET OF FOUR PRINTS (D'OENCH 309312). COMPARABLE EXAMPLES IN BRITISH MUSEUM COLLECTIONS.'A young girl with loose, curly hair stands in a classical interior with a chequered floor and a sweeping staircase in the background. She holds a shuttlecock and an oval battledore (BATMINTON) while smiling toward the viewer. A small dog at her feet watches attentively.Made by John Raphael Smith after own design.Medium: Stipple engraving on wove (vellin) paper.Sheet size: 34 x 45.3 cm (13.39 x 17.83 inch). Image size: 34 x 45.3 cm. (13.39 x 17.83 inch).MAID, YOUNG GIRL, GENRE SCENE, DOMESTIC INTERIOR, DOG, CHILDHOOD, 18TH CENTURY, BRITISH PRINT | PCO-E30-29BACKGROUND INFORMATIONPublished by John Raphael Smith, London.Reference: D'Oench, Copper into Gold, no. 309; Frankau, John Raphael Smith, no. 227.Biography engraver: John Raphael Smith (17511812) was a leading British engraver and publisher, renowned for his refined stipple engravings after paintings and his own designs. He played a major role in popularizing the stipple technique in late 18th-century Britain, particularly for portraits and genre subjects. Condition: good, given age. Light creasing, foxing and soiling.Trimmed to image. Thing paper spor in middle, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: Good. John Raphael Smith (illustrator). 'Credulous Lady and Astrologer (not on this print)'Stipple engraving on hand laid (vergé) paper. Sheet size: 20,8 x 30,2 cm. (8,2 x 11,9 inch). Image size: 16,4 x 26 cm. (6,5 x 10,2 inch).Published in 1786 by I.R. Smith in London.Made by 'Jean-Pierre Simon' after 'John Raphael Smith'. Jean-Pierre Simon (c.1750-c.1810). John Raphael Smith (English 1752-1812).Condition: Good, given age. Trimmed to oval image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ASTROLOGER-QUACK-HEALINGPCO-E8-26.