Smith ii henry d (23 Ergebnisse)

PAPERBACK. First edition. 75pp + ads b/w illustrations quarto paper. slight cover wear otherwise very good.

PAPERBACK. First edition. 104pp + ads b/w illustrations quarto paper. slight cover wear otherwise very good.

4to.; cloth covered boards, hardcover; 256 pages; black and white and color illustrations; Catalog of an exhibition organized by the Walker Art Center; very good in a very good dust jacket.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Hardcover in Very Good condition in very good dust jacket, folio, 256 pages. Blue cloth with titles in red, map, 119 color plates. First edition. Light wear, board edges sunned, dust jacket lightly worn, front upper tip worn with minor loss. Bookseller accession no.: 26303. Extra postage will be required for international shipment.…

broschiert/Taschenbuch. 254 S. (28 x 24,5 cm) OBrosch. 1.Aufl. Untere Ecke des Hinterdeckels minimal angerändert; sonst guter Zustand. /// /// intern4a9s0k /// ///.

4°, gebunden mit Umschlag-O. Zustand: Gut. 254 S Mit zahlreichen, überwiegend farbigen Abbildungen, in englischer Sprache, Umschlag leicht berieben, sonst sehr sauberes Exemplar. 116553_Kunst Sprache: Englisch Gewicht in Gramm: 2000.

Wrappers. Zustand: Near Fine. 128 pages 156 illustrations 100 in color. Some soiling, rubbing and wear to the paper cover and edges. Foxing to the edge and throughout. Minor creasing to the paper spine. Paperback edition. Published on the occasion of the exhibition from the Santa Barbara Museum of Art, Santa Barbara CA Bibliography. Book.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. 1st Edition. 224 pages in near fine condition. Pages are clean and unmarked, filled with beautiful black and white prints by Hokusai. Bound in blue cloth with red titles. Pink and white dustjacket in very good condition. Light wear on the edges. Lightly faded on the spine. 1ST EDITION. NF/VG+. Hokusai (illustrator). Book.…

Soft cover. Zustand: Fine. No Jacket. English text; Paperback; 20 x 24.6 cm; 1 Kg; 256 pages with colour Illustrations throughout; Catalogue from the exhibition held at the Royal Academy of Arts, London from the 3rd of July to the 28th of September 1997.; Used with signs of wear on the exterior. Interior as new.; Utagawa Hiroshige (1797-1858) holds an assured place in the history of world art as one of the greatest and best-loved masters of the woodblock print. Together with Katsushika Hokusai, he is the leading creator of landscape imagery in japanese printmaking. Acclaimed in the West as "the artist of mist, snow and rain", Hiroshige certainly possesses a poetic sensibility particularly well attuned to evoking atmospheric effects. Hiroshige is a master of the passing moment, subtly orchestrating a wide range of colours to articulate mood. Including maps, a chronology, glossary and bibliography, this volume offers an excellent introduction to the mainly-sided oeuvre of an artist who, perhaps more specifically "Japanese" than Hokusai, was described by Pisarro as a "marvellous Impressionist". …

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 25.5 x 37 cm.; ; 2.1 kg.; 256 pages with 119 color plates.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, several wear marks, scuffs and scratches on the front cover, spine and back cover. The top and bottom of the spine is scuffed and slightly chipped, tear at the top right side of the back cover. Interior with minor signs of wear.; This edition of One Hundred Famous Views of Edo uses an original typeface designed by Alpha Omega especially for this book. The typeface is called Hiroshige, in honor of the artist of this series. The type is designed to create an active interplay between the text and the full-page illustrations, with an Asian, calligraphic flair.; Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 splendid woodblock landscape and genre scenes of mid-nineteenth-century Tokyo, is one of the greatest achievements of Japanese art. The series, reproduced here in its entirety for the first time in a Western edition, contains many of Hiroshige's best-loved and most extraordinary prints. It is a celebration of the style and world of Japan's finest cultural flowering at the end of the shogunate. Like Venice and Florence in the 14th and 15th centuries, or Paris in the age of the Impressionists, the city of Edo, with its superb landmarks and its festive display of a uniquely elegant urban life, exerts a special and compelling fascination. Hiroshige, perhaps the most brilliant of the ukiyo-e printmakers, revealed the panorama of his city's activities with subtle and vivid visual anecdotes: fireworks seen from the river, fashionable geishas on parade, the kabuki district at night, intimate moments in the gardens and teahouses. But more than a historical document, the views are really vignettes presented from a remarkable variety of vantage points-aerial perspectives, multiple viewpoints, framed repoussoirs - and incorporate the natural beauty and atmospheric effects of every season crisp autumn moonlight, cherry blossoms and irises in the spring, summer rain on the waterways, and temples in the winter snow. It is a tour de force of artistic vision and printmaking craftsmanship that epitomizes the inventiveness of ukiyo-e art. This volume is printed in Japan and has been reproduced from an exceptionally fine, first-edition set in the Brooklyn Museum of Art to insure maximum fidelity to the original prints. The set is completed by a supplementary design and table of contents. In his introduction, Henry D. Smith II explains the world of Edo in its twilight before the Meiji Restoration and the beginnings of a modem urban society. Each plate is accompanied by a commentary that discusses its artistic and cultural interest in detail. For anyone interested in Japan, the One Hundred Famous Views of Edo is perhaps the finest guide and one of the greatest legacies Imaginable.…

Zustand: Very Good.

Soft cover. Zustand: Very Good. 1st Edition. Very Good−. Original pale-blue pictorial wraps show noticeable age-related fading, toning, and discoloration, particularly along the spine, cover edges, and extremities. Additional light rubbing, scattered surface marks, and minor edge and corner wear are present, with a darker irregular area of discoloration near the upper portion of the rear cover. Spine is toned but remains intact. Text-block edges are noticeably age-toned and discolored. Minor age-related page toning and occasional internal discoloration are present. Pages remain clean and fully legible, with no writing, highlighting, underlining, ownership inscriptions, or other markings observed. Binding is sound and the text block remains secure. No dust jacket, as issued. Book Description First edition, first printing, 1980. Edited by Henry D. Smith II and published by the Program in Asian Studies at the University of California, Santa Barbara, with distribution by the Japan Society of New York. This copy meets the established first-printing points. The copyright page carries only the original 1980 copyright statement and does not contain a later-printing designation. Subsequent and revised printings explicitly identify themselves as such. Published before the broadcast of the original 1980 television miniseries, Learning from Shōgun was created as a scholarly companion to James Clavell's novel. The collection examines the historical realities underlying Clavell's fictional narrative while addressing the Western assumptions, romantic conventions, and cultural interpretations through which early modern Japan was presented to English-speaking audiences. The essays explore Japanese political, military, religious, and social history and compare historical figures and events with their fictional counterparts. Subjects include Hosokawa Gracia as the historical model for Mariko, samurai society and armor, Christianity in Japan, European contact, cultural interpretation, and the transformation of Japanese history into Western popular fiction. Illustrated with period-style depictions of samurai armor derived from Murai Masahiro's 1837 woodblock publication Tanki yōryaku, represented by an example in the Metropolitan Museum of Art. The volume also contains historical and reference material intended to help readers distinguish the documented world of early seventeenth-century Japan from its fictionalized treatment in Shōgun. An uncommon original first printing and a desirable association item for collectors of James Clavell, Shōgun, Japanese history, Asian Studies, historical fiction, television history, and Japanese-Western cultural interpretation.…

224pp. 83 plates. 4to. Cloth. D.j.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 29.5 x 29.5 cm.; 1.9 kg.; 228 pages with colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket is worn, slightly loose due to wear, shows edge wear, scuffs and scratches, tear and small chip at the top of the spine and also another tear and chip at the top right side of the back cover, both top edges are slightly chipped, tiny chip also on the back cover. The hardover shows wear (only seem if the dust jacket is removed). The dust jacket is protected with a clearcover. Interior with wear marks, a previous owner pen written signature on title page. The rear of the front and back cover show minor wear marks as well as the first page. Good condition overall. Good readable/working copy.; The new wave - a term referring to the revival in Japanese woodblock printmaking during the early decades of the twentieth century - presents a comprehensive and authoritative picture of the important, but often neglected shin hanga ('new prints') of the Taisho (1912-1926) and early Showa (1926-1989) periods. The fully-illustrated publication contains three essays: an art historical overview of the developments of shin hanga (Donald Jenkins); a discussion of the pioneering role of the publisher Watanabe Shôzaburô (Henry D. Smith II and Okamoto Hiromi); and an introduction to western artists working in Japan during the formative years of the shin hanga movement (Julia Meech). The largest portion of the publication consists of over 300 annotated entries for each work (Amy Reigle Stephens). The new wave includes all the major figures of the shin hanga movement such as Hashiguchi Goyo, Ito Shinsui, Yamamura Koka and Torii Kotondo as well as over fifty lesser-known artists. In addition, in an attempt to set the stage for the development of the shin hanga movement, the publication also comprises the works by artists of the earlier Meiji period (1868-1912) such as Kobayashi Kiyochika, Kaburagi Kiyokata, Yoshu Chikanobu, Ogata Gekko and others, and by western artists working in Japan. All of the works are drawn from the impressive Robert O. Muller collection, the largest of its kind in the field of shin hanga. …

Encuadernación de tapa dura. Zustand: Muy Bien. ilustrado color,texto en frances,256 p, nº interno 500.800 ,leve roce en lomo superior.

Cloth. Zustand: Near Fine. Near Fine. 256 pages. Tall format hardcover. Texts in English. Remnants of a paper price label in upper right of jacket with some minor surface paper losses from the inexpert attempt at removal of said label. Otherwise, the wear to the edge of the jacket and boards is minimal, the binding is tight, the interior is clean and free of markings. Bound in cloth covered boards and wrapped in an illustrated paper jacket. 119 full page color plates. Second reprinting with corrections. A handsome production. Book.…

Hardcover. Zustand: Very Good. No Jacket. 3rd Edition. 3rd edition ; xxx, 892 p. illustrated ; LCCN: 60-5421; OCLC: 2700679 ; LC: RC961; Dewey: 616.9883; NLM: WC 680 ; green cloth ; no dustjacket ; Contents: Diseases caused by the arthropod-borne viruses -- Enterovirus infections, including poliomyelitis -- Other virus diseases of special importance or interest in tropical or subtropical areas -- Ricketsial diseases -- Epidemic typhus -- Murine typhus -- American spotted fevers -- Related spotted fevers and rickettsioses -- Rickettsialpox -- North Queensland tick typhus -- Scrub typhus -- Trench typhus -- Q fever -- Spirochetal diseases -- The relapsing fevers -- Yaws and bejel -- Pinta -- The leptospiral diseases -- Rat-bite fevers -- Sodoku --- Haverhill fever -- Bacterial diseases -- The Diarrheal diseases -- Bacillary dysentery -- shigellosis -- Food poisoning -- Botulism -- Staphylococcus -- Strptococcus -- Salmonella -- Clostridium Perfringens -- Cholera -- Brucellosis -- Tuberculosis -- Leprosy -- Plague -- Cutaneous diptheria -- Tularemia -- Mycotic diseases -- Cutaneous mycoses -- Systemic mycoses -- Protozoal diseases -- The intestinal protozoa -- Amebiasis and related infections -- Malaria -- Toxoplasmosis -- Interstitial plasma cell pneumonia -- The trypanosomidae -- Leishmaniasis -- Kala-azar -- Cutaneous leishmaniasis -- Naso-oral or mucocutaneous peishmanisis -- African trypanosomiasis -- American trypanosomiasis -- Chagas' disease -- Trypanosoma Rangeli -- Helminthic diseases -- Intestinal nematodes -- Tissue inhabiting neamtodes : the filarioidea -- Tissue-inhabiting nematodes: the dracununculoidea -- Other tissue-inhabiting nematodes -- Trichinosis -- Creeping Eruption -- Gnathostomiasis -- Visceral Larva Migrans -- The Schistosomes -- Trematodes exclusive of schistosomes -- Cestodes -- Nutritional diseases -- Pellagra -- Beriberi -- Sprue -- Kwashiorkor -- Nutritional edema -- Osteomalacia -- Vitamin A deficiency and tropical macrocytic anemia -- Miscellaneous conditions -- Epidemic hemorrhagic fever -- Bartonellosis -- tropical ulcer -- Tropical eosinophilia -- Desert sore -- Granuloma inguinale -- Effects of heat -- Heat stroke -- Heat cramps -- heat exhaustion -- Anhidrotic asthemia -- Miliaria rubra -- Certain medically impartant animals -- Coelenterates -- Leeches -- Fishes -- Lizards -- Snakes -- Corcodilians -- Bats -- Medically important mollusks -- Medically important arthropods -- The Arachnida -- The class Insecta -- The order Diptera -- Control of arthropods of medical importance -- Toxicology of pesticides -- Some laboratory diagnostic methods -- Methods and procedures. ; some color plates ; numerous black and white photographs showing symptoms of various tropical diseases ; graphic ; ex-lib, stamps, labels, date due ; VG. Book.…

Hardcover. Zustand: Very Good. In zeer goede staat. Hardcover met stofomslag. Rijkelijk geà llustreerd. Groot en zwaar boek.

256 pp.; 119 colour plates, map, bibliography. New York, 1986. Hbk. KEYWORDS: 026 Japan - Prints/Surimono/Paintings/Calligraphy etc.

256 pp.; 119 colour plates, map, biblio. New York, 2007 (1986). Reprint. Cloth. KEYWORDS: 026 Japan - Prints/Surimono/Paintings/Calligraphy etc.

New York, George Braziller / The Brooklyn Museum, [1986]. 256 pp. 1 b./w. map & 118 col. plts. Orig. hardcover (light blue cloth), no d./j. Large 4to. - Edges sl. foxed.Catalogue of an exhibition held at the Brooklyn Museum of Art, 1986. Introductory essays by Henry D. Smith II and Amy G. Poster. Commentaries on the plates by Henry D. Smith II. Preface by Arnold L. Lehman. - Text in English. …

New York George Braziller, Inc. 1988 Paperback, 224pp., 17x24cm., richly illustr. in b/w., in acceptable condition (spine completly faded, interior fine). ISBN 9780807611951. This book presents Katsushika Hokusai's One Hundred Views of Mt. Fuji, a masterwork of Japanese ukiyo-e. It reproduces more than one hundred prints depicting Mt. Fuji in different seasons, weather, and perspectives. Henry D. Smith provides detailed commentary, explaining the artistic, cultural, and spiritual significance of the mountain in Hokusai?s work. Techniques of woodblock printing and stylistic choices are analyzed. The book is structured to offer both visual enjoyment and scholarly insight, demonstrating Fuji's enduring symbol as a natural, cultural, and spiritual landmark in Japanese art.…

New York, George Braziller / The Brooklyn Museum, [1986]. 256 pp. 1 b./w. map & 118 col. plts. Orig. hardcover (light blue cloth), d./j. Large 4to. Catalogue of an exhibition held at the Brooklyn Museum of Art, 1986. Introductory essays by Henry D. Smith II and Amy G. Poster. Commentaries on the plates by Henry D. Smith II. Preface by Arnold L. Lehman. - Text in English.…