smith ian fox (5 Ergebnisse)

216 pp.; 30.8 x 23.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, October 1 - December 30, 2005. Traveled to List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Massachusetts, February 9 - April 8, 2006; Austin Museum of Art, Austin, Texas, February 10 - May 6, 2007; H&R Block Artspace, Kansas City Art Institute, Kansas City, Missouri, July - October, 2007 and the Cincinnati Contemporary Arts Center, Cincinnatti, Ohio, November 10, 2007 - January 13, 2008. Edited by Ian Berry and Bill Arning. Essays by Bill Arning, Judith Hoos Fox, Kathleen Goncharov, Mary Jane Jacob, Patricia C. Phillips, Lane Relyea, Ned Rifkin, Valerie Smith and Judith Tannenbaum. With an interview between Mel Ziegler and Ian Berry. Includes contributor biographies, a checklist of the exhibition, exhibition and project history (compiled by Jen Mergel) and a selected bibliography. Very Good / Fine. 3 mm. dent to verso and very minimal rubbing of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges may be required for international orders.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 216 pages with 180 illustrations in color. Illustrated boards. Published on the occasion of the exhibition from The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs NY October 1-December 30, 2005. Exhibition Checklist. Selected Bibliography.

Zustand: Near Fine. First edition hard back binding in publisher's original burgundy cloth covers, silver lettering to spine and upper panel. 8vo 9" x 5½" 187 pp. Touch of foxing to front end paper. Near Fine in Very Good dust wrapper with shallow surface rubs to top of upper panel, light shelf rubbing to white lower panel, not price clipped 8s 6d, spine not faded. Dust wrapper supplied in archival acetate film protection. Member of the P.B.F.A. CHILDREN'S & JUVENILE.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Ca.