smith henry roy william (8 Ergebnisse)

[48] pp.; 26 x 23.5 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 19, 1989 - March 11, 1990. Curated and with text by Kerry Brougher. Artists include Francis Bacon, John Baldessari, William Baziotes, Alexander Calder, Willem de Kooning, Richard Diebenkorn, Mark di Suvero, Jean Dubuffet, Tim Ebner, Eric Fischl, Sam Francis, Alberto Giacometti, Hans Hofmann, Jenny Holzer, Neil Jenney, Wassily Kandinsky, Ellsworth Kelly, Anselm Kiefer, Franz Kline, Jannis Kounellis, Fernand Léger, Roy Lichtenstein, Morris Lewis, Henry Moore, Elizabeth Murray, Claes Oldenburg, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, Gerhard Richter, Susan Rothenberg, Edward Ruscha, Joel Shapiro, Alexis Smith, David Smith, Frank Stella, Andy Warhol, Boyd Webb, Terry Winters, and Tom Wudl. Includes a collector's statement and exhibition checklist. Very Good. Dust soiling, yellowing, and light handling wear to dust-jacket. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. viii, 133-230 pages : illustrations. Series: University of California publications in classical archaeology ; v. 2, no. 4. Paper wrappers square, minor curling at corners; short presentation inscription from author at verso of front wrapper, contents clean. 250 grams. Inscribed by Author(s).

Zustand: Befriedigend. 26,5 x 18 cm. VI, 64 Seiten (Sonderdruck, S. 85-149), 5 Textabb. und 24 Tafeln. *Ehem. Bibliotheksexemplar mit den üblichen Stempeln und Eintragungen. Leinenband leicht stockfleckig und bestoßen. Sprache: Englisch Gewicht in Gramm: 450 Späterer Leinenband mit Rückentitel (kartonierter Orig.-Umschlag mit eingebunden).

Zustand: Good. Reprint. 4to. pp. 85 - 145, plates 9 - 24. Soft Covers, Good with tiny marginal tear, toning to cover. Ten b&w plates. Errata page and inked & dated signature of volume's former owner inside cover.

Hardcover. Zustand: Fine. 2nd ed.xiii, 188 pages : color illustrations ; 29 cm ; ISBN 9780881920482, 9780917304095, 0881920487, 0917304098 ; OCLC 17441008 ; LCCN 77018737 ; LOC No SB413.J34 V47 ; Dewey 634.9/722/7 ; Bibliography: p. [171]-173. ; Green cloth ; no dustjacket ; J. D. Vertrees (1915--1993) was an entomologist, nurseryman, and educator who collected rare and unusual maples in southern Oregon. He was probably the most knowledgeable grower of Japanese maples in his time, amassing an impressive list of awards. ; Contents : Character and history -- What is a Japanese maple -- Momiji and Kaede -- The character of Japanese maples -- Variegation -- In regard to Fu -- History of Japanese cultivars -- Old literature on Japanese maples -- Taxonomy and nomenclature -- Taxonomy -- Nomenclature, difficulties and confusions -- Taxonomic subdivisions of acer palmatum -- Culture -- Culture in the garden -- Pests and problems -- Propagation -- Methods of propagation -- The cultivars displayed -- How to read cultivars -- Cultivars and selections of acer palmatum -- Plamate group -- Dissectum group -- Deeply divided group -- Linearilobum group -- Dwarf group -- Semi dwarf group -- Variegated group -- Unusual feature group -- New hybrids -- Cultivars & selections of acer japonicum -- Other acer species from Japan ; One of the first books published by Timber Press, this has remained a bestseller for almost 20 years. It presents the history, taxonomy, nomenclature, culture, & propagation of Acer palmatum & Acer japonicum & illustrates hundreds of wonderful varieties of these versatile trees & shrubs. ; clipped flaps from dustjacket laid in. name on front endpaper ; else FINE. Book.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. [1st edition, 1st printing; trade edition ] ; ix, 214 p. : ill. (chiefly col.) ; 31 cm. ; ISBN 9780934601764, 9780934601771, 0934601763, 0934601771 ; OCLC 20012286 ; LCCN 89016100 ; LC SB466.U65 G46 1989 ; Dewey 712/.09758 ; sand-colored cloth in color photographic dustjacket ; Contents: Savannah and the Coast --- Coastal Georgia -- The Piedmont plateau -- South Georgia -- Atlanta and North Georgia -- Index of Gardens -- Sources for quoted material -- Bibliography ; Graced with one of the longest growing seasons in North America, Georgia has a rich and interesting tradition of gardens and gardening. That tradition is vividly portrayed in Gardens of Georgia, commissioned by the Garden Club of Georgia, Inc., to commemorate its sixtieth anniversary and to celebrate the heritage and beauty of Georgia's gardens.As noted by Georgia founder James Oglethorpe in 1732, Georgia has a happy climate. From the broad-shouldered mountains of the Blue Ridge, through the red clay of the rolling piedmont, across the sprawling piney coastal plain, and on to the subtropical islands on the Atlantic, Georgia is blessed with four regions of gardening opportunities, distinctly defined by differences in elevation, climate, soil, and natural vegetation.Writer William Mitchell and photographer Richard Moore have portrayed the wonders of gardens historic and contemporary, public and private, and urban, suburban, and rural from each of these regions. Whether illustrating overall gardenscapes or capturing intimate vignettes and individual blossoms, Richard Moore's photographs have a depth of color and clarity of detail that immerse the reader into a world of delightful splendor. The text by Willaim Mitchell not only describes the settings as they are today, but also spins a rich background of history in the context of the botanical Eden observed by early explorers.The richest legacy of each generation is to preserve and protect an always vulnerable natural environment and help nature bring forth its green and glowing cycles of rebirth. Gardens of Georgia celebrates that legacy, sharing the ongoing dream of paradise--a new Eden--whether it is in a grand formal garden from an earlier era or a small plot of perennials in a Georgia yard. ; FINE/FINE. Book.

Hardcover. Zustand: g. First edition. Short quarto. 640 pp. Green cloth with gold lettering inside black border on spine. Scuffing to spine and exterior, otherwise book is in good condition. The Royal Commission on Historical Manuscripts (abbreviated as the HMC) was established in 1869 "to make enquiry as to the places where manuscripts and private papers of historical interest were located and to report on their contents". The HMC's offices were located at Quality House, Quality Court, Chancery Lane, close to the old Public Record Office. The general public were able to visit Quality House during regular office hours to use the National Register of Archives, a computer database of archival references drawn from catalogues and published lists of manuscripts, useful for the study of British history, held in private hands and repositories in both the UK and overseas. In April 2003 the Keeper of Public Records became the sole Historical Manuscripts Commissioner. The chief executive of the National Archives is now Keeper of Public Records and Commissioner of Historical Manuscripts.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.