Smith alex gordon (14 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Very Good. Illustrated. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Hardcover.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. In English.

Paperback. Zustand: Brand New. 130 pages. 5.83x0.28x8.27 inches. In Stock.

comic. Zustand: Brand New. 176 pages. 8.25x5.50x0.50 inches. In Stock. Smith, Alex T (illustrator).

comic. Zustand: Brand New. 176 pages. 8.25x5.50x0.50 inches. In Stock. Smith, Alex T (illustrator).

Taschenbuch. Zustand: Neu. Neuware.

Zustand: New. A new edition of ARNA - a unique and progressive journal that showcases the voice of the Sydney University s Arts students and promotes a diversity of style and form across multiple creative and literary mediums. Foreword written by Mungo MacCallum and feat.

Soft cover. Zustand: Fine. 1 score (144 pages) ; 31 cm ; Interlinear words in English OCLC 14164530 ; textured orange-red and gold stiff paper wrappers ; featured songs include: Again -- Anniversary song -- At last -- Autumn serenade -- Black and white -- Blue velvet -- Canadian sunset -- Cara Mia -- Chattanooga choo choo -- Ciao, ciao, bambina -- Cry me a river -- Daddy -- Dearly beloved -- Don't get around much anymore -- Dream -- Ebb tide -- Elmer's tune -- Ev'ry day of my life -- Forever and ever -- Happiness is a thing called Joe -- Hawaiian sunset -- How about you? -- I fall in love too easily -- I got it bad and that ain't good -- I need you now -- I understand -- I wanna be around -- I want my mama -- I, Yi, Yi, Yi (I like you very much) -- If I give my heart to you -- I left my heart in San Francisco -- It's a most unusual day -- Let me love you to-night -- Little things mean a lot -- Love is where you find it -- Mam'selle -- Matilda -- Melody of love -- Moments to remember -- My heart cries for you -- No greater love -- Old Cape Cod -- Racing with the moon -- Rum and Coca-Cola -- Seems like old times -- Shangri-la -- Softly, as I leave you -- Taking a chance on love -- That lucky old sun -- Through a long and sleepless night -- Till the end of time -- Unchained melody -- Volare -- Walk hand in hand -- The wayward wind -- The woodpecker song -- Yellow bird -- You belong to me ; FINE. Book.…

Hardcover. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

21 x 28cm. Hardcover with dustjacket, 247pp. Slight shelf-wear to the edges, otherwise very good condition indeed. Very well-produced illustrated volume tracing the extraordinary history of Haiti's popular art over seven decades, from pioneers including Hector Hyppolite, Philome Obin, Wilson Bigaud and Georges Liautaud - promoted in the 1940s and 50s by Andre Breton and the Surrealists - to contemporary figures: Myrlande Constant, Edouard Duval-Carrie, Frantz Zephirin, The Atis Rezistans group, etc. Haitian voodoo has been a constant source of inspiration and imagery for Haiti's popular art, and that art is often at its most visionary and inventive when reflecting its influence. The book documents a major exhibition presented at Nottingham Contemporary in 2012 curated by Alex Farquharson and Leah Gordon. 'Kafou' means crossroads in Haitian Creole, a key concept in voodoo. Contains texts by Dawn Ades, Truman Capote, Maya Deren, Edouard Duval-Carrie, Alejo Carpentier, Laurent Dubois, Edouard Glissant, Dany Laferriere, Jorgen Leth, Kobena Mercer, Marcus Rediker and Ian Thomson, and essays by Colin (aka Joan) Dayan, Wendy Asquith, Katherine Smith, Gordon and Farquharson. Rare. Very good condition.…

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint. …