smids ludolph (17 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Hardcover. Zustand: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator). Octavo. (205 x 170mm). Pp. (xxii), 175. Plus 64 numbered copperplates leaves, each with 12 illustrations of coins. Engraved frontispiece and engraved portrait. Handsome woodcut head-and tail-pieces and initials. Title printed in red and black; old inscription in neat contemporary hand to first free endpaper. HARDCOVER, bound in contemporary vellum, manuscript lettering to spine. Plates browned as usual in this edition due to stock quality. Overall a fine copy, neatly preserved. ~ The present Berlin edition, printed by Johannes Andreas Rüdigerus, was preceded by the Antwerp editions of 1615 and 1627 (Beller), and followed by the enlarged, 1738 Amsterdam edition (Schagen). B-1.

Legatura ottocentesca in mz. pergamena con titolo ms. al ds. Piatti in carta xilografata. Lieve uniforme brunitura delle pagine, peraltro esemplare in ottimo stato di conservazione. Prima edizione. 4to (cm. 19,5), 30 cc.nn. con 24 incisioni su rame a piena pagina (ritratti dei primi dodici Imperatori romani a cavallo incisi da Crispin van de Passe da disegni di Giovanni Stradano e 12 tavole con le relative monete). Antiporta allegorica (firmata Aad. Schoonebeck) e vignetta calcografica al frontespizio. Una incisione allegorica a piena pagina in fine.

Couverture rigide. Zustand: Bon. Edition originale. First and only edition; text in latin; In-12 (10,5x16cm); whole leather binding of the time, tight, wear at spine ends, gilt decorated spine with raised bands, red Morocco title piece, roulette on leather edges, end papers lacking on both sides; name of an ancient collector on pastedown (G.Lenfant); title page with an old ink graffiti; otherwise good condition of this rare edition, with a frontispiece and 61 illustrations.(complete) A fresh copy with the mythological plates by Schoonebeeck in excellent condition; XII, 240 pages, 16 (index);

Couverture rigide. Ex officina Hadriani Schoonebeek. | Amstelodami (Amsterdam) 1695 | 9 x 16 cm | relié | Edition originale, rare, illustrée d'un frontispice et de 61 figures. Reliure en pleine basane brune. Dos à nerfs orné, roulette en queue et tête. Pièce de titre en maroquin rouge. Trois coins émoussés. Bon exemplaire, d'une belle fraîcheur. L'ouvrage rassemble sur deux pages un extrait littéraire et son interprétation par Smids, et une figure illustrant un épisode mythologique par Schoonebeek (Alceste, Hercule, Médée, dipe.). Ce dernier fut l'élève de Romain de Hooghe dont l'influence est clairement visible. L'ouvrage constitue l'un des fleurons du livre baroque illustré avec le La Fontaine par Romain de Hooghe. | [ENGLISH DESCRIPTION FOLLOWS] The rare first edition, with a frontispiece and 61 illustrations. Brown sheep, spine with decorated raised bands, roulette to head and foot, red morocco title piece. Three corners bumped. A good and fresh copy. The work puts together on two pages an extract from a literary work and its interpretation by Smids, as well as an illustration of a mythological scene by Schoonebeek (Alcestis, Hercules, Medea, Oedipus, etc.). The latter was a student of Romain de Hooghe, whose influence is clearly visible. This work is a magnificent example of the baroque illustrated book, alongside the La Fontaine of Romain de Hooghe. *.

Hardcover. Zustand: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator). Three parts in one volume. With a total of 92 plates. Royal quarto (280 x 225mm). I: Pp. (xiv), (iv) half-title, second title-page dated 1737, (viii), 186, (6) index. Plus engraved frontispiece and engraved portrait. II: 64 numbered copperplate leaves, each with 12 illustrations of coins, printed on recto only. III: Pp. 28, second engraved frontispiece, a suite of 12 splendid copperplate portraits of Roman emperors mounted on horses, with historiated backgrounds, each portrait accompanied by a verse engraved at bottom. Plus a 13th such plate, this with allegorical illustration, concluding the suit. Plus 12 copperplate leaves, each with 12 illustrations of coins, printed on recto only. Main title-page printed in red and black. Footnotes; small chip to blank margin of a single plate, well away from image. HARDCOVER, bound in contemporary quarter goat skin, dyed and glazed, and marbled boards, spine with 5 raised bands; paper on boards rubbed, corner-tips bit worn. In a very good external condition and in fine internal condition. A wide-margined copy, untrimmed. Exceptionally bright interior; crisp plates. ~ The first and only enlarged edition of this work. Beautifully illustrated, this edition has an extended number of plates with a total of 912 coin impressions on 76 copperplates; 2 engraved frontispieces, one engraved bust portrait, and a remarkable suite of 13 exquisite equestrian emperor portraits, engraved by C. de Passe after Johannes Stradanus (Jan van der Straeten, 1523-1605). The work went through several editions, was first printed in Antwerp in 1615 and 1627 (Beller); later in Berlin in 1705 (Rüdiger). In 1738 publisher Martin Schagen got the publishing rights and issued the present copy. He could now reset the entire work and print it in elegant quarto format, add the Johannes Stradanus suite of portraits, extra suite of coin illustrations, and allow the plates the freedom to remain bound separately from the text. The edition was printed on handsome laid paper with ample margins, and the strikes of the plates are remarkably more beautiful than these of their predecessors. I-1.

Perkamenten bandje. 15,5x9,5 cm. Compleet. Met gegraveerde titelpagina (door A. Schoonebeek) en titelvignet. (8), 93 p. plus naa-reeden (10 p.). -(De gegraveerde titelpagina ligt los, overigens in goede conditie. Zie foto's. ).

Zustand: Good. 8vo. 10 x 16cm.Contemporary blind stamped vellum. [24]+208 pp, 2 plates, one folding.OCLC Number: 66981828Gegraveerde titel, uitv. plaat tussen pp. 34/35 (ontbreken 17 pl.). Enkele bleke waterranden, marg. wormgaatjes, scheurtje zonder verlies in pp 145/146. Gebonden in de tijd in vol perkament, blindstempeling, vervuild.

Oktav. 8°. 16 nn. Blatt, 600, 56 Seiten, 142 nn. Seiten (Index). Mit gestochenem Titel und 23 Kupfertafeln mit Münz-Darstellungen. M.D. Angebunden : Epigrammata obscoena. Index vocabulorum. Pergament der Zeit. Der Einband leicht fleckig, mit montiertem Rückenschild, teils entferntem Exlibris, der Schnitt fleckig, anfangs fleckig, kleine Papierschäden an drei Seiten, aber sonst gut erhalten und komplett. Brunet 3,1492, Graesse 4,425; Eine Sammlung von Epigrammen, bzw. Spottgedichten auf die römische Gesellschaft bzw.deren Brüche, Lügen etc. Die Welt ändert sich nicht, aktuelle Beispiele gibt es nicht nur in Berlin, Wien, Washington. Die Tafeln ergänzen den Text. Ludolph (ook Ludolf) Smids (Groningen, 13 juni 1649 - Amsterdam, 7 maart 1720) was een zeventiende-/achttiende-eeuwse arts, oudheidkundige en dichter. The roman poet Martial lived from 40n C to 104n C. Sprache: latein.

Only edition. 8vo. 180x112mm. [16], 240, [16]. Engraved frontispiece, engraved portrait on verso of title page and sixty engravings by Adriaan Schoonebeeck. Slightly later full calf, borders in blind and gilt, spine with five raised bands, compartments decorated in gilt and blind and lettered in gilt. Turn ins decorated with gilt roll. All edges gilt with delicate gauffering. Internally near fine save for a closed tear to E7 (not affecting text). A very nice copy of the only edition of this attractively illustrated work on history painting which takes its title from Simonides of Keos's observation "Poema pictura loquens, pictura poema silens," (Poetry is a speaking picture, painting a silent poetry). To demonstrate the truth of this, Smids and Schoonebeeck each picture accompanies a text from Latin poetry or history with an explanation of the meaning of the text. So we find Hercules alongside an extract from Ovid's Metamorphosis, Aeneas carrying Anchises to safety with the relevant passage from Virgil. The text is by Ludolph Smids, a classical scholar from Groningen while the excellent engravings are by Adriaan Schoonbeeck who had his own printing works in Amsterdam before moving to Moscow in 1698 at the invitation of Peter the Great where he ran an engraving workshop.

Jakob van Royen, Amsterdam, 1690. 176 S. mit 1 in Kupfer gestoch. Frontispiz u. 30 Kupferstichtafeln., orig. Pergament--- 750 Gramm.

Haarlem, Joannes Marshoorn, 1737. 8vo. [xx],418,[29] pp. Met frontispice en 61 (van 62) dubbelbladige platen. Perkamenten spitselband. (iets gebruikt; enkele kleine brandgaatjes; bibl.stempel op titel; schutblad op binnenkant voorplat iets beschadigd; de plaat van het Valkhof in Nijmegen ontbreekt. Interessante oude (contemporaine?) aantekening op drie blanco voorbladen: "Lijst van alle de wapenen en oudheden en jachttuig welke gevonden werden in de Ridderzaal van het slot Heemstede." Tiele 1012; Haitsma Mulier/ Van der Lem 447a. Voor de inventarislijst van de Ridderzaal in slot Heemstede, zie P.N.van Doorninck, Inventaris van het archief van de Heerlijkheid Heemstede, nr.485; deze lijst "die de inventaris der geweerzaal weergeeft, zoals die op 1 November 1796 is samengesteld" (Tjessinga p.14) is, in iets gewijzgde vorm, afgedrukt in J.C.Tjessinga, Het slot Heemstede onder Adriaan Pauw, deel II, Bijlage C (p.51-52).

Amsterdam, Jacob van Royen, 1690. [xvi],176 pp. Met frontispice en 49 platen (gravures). Perkamenten spitselband. (band wat vuil; Gallerye: zeer los in band [frontispice geheel los] en gebruikt, vlekkig in binnenmarge, en met zeer grote scheur in plaat bij p. 43 [Cornelia]; scheur in titelpagina 3: Roomsche Keisers in byschriften) GEBONDEN MET [2]:Tooneel van staat, der Roomsche Keiseren, neevens deeser groot muntekabinet. Amsterdam, A. Schoonebeek, 1694. [vi],76 pp. (Met gegraveerd vignet op titel; frontispice en 12 platen (gravures)). EN MET [3]: De roomsche keisers; in byschriften. Amsterdam, gedrukt voor den autheur (te bekomen bij Jan ten Hoorn), 1687. 66 [recte:70],[2=index] pp. Met gegraveerd vignet op titel. EN MET [4]: De Roomsche keiserinnen, in byschriften. Amsterdam, gedrukt voor den autheur (te bekomen bij Jan ten Hoorn), 1688. 79,[1= index] pp. Met gegraveerd vignet op titel. EN MET [5]: Letterkonstig ontwerp der aanmerkingen over de Roomsche gedenkpenningen. Amsterdam, Jacob van Royen, 1693. [x],93,[10 = nareden] pp. Met titelvignet en frontispice. Ad 1: tweede druk; oorspronkelijk uitgegeven met frontispice plus 30 prenten. Hier ONTBREKEN 4 van deze 30, maar zijn 23 EXTRA prenten mee ingebonden. Ad 3-4: ook uitgegeven als onderdeel van Smids Roomsche keisers en keiserinnen. Dan met frontispice. Verder compleet. De Gallerye is opgedragen aan Catharina Hochepied. Met drempeldichten van: Thomas Asselyn, Katharina Lescailje (2x), Lambert Bidloo, Laurens Bake, Joan Pluimer.