slim pickens (19 Ergebnisse)

Vintage studio still photograph from the 1965 film. Provenance stamp on the verso. Based on the 1959 novel "Epitaph for an Enemy," by George Barr, and sequel to the 1962 film "The Longest Day." The film follows the days after the Invasion of Normandy, and of Allied attempts to "liberate" a nearby French village previously under the control of an uncommonly kind German commandant. Set in Normandy, France, shot on location in Normandy, and Manche, France. 10 x 8 inches.

Five vintage studio still photographs from the 1977 film. Guido Falcone (Terence Hill) inherits a billion dollars from his uncle, the stipulation is that he must reach San Francisco within twenty days to claim it, and his uncle's greedy assistant John Cutler (Jackie Gleason) is intent on keeping the money for himself, hiring a detective (Valerie Perrine) to prevent him from arriving. Set in Italy and California, shot on location in Rome and Sonoma, Petaluma, and San Francisco, California. 8 x 10 inches. Near Fine.

Nine vintage black-and-white still photographs from the 1972 film. A poorly publicized, well regarded film about an aging rodeo champion (a "honker") whose arrogance hurts everyone around him, including his family. A must for Slim Pickens and James Coburn fans. Shot on location in New Mexico. 8 x 10 inches. Faint creases to a few stills, else Near Fine.

8°, Hardcover. Zustand: Gut. UK Import. 1 Blu-ray good condition Sprache: Englisch Gewicht in Gramm: 1100.

Eight vintage full-color still photographs from the 1972 film. A poorly publicized but well regarded film about an aging rodeo champion (a "honker") whose arrogance hurts everyone around him, including his family. A must for Slim Pickens and James Coburn fans. Shot on location in New Mexico. 8 x 10 inches. Near Fine.

Draft script for Episode 21 Season 1 of the 1969-1976 television series. The episode originally aired on March 11, 1970, on CBS. The long-running medical drama series followed two surgeons at a university hospital in Los Angeles, with a changing roster of patients showcased in each episode. In this installment, a former football star struggles with a much-needed vascular surgery. Bright orange titled wrappers, dated December 30, 1969, noted as production No. 6881 on the front wrapper, stamped copy No. 108, with credit for screenwriter Don Brinkley. Title page integral with the front wrapper. 70 leaves, with last page of text numbered 68. Xerographic duplication, rectos only. Pages Very Good plus, lightly foxed on the edges, wrapper Near Fine, bound with two gold brads.

Zustand: Very Good. Publisher's original stapled colour card wrap covers. 4to 11'' x 8¼''. Contains 16 pages with monochrome photographs throughout. Cover portraits by Norman Rockwell. In Very Good clean condition, no dust wrapper. Member of the P.B.F.A. CINEMA, SCREEN & FILMS.

PB. Zustand: G+. 1st Edition. folded in middle Very Large. Book.

Zustand: Good. 14 x 36 inches. Rolled, full-color movie poster. Good, some staple holes, a few scratches, slight tears along edges. Walt Disney Productions; Sal Mineo; Slim Pickens, et al.

Revised Draft script for the 1978 film, seen here under the working title "Inside the Ku Klux Klan." Dramatizes the experiences of Gary Thomas Rowe Jr., an undercover FBI agent who infiltrated Alabama's Eastview Klavern 13, widely known as the most violent branch of the Klan in the nation, as part of the FBI's Counterintelligence Program (COINTELPRO). Although not depicted in the film, Rowe would go on to become an actual Klan member, and was implicated in the 16th Street Baptist Church bombing as well as the shooting of a civil rights worker and other acts of violence against freedom riders and activists-all crimes for which he was never charged. Set in Alabama, shot on location in Nevada City, Roseville, and Sacramento, California. Beige titled Columbia Pictures Television wrappers, dated January 17, 1978, noted as REVISED DRAFT on the front wrapper. Title page present, dated January 17, 1978, noted as REVISED DRAFT, with credits for Rowe and screenwriter Lane Slate. 124 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

Revised Draft script for the 1972 film. Well-regarded New Hollywood Western about an aging rodeo champion (a "honker") whose arrogance hurts everyone around him, including his family. Notable for its accurate depiction of rodeo life, portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. Blue titled wrappers. Title page present, dated April 19, 1971, noted as Revised, with credits for screenwriters Steve Ihnat and Stephen Lodge. 130 leaves, with last page of text numbered 129. Mimeograph on blue stock. Pages Fine, wrapper Near Fine bound with two gold brads. Hardy, p. 332.

Original US one sheet poster for the 1965 film based on the 1959 novel "Epitaph for an Enemy," by George Barr. An attempted sequel to the 1962 film "The Longest Day," "Up from the Beach" tells of the days after the Invasion of Normandie, and of Allied attempts to "liberate" a nearby French village previously under the control of an uncommonly kind German commandant. Set in Northern France, shot there on location. 27 x 41 inches, folded. Very Good plus.

Vintage photograph from the 1970 film, showing actors Stella Stevens and Jason Robards taking direction from Sam Peckinpah on the set. With manuscript annotations regarding layout on the verso. A charming, surreal revisionist Western comedy, an unusual move for Peckinpah, as it was released on the heels of "The Wild Bunch" (1969), and just prior to "Straw Dogs" (1971), both famed for being the high spots of the director's famed odes to violence and male madness. Certainly, though, Jason Robards-in what many consider to be his finest performance-is as lost as any of Peckinpah's characters, but viewed from a different, more relaxed perspective. Set in Arizona, shot on location in Nevada, Arizona, and New Mexico. 10 x 8 inches. Near Fine.

Zustand: Very Good. Original British vintage movie film cinema poster one sheet lobby or outside advertisement poster. Quad crown, size 30 inches by 40 inches (762mm x 1020mm), landscape format. One small tear to the top edge, once folded. In Very Good condition. Member of the P.B.F.A. THEATRE (Cinema) POSTERS.

Vintage reference photograph from the 1972 film, showing actor James Coburn talking to a rodeo clown during a smoke break on the set. Provenance stamp on the verso. Well-regarded New Hollywood Western about an aging rodeo champion (a "honker") whose arrogance hurts everyone around him, including his family. Notable for its accurate depiction of rodeo life, portrayed in striking detail. Director Steve Inhat's directorial debut. Shot on location in New Mexico. 8 x 10 inches. Very Good plus, lightly toned on the margins, with a small crease on the top right corner. Hardy, p. 332. Pitts 1924.

Vintage reference photograph of Cleavon Little talking with director Mel Brooks on the set of the 1974 film. Brooks' slapstick homage to the Western, in which an escaped African American railroad construction worker becomes the sheriff in an all-white town, and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West, among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge, shot on location in California. 9.5 x 7 inches. Near Fine. National Film Registry.

Five vintage transparencies from the 1974 film. Mel Brooks' slapstick homage to the Western, in which an escaped African-American railroad construction worker becomes the sheriff in an all-white town, and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West, among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge, shot on location in California. 5 x 4 inches. Near Fine. National Film Registry.

Three vintage reference photographs from the 1974 film, showing actor Count Basie on the set with Cleavon Little and Mel Brooks, respectively. Two with stamps and labels of an Amsterdam photograph agency on the versos. Brooks' slapstick homage to the Western, in which an escaped African American railroad construction worker becomes the sheriff in an all-white town, and must protect it from politicians and railroad tycoons looking to raze it. A satire on the racism and misogyny inherent in Hollywood's depiction of the American West, among many other targets. Nominated for three Academy Awards. Set in the fictional frontier town of Rock Ridge, shot on location in California. 9.5 x 7 inches. Two Near Fine, one Very Good plus, with a light crease and discoloration at one corner. National Film Registry.

DVD-Hülle. Zustand: Gut. Versand im Luftpolsterumschlag! DVD-Hülle etwas berieben, Disc ist in einem guten Zustand; Case shows some wear, disc in good condition H251230dvdm13 ISBN: 9788375588415 Altersfreigabe FSK ab 16 Jahre pl Gewicht in Gramm: 83.