sir peter lely (25 Ergebnisse)

1 Blatt, verso weiß. Zustand: Gut. Darstellung ca. 10,5 x 8 cm, Blatt ca. 29 x 21 cm. Brustbild-Portrait, darunter Legende. - Leicht stockfleckig, sonst gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 250.

No Binding. Zustand: Very Good. 1st Edition. Original Engraving. Foxing. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. James Thomson (1788-1850) Was An English Engraver, Known For His Portraits. He Completed His Apprenticeship In Engraving And Then Established Himself Independently, Following The Dot And Stipple Style. His Engravings And Paintings Featured Both Leading Figures Of His Day And Those Of Previous Periods.

No Binding. Zustand: Very Good. Engraved By Rivers (illustrator). PORTRAIT & BIOGRAPHY. Fine copper engraved portrait with a valuable 500 word biography of the eminent personage. Each plate is 8.5 x 5 ins, 22 x 12 cms. and will be mounted (matted) and ready to frame. The portrait is in an oval with biography underneath. Sir Peter Lely (14 September, 1618 - 30 November, 1680) was a painter of Dutch origin, whose career was nearly all spent in England, where he became the dominant portrait painter to the court.

No Binding. Zustand: Very Good. Engraved By Cooke (illustrator). A fine original copper engraved portrait. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage.

No Binding. Zustand: Very Good. Engraved By Scriven (illustrator). A fine original r engraving. Mounted and ready to frame. A splended opportunity to purchase a portrait of this eminent personage.

Stipple, slight spotting on surround,

No Binding. Zustand: Very Good. An unusual 'portrait biography' of the Dutch painter. An 18th century engraved portrait measuring 3 x 2.5 inches (8 x 6 cms) in an embossed border accompanied by a 500 word biography of Sir Peter Lely (1618-1680). Mounted and ready to frame, VERY GOOD, ca 1794. *A most unusual 'portrait biography' which would look splendid on a study wall.

No Binding. Zustand: Very Good. A splendid antique engraved portrait, printed in 1790. Mounted/matted and ready to frame. Attractive and decorative.

No Binding. Zustand: Very Good. Williamson (illustrator). A fine original engraved portrait. Mounted and ready to frame, 1793 A splended opportunity to purchase an original antique engraving.

No Binding. Zustand: Very Good. A fine engraved portrait. Mounted/matted and ready to frame. Attractive, decorative and unusual. C. 1800.

No Binding. Zustand: Very Good. Distinguished personage, engraved from an important original painting. Plate size 10 x 7 inches (27 x 17 cms). Mounted and ready to frame, mount size 10 x 8 inches, 26 x 20 cms, the delicately engraved portriat measures 2.75 x 2 inches, VERY GOOD, highly decorative and unusual.

Zustand: Good. 4to. 72 pp. Softcovers. Very Good with lightly bowed corner. Color and Some Black and White Plates.

No Binding. Zustand: Very Good. An original, delicate, finely engraved portrait. Mounted/matted and ready to frame. Decorative, attractive and unusual. Circa 1780.

Zustand: Good. Sitter: Anthony Ashley-Cooper, 1st Earl of Shaftesbury (1621-1683), Statesman. Engraver: Jacobus Houbraken (1698-1780).Artist: Sir Peter Lely (1618-1680), Portrait painter. Engraved portrait. 253 mm x 410 mm.

Zustand: Good. Line engraving on laid paper. 40 x 28 cm (sheet). Very Good, minor soiling and foxing in the margin areas.

Zustand: Good. Line engraving on laid paper. 37.5 x 25 cm (sheet). Very Good, sheet trimmed to the platemark, black tape at sheet corners.

Zustand: Good. Stipple and line engraving. 37.5 x 26 cm. (sheet). Very Good.

Zustand: Good. Stipple and steel engraving. 23.5 x 17 cm. (sheet). Very Good. Minor toning and foxing along sheet edges.

Cloth. Zustand: Very Good. Sir Peter Lely (illustrator). First edition. First edition of this lovely collection of the poetry of Metaphysical poet Thomas Stanley, compiled by Louise Imogen Guiney, in the original glassine wrap. First edition.In publisher's original red cloth binding. With the original glassine wrap.Lovely collection of the poetry of Thomas Stanley in their original form. Stanley is widely considered to be the last of the Metaphysical poets and is similarly well-known for his translations and the collection of biographies on significant philosophers compiled in The History of Philosophy.This edition has been compiled by American poet, writer and editor Louise Imogen Guiney and features an informative introduction, comprehensive lists of editions and translations and a frontispiece portrait of Stanley. In publisher's original red cloth binding. With the original glassine wrap. Externally, smart with slight bumping and rubbing and a few marks. Wrap discoloured with a few spots, a couple of creases, the most prominent being to the rear, and a number of small closed tears and chips along edges, particularly to the spine head and tail. Internally, firmly bound. Bright and clean with the odd spot, more common to the first and last few pages. Very Good. book.

Hardcover. Zustand: Very Good. No Jacket. Folio. N.d., [ca. 1873 per WorldCat]. Presentation Edition. Half red morocco, marbled paper boards, raised bands and gilt stamped compartments. Marbled endpapers. A.E.G. 176 pp. [21] engraved plates, incl. frontis. w/ tissue guard. Engraved head- and tailpieces. Recently professionally rebacked with original leather spine laid down. Rubbing and cracking to leather Sporadic foxing. Bookplate of Charles Cobb Walker, embossed stamp to title page. 0.

Sir Peter Lely (illustrator). 'NO VISIBLE INSCRIPTION ON THE PLATE; ATTRIBUTED BY PROVENANCE AND STYLE.'Full-length portrait of Frances Teresa Stuart in sumptuous drapery, posed beside a sculptural relief of putti and in front of an ornate curtain. Her hand lifts the hem of her gown slightly. A striking example of Restoration-era portraiture. Frances Teresa Stewart, Duchess of Richmond and Lennox (1647-1702) was a prominent member of the Court of the Restoration and famous for refusing to become a mistress of Charles II of England. For her great beauty she was known as La Belle Stuart and served as the model for an idealised, female Britannia. She is one of the Windsor Beauties painted by Sir Peter Lely.Made by Alexander Browne after Sir Peter Lely.Medium: Mezzotint engraving on hand laid (verge) paper.Sheet size: 29 x 47.5 cm (11.42 x 18.7 inch). Image size: 29 x 47.5 cm. (11.42 x 18.7 inch).FRANCES TERESA STUART, DUCHESS OF RICHMOND, MEZZOTINT, PETER LELY, ALEXANDER BROWNE, RESTORATION PORTRAIT, ENGLISH PRINT, COURT BEAUTY, 17TH CENTURY, LONDON PRINTMAKING, MEZZOTINT PORTRAITURE | PCO-B3-18BACKGROUND INFORMATIONAfter a painting by Lely; printed and published in London by Alexander Browne, c.1684.Reference: NPG D11404.Biography engraver: Alexander Browne (active 1659-died 1706) was a publisher, printseller, and art dealer active in London. He played a key role in the dissemination of mezzotint portraiture in England during the late 17th century.Biography artist: Sir Peter Lely (1618-1680) was Principal Painter to Charles II and the leading portraitist in Restoration England. His elegant and sensual portrayals of court women, known as the "Windsor Beauties," shaped English portraiture for decades. Condition: fair, given age. Light foxing, creasing and soiling. Trimmed to the image. Multiple small tears in paper edges and surface rubbing damage. Attached to a carrier sheet. Sold waf. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Bust portrait of king Charles II (1630-1685), set into a classical frame in robes of state and with arms below; plate from Paul de Rapin-Thoyras, 'The History of England'. Lettered in composition, and with "From a Picture in Bridewell Hall, London; the original painted by Sr Peter Lely Kt / Geo.Vertue sculp. 1736." Etching and engraving on paper with margins; plate mark: 303 x 196 mm, total: 395 x 227 mm; despite some light browning on the most external margins, rather frail, in very good condition. Alexander 2008, nr. 751.

Portrait of John Maitland, Duke of Lauderdale (1616-182), bust directed to left but looking at the viewer, wearing a neckerchief and brocaded jacket with star of the Order of the Garter; in an ornamental oval; an owl and books below.According to the British Museum record, Maitland was a Scottish statesman; created Marquis of March 1672, Duke of Lauderdale 1673, Viscount of Petersham and Earl of Guildford 1674, member of Privy Council, Knight of Garter; exercised chiefly power in Scotland from 1660 to 1680 then fell into disgrace on accession of James II and died shortly afterwards.Inscribed on the frame: IOHN DUKE OF LAUDERDALE.Signed, dated and with the address of the publisher at bottom: In the Collection of the Right Hon the Earl of Dysert / P. Lely pinx / J. Houbraken sculps. Amst. 1740 / Impensis I & P Knapton Londini 1740.[NL] Portret van de Schotse staatsman John Maitland, hertog van Lauderdale. Prent ook gebruikt in: Thomas Birch. The heads of illustrious persons of Great Britain : engraved by Houbraken, and Vertue, with their lives and characters. London: John en Paul Knapton, 1743-1751.Scotland - Schotland - Schotse staatsman - Scottish Statesman Engraving on laid paper, with some margins; total: 426 x 261 mm; state II/2; some rubbing due to handling, some foxing and light staining on the outer margins especially; overall in good condition. Ver Huell 58.

0. S.l. s.d. , published 1697, original engraving, portrait of James Scott, 295 x 172 mm, mounted on a large thick 19th century paper leaf . Some tiny indentations in the right margin resulting in a small of paper. (see NPG item D16773).

Portrait of Admiral Cornelis Tromp (1629-1691), bust turned slightly to the right, facing viewer; wearing a neckerchief and an embroidered sash; within laurel oval on a pedestal with coat of arms below. After a painting by Peter Lely.Under the portrait is the coat of arms of the sitter, with motto: Fortes Creantur Fortibus.Lettered on pedestal with five lines of Dutch description: d. ed. H. Cornelis . / . / . Maÿesteÿt Van Deenemarcke.Signed and dated: P. Lelij Pinxit./ A. Blooteling. Sculp. et ex. 1676.Dutch admiral and second son of the Admiral Martin Van Tromp. He visited England in 1675 when he was created a baronet by Charles II.[NL] Portret van Admiraal Cornelis Tromp; luitenant-admiraal van Holland en West-Friesland.; Admiraal-generaal en admiraliteitsraad van Denemarken, drager van de Orde van de Witte Olifant. Portret in ovaal met lijst in vorm van samengebonden lauwerkrans, boven plint. Gemaakt door Blooteling naar Lely. Gemerkt linksonder: 'P.Lelij, Pinxit.' Gemerkt rechtsonder: 'A, Blooteling, Sculp, et, ex, 1676.' Onderschrift in sierletters (ter weerszijden van wapen): 'd Ed. H/r CORNELIS TROMP Ridder / Baronnet L' Admirael van Hollandt en / West-vrieslandt DomHeer tot Uytrecht / Admirael Generael en Secrete Raedt van / Sijn Conincklijcke Maije: steijt van Deenemarcke.' Opschrift (wapenspreuk op banderol): 'FORTES / CREANTUR / FORTIBUS'. Engraving on laid paper, cut on plate mark; total: 456 x 318 mm; somewhat aging paper, some smudges due to handling, traces of folding, some hanwritten notes on verso, though overall in good condition; traces of previous mounting on verso. Hollstein 49, Muller 5419.