Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Bloomsbury Publishing (UK), 2004
ISBN 10: 1844570401 ISBN 13: 9781844570409
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9781844570409.
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: New. pp. 88 Illus.
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In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9781844570409.
Sprache: Englisch
Verlag: Bloomsbury Publishing Plc, 2026
ISBN 10: 1839029927 ISBN 13: 9781839029929
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In den WarenkorbPaperback. Zustand: Brand New. 2nd ed edition. 112 pages. 5.35x0.30x7.40 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 88 pages. 7.75x5.50x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2004
ISBN 10: 1844570401 ISBN 13: 9781844570409
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Zustand: New. Provocative study of this still-relevant parable of schoolboy revolution Series: BFI Film Classics. Num Pages: 88 pages, Illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 190 x 137 x 7. Weight in Grams: 160. . 2004. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: British Film Institute (UK), 2026
ISBN 10: 1839029927 ISBN 13: 9781839029929
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2026. 2nd Edition. paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Bloomsbury Publishing Plc, 2026
ISBN 10: 1839029927 ISBN 13: 9781839029929
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In den WarenkorbPaperback. Zustand: Brand New. 2nd ed edition. 112 pages. 5.35x0.30x7.40 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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In den WarenkorbHardcover. Zustand: Brand New. 32 pages. 9.25x6.00x0.25 inches. In Stock.
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In den WarenkorbPaperback. Zustand: Brand New. 312 pages. 8.00x5.75x1.25 inches. In Stock.
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In den WarenkorbZustand: New. Über den AutorrnrnMark Sinker is a contributing editor at Sight and Sound. His Village Voice essay on Iannis Xenakis was included in Da Capo Best Music Writing of 2003.InhaltsverzeichnisAcknowledgments if.
Sprache: Englisch
Verlag: Bloomsbury Academic Feb 2026, 2026
ISBN 10: 1839029927 ISBN 13: 9781839029929
Anbieter: buchversandmimpf2000, Emtmannsberg, BAYE, Deutschland
Taschenbuch. Zustand: Neu. Neuware -In his compelling study of if. (1968), starring which stars Malcolm McDowell as an English public school student who leads a guerrilla insurgence, Mark Sinker traces director Lindsay Anderson's depiction of the progress from repression, conformity and fusty ritual to anarchy and bloody revolt. The film's title is a sardonic nod to Rudyard Kipling's most famous poem, while its narrative explores how prankish rebels are groomed to police an Empire. Released at a time of unprecedented student uprisings in Europe and America, if. provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values.In his foreword for this new edition, Mark Sinker considers if. 's continuing relevance in respect of two contemporary phenomena (the ghastly commonplace of school shootings; urban terrorism) including the degree to which we somehow continue to feel sympathy toward this small gang of entitled schoolboys. Contemplating director Anderson's ambivalence towards education, not least the jargons of academic film theory after the 1960s, Sinker reflects on how his own approach to the film was informed by the critical lingua franca of the 1980s music press.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 112 pp. Englisch.
Sprache: Englisch
Verlag: Bloomsbury Academic Feb 2026, 2026
ISBN 10: 1839029927 ISBN 13: 9781839029929
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In his compelling study of if. (1968), starring which stars Malcolm McDowell as an English public school student who leads a guerrilla insurgence, Mark Sinker traces director Lindsay Anderson's depiction of the progress from repression, conformity and fusty ritual to anarchy and bloody revolt. The film's title is a sardonic nod to Rudyard Kipling's most famous poem, while its narrative explores how prankish rebels are groomed to police an Empire. Released at a time of unprecedented student uprisings in Europe and America, if. provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values.In his foreword for this new edition, Mark Sinker considers if. 's continuing relevance in respect of two contemporary phenomena (the ghastly commonplace of school shootings; urban terrorism) including the degree to which we somehow continue to feel sympathy toward this small gang of entitled schoolboys. Contemplating director Anderson's ambivalence towards education, not least the jargons of academic film theory after the 1960s, Sinker reflects on how his own approach to the film was informed by the critical lingua franca of the 1980s music press.
Sprache: Englisch
Verlag: Bloomsbury Academic Nov 2004, 2004
ISBN 10: 1844570401 ISBN 13: 9781844570409
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Lindsay Anderson's film if.(1968), starring Malcolm McDowell as a schoolboy who leads a guerilla insurgence, imagines how repression, conformity, and fusty ritual at an English public school could lead to anarchy and bloody revolt. Its title is a sardonic nod to Rudyard Kipling's most famous poem, and its story a radical updating of Kipling's 1899 story 'Stalky and Co.,' in which prankish rebels are groomed to police the empire. Released at a time of unprecedented student uprisings in Europe and America, if.provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Mark Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values. No longer a vehicle for shock or dissent, if.is today enjoyed comfortably, even nostalgically, but for Sinker this renders its many knots and paradoxes, the moments of poetry that Anderson argued were cinema's raison d'etre, all the more fascinating.
Taschenbuch. Zustand: Neu. if. | Mark Sinker | Taschenbuch | BFI Film Classics | Englisch | 2026 | Bloomsbury Academic | EAN 9781839029929 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
Sprache: Englisch
Verlag: Bloomsbury Academic Feb 2026, 2026
ISBN 10: 1839029927 ISBN 13: 9781839029929
Anbieter: Books-by-Floh, Paderborn, Deutschland
Taschenbuch. Zustand: Neu. Neuware -In his compelling study of if. (1968), starring which stars Malcolm McDowell as an English public school student who leads a guerrilla insurgence, Mark Sinker traces director Lindsay Anderson's depiction of the progress from repression, conformity and fusty ritual to anarchy and bloody revolt. The film's title is a sardonic nod to Rudyard Kipling's most famous poem, while its narrative explores how prankish rebels are groomed to police an Empire. Released at a time of unprecedented student uprisings in Europe and America, if. provided a peculiarly English perspective on the battle between generations - the perennial war of the romantically passionate against the corrupt, the ugly, the old, and the foolish. Though its emotional surface is authentically anti-authoritarian, its intellectual substance, as Sinker argues, is rooted in a deep familiarity with the symbols of English ruling-class values.In his foreword for this new edition, Mark Sinker considers if. 's continuing relevance in respect of two contemporary phenomena (the ghastly commonplace of school shootings; urban terrorism) including the degree to which we somehow continue to feel sympathy toward this small gang of entitled schoolboys. Contemplating director Anderson's ambivalence towards education, not least the jargons of academic film theory after the 1960s, Sinker reflects on how his own approach to the film was informed by the critical lingua franca of the 1980s music press. 112 pp. Englisch.