sinha dwivedi (13 Ergebnisse)

Zustand: New. pp. 200 Illus.

Zustand: New. pp. 331.

Zustand: New. pp. 668.

Zustand: New. pp. xxxiv + 172 Figures, 48 Illus. (Halftone).

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. xxvi+252.

Hardcover. Zustand: New. The Book zeroes in about a post-truth, post-truth and post-Taliban America and the significance of the India US "Bilateral" in the larger context of global politics. The range of themes placed inside the narrative range from US Climate change intransigence, Cultural relations all the way to the role of the Indian Diaspora intertwined with the stature of India and its conclave amidst the American homeland. The work is a labor of love which zeroes in upon the confluence of the American Dream and the Indic centric surge in a liberal Democratic world order. The tenets of the value laden congruence of the twin liberal democracies in the Asiatic mode happens to be the general tenor of the various scholarly contributions in the present text and the attendant narrative. The work reflects the eclectic realms of study and research which make the India and US altercasting which the international system will be all about in the presence of the debilitating china factor.

Hardcover. Zustand: New. Contents Preface. 1. Appreciation of Terracotta art/Gourisankar De. 2. Psycho analytical and iconographical perceptions of mother and child/Krishna Kumari Myneni. 3. Proper appellation for genuine appreciation/Arvid Mahajan. 4. Some landmarks of Anugraha images of Siva with special reference to Ravananugraha image/Shanti Swaroop Sinha. 5. Some reflections of the contemporary culture and interactions in the sculptures of Ellora/Anand Prakash Srivastava. 6. Ideals of some Saiva images/C.P. Sinha. 7. Moving perspective in Ajanta murals/Kalachand Chowdhury. 8. Landmarks of early medieval Indian sculptures/Maruti Nandan Tiwari. 9. Beauty in Indian art/B.L. Malla. 10. Mahesvari Trimurti a study with special reference to Hingalajagarh sculpture/Manjusri Rao. 11. Virabhadra temples and sculptures under the Vijayanagara empire/S.N. Shivarudraswamy. 12. Art and architecture of Muvaraivendran rock cut cave temple a study/M. Venkatesan and K. Ravikumar. 13. The eighteen step Karuppasamy at Alzharkoil in Tamil Nadu/D. Gangadaran. 14. The concept of Kamatopasarga as seen in the Humcha region/Sarvamangala G. and D. Somashekar. 15. Manuscript painting of Mahapurusa Srimanta Sankardeva (AD 1449 1550)/Bharti Barua. 16. Images of sixty four Yoginis in Orissa in appreciation of their artistic excellence/H.C. Das. 17. In appreciation of Indian art deals and images of Narakasur Hoard Kahilipara/Indrani Choudhury. 18. A rare sculptural blend of Bhagavata and folk elements in the Amritesvara temple at Amritapura Karnataka/D.S. Somashekhar and Sarvamangala G. 19. Kimastimalam Kim Kousthambhamva/Kolluru Suryanarayana. 20. Appreciating the spiritual aesthetic truth of Indian temple architecture with special reference to Khajuraho group of temples/Pushpa Tiwari. 21. The imagery of female messengers in Indian art an appraisal/Choodamani Nandagopal. 22. The Durga temple at Aihole and its sculptures style context and appreciation/Shrinivas V. Padigar. Late of Prof. K.D. Bajpai memorial lecture Indian art some issues/Kapila Vatsyayan. Art in India as in other countries of the world was principally devoted to the service of religion. It reflects the intimate relationship of ideas and life. Mythology symbolism and iconography are just vehicles or aids to understand the essence and spirit of Indian art as each symbol or every icon has a specific meaning and is expressed with a specific purpose. To appreciate and enjoy art in its proper perspective it is imperative to understand the inner meaning and the philosophy behind the creation of the art peace. The enjoyment which art gives is of unique kind (vilaksnasvada) and is quite different from other kinds of enjoyment in life (alaukika). The present volume aims at documenting and analysing different aspects of Indian art focussing primarily on appreciation and aesthetics. Fresh evidences in the subject are marshlled and new aspects have been outlined. The theme is thus viewed from a refreshingly original angle. The lucid exposition of the delicate theme is sure to facilitate a deeper comprehension and evoke stimulating response from art lovers and scholars. 186 pp.

Zustand: New.

Hardcover. Zustand: New.

Hardcover. Zustand: New. 1st Edition. Contents: Part I: Art: 1. Archaic rock paintings of Sagar district/S.K. Bajpai. 2. Bucranium and horned figures from pre and mature Harappan culture in the Indian Sub-Continent/J.S. Nigam. 3. Technique of making stone images in ancient India/Brajdeo Prasad Roy. 4. Naga worship in India/Rajeev Ranjan. 5. Significance of erotic sculpture/Krishna Deva. 7. Gaya Gaj: the elephant capital of Bodh Gaya Pillar/Arvind Mahajan. 7. Simhanada Lokesvara in the art of Bihar/Bhagwant Sahai. 8. Sculpture in the P.C. Mahalanobis Memorial Museum and Archive in Calcutta/Atul Chandra Bhaumick. 9. Uma- Mahesvara Murti-Silpa in Uttar Pradesh/A.L. Srivastava. 10. The Buddhist Stupas of Baghelkhand (M.P.)/Radha Kant Varma. 11. Depiction of scenes of inebriation or Madhupana in the early historic art with reference to Terracotta a study in transition of a motif/C. Margabandhu. 12. Metal crafts of West Bengal in early historical period/Pranab K. Chattopadhyay. 13. Siva a rhythmic reality in Indian miniatures/Sushila Pant. Archaeology: 14. Neolithic Kalimpong/Bishwanath Samanta. 15. Koldihwa a key site for the neolithic and chalcolithic cultures of the Vindhyas/B.B. Misra. 16. Excavations at Jhusi: Preliminary observations/VD Misra, MC Gupta and J N Pal. 17. Archaeological excavations and related works in Bihar (1996-98)/Navin Kumar Arya. 18. Subjectivity in archaeological interpretation/J N. Pandey. 19. Kapilavastu: the storm on its identification/K.M. Srivastava. 20. Emerging perception in the archeological study of Bodh Gaya/V.S. Srivastava. 21. A note on the antiquity of Brahmi/B.N. Mukherjee. 22. Some problems of conservations in Bihar with special reference to the stucco panels/Ajit Kumar Prasad. 23. Ancient inscriptions of Gaya region: a study/Firoz Ashraf Khan. 24. Outline of Buddhism in Bihar based on the finds of the archaeological excavations carried out in Bihar since independence/Hari Kishore Prasad. 25. A culture based on OSTEOKERATIC artefacts, unearthed from Pandurajar Dhibi, Burdwan/Tapas Banerjee. Part II: Political, Social and Cultural History of India: 26. The concept of education in early India (From Vedic period up to 600 A.D.)/Arun Kumar. 27. The Vanaras and Rakshasas in the Valmiki Ramayana/B.P. Sinha. 28. Asoka as a preacher of Dhamma/Navin Kumar. 29. Women in the Satavahana and Vakataka period: some glimpses/Ajay Mitra Shastri. 30. The Roman age writings and political history of India/Udai Prakash Arora. 31. Tolerance in ancient Indian society concept and practice/A K Sinha. 32. Bilateral cultural contacts between India and China/Bimalendra Kumar. 33. A glimpse of continuity and change in the Buddhist doctrine of Karma/Sachchidanand Srivastava. 34. The soma plant/Creeper/Shyam Manohar Mishra. 35. An ancient Indian village/B.N. Mishra (Bhopal). 36. Fresh light on Sino-Thai relations/Basant Narain Singh. 37. Dharmasvamin's account as source for the history of Bihar/Kameshwar Prasad. 38. Glory of Agra as depicted by foreign travelers/Rama Shankar Tiwary. 39. scholars and their lives and attainment under emperor Jahangir/Pramod Kumar. 40. Burmese view on separation issue and Indian public opinion/B.N. Singh and Ravi Shankar Srivastava. 41. Aspects of economic life in Sarkar Tirhut (1793 to 1856 A.D.)/Amit Kumar. 42. Festivals and vratas in early medieval Bihar/Trioki Nath. 43. Civil disobedience movement and peasants, workers of Bihar/Sudhir Kumar Singh. 44. The first police firing on students (1955) in free India and its repercussions/Jayashree Datta. 45. Mahesh Narayan: maker of modern Bihar/N.M.P. Srivastava. 46. The system of University education in Germany with special reference to indological studies/Gaya Charan Tripathi. 47. Documentation of tools related with textiles Industry/Vijay Lakshmi Sharma. 48. A brief history of the Gidhaur estate/Pankaj. 49. Geomorphology of middle Ganga valley/V S Shrivastava. 50. Rise in literacy level of girl children in Bihar/Pawan Kumar. 51. Paintings from Dunhuang in National Mus.

Hardcover. Zustand: New. Soil researchers generate several types of data from classical results of experimental designs, soil physical and chemical analysis and pedological researches. An appropriate visualization of these data and their analysis in form of statistical graphics, plots, and information graphics can stimulate viewer engagement and attention. Besides the classical graphs and charts,representing soil data needs some special infographics such as textural triangle, piper diagram, soil-water retention curves, etc. The data of pedological research needs to be represented in another set of plots which include soil profile graphs depicting the horizons sequence with depth of the soil profile, soil color graphs, and the horizon and color transition sequence probabilities. These graphics can help developing the physiography-soil relationships and segregation of soils. This book explains the use of R platform in producing publication ready infographics from the soil data with examples. The book starts with initial guidance regarding installation of software and packages in R and the procedure of importing and exporting different formats of tabular data into and from R and its manipulation. Then the book explains the visualization of descriptive statistics, analysis of variance (ANOVA), and relationships among soil properties. The book provides a practical guideline to prepare soil textural triangles in different classification systems and to visualize pedological and soil survey data in form of soil profile plots, soil color plots, and clustering and segregation of soils based on morphological and physic-chemical properties. A dedicated chapter also discusses visualizing physical and chemical properties of soil water such as, soil water retention curve and Maucha and Piper diagrams representing ions in the soil solution.