Simons raf (7 Ergebnisse)

Paperback. Zustand: Brand New. 65 pages. 8.00x5.25x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. 1st Edition. Bound in half cloth pictorial boards, (unpaged) : illustrations (chiefly color) ; 43 cm. Very good, clean, no internal marks, light surface wear to glossy boards. Text in English, with translations in Spanish, French and German.

hardcover. Zustand: near fine. First. Texts in English, German, French & Spanish. Well-illustrated throughout, mostly in color. Slim folio, glossy pictorial boards with pink cloth spine. Koln: Taschen, (2013). First edition. Near fine. Designer Monographs, Curated by Terry Jones. Raf Simons (illustrator).…

Hardcover. Zustand: Near Fine. 1st Edition. Bound in pictorial stiff carton (hardcover), [unpaged; approx 400p], chiefly colour illustrations, 23x34 cm. Very good, clean, unmarked, minimal shelf-wear. Extremely rare and scarce photobook. According to the colophon "an extension of the Touch of Crude advertising campaign". No copies in Worldcat; no further bibliographical history known. Heavy/large item; may require extra postage for international customers.…

Gr.-8°, Broschur. Auflage: 1.. 440 Seiten, Einband berieben, am Rücken stark ausgeprägter leseknick, Ecken und Kanten berieben, obere Ecke bestoßen, Kante der inneren Deckelklappe etwas geknickt, sonst in einem guten Zustand. 9788881584048 Sprache: Englisch Gewicht in Gramm: 1500.

Hardcover. Zustand: Very Fine. Zustand des Schutzumschlags: Very Fine. 1st Edition. Assouline's Dior Series, six volumes published separately over the course of seven years. Published NY: Assouline, 2016-2023. Hard covers in dust jackets. Volumes 2-6 are first printings, volume 1 is a third printing. Matching folios, 11 7/8" x 14 1/2", illustrated throughout with full page and double page color plates. "The Dior Series offers a stunning collection of six volumes, each highlighting the creative vision of a designer who shaped the house of Dior. From Christian Dior's iconic designs to Raf Simons' modern reinventions, these books capture the evolution of haute couture with beautiful photography and insightful commentary. A must-have for fashion enthusiasts and collectors." Volume 1: Dior by Christian Dior, 1947-1957; Volume 2: Dior by Yves Saint Laurent, 1958-1960; Volume 3: Dior by Marc Bohan, 1961-1989; Volume 4: Dior by Gianfranco Ferré, 1989-1996; Volume 5: Dior by John Galliano, 1997-2011; Volume 6: Dior by Raf Simons, 2012-2015. All volumes are very fine in very fine dust jackets. Two jackets have a 1/4" hairline closed tear at the top edge. Due to size and weight, additional postage may be required.…

Softcover. Zustand: VG+. Zustand des Schutzumschlags: VG+. First Edition. 30 x 30 cm, 23 12 x 12" cards housed in record box. Numerous Colour and Black & White plates. 9th season, the collection is shown in a Filmstudio âStudio Carrà reâ on the Avenue du Prà sident Wilson no. 50 in Paris close to Porte de la Chapelle on Friday 29th January 1999 at 09h30 pm. A little group of teenagers opened the show, with black flags featuring the following words: DISORDER INCUBATION ISOLATION These words are important to describe the image of the collection, and it is also a memorial to Joy Division. The global idea of this collection is to make a reference to the past, specially the first two parts of the show. Fashion goes so quickly that people tend to forget the historical meaning of clothes, especially costumes. This is why the opening of the show was like a procession to create the right atmosphere. The most important part was a group of models wearing black Capes, classical, asymmetric and circle shapes in three quarter length, a variety of design, an other group wearing ceremonial costumes, shirts with cuffs and collar that are removable. The hair was very constructed in sharp lines. The first three groups had black coloured hair. And in the last part the hair changed to blond coloured hair, but still very constructed hairstyles. The colour of the outfit changed from black to grey. Raf Simons likes plain, black and monotone, but also he likes the past in contrast to the future. The music was in this part very fast. The blond group was wearing long light grey and dark grey coats with zippers. The silhouettes are very clean: shirts in classical weaving wool fabrics without collars. Nearly each light grey outfit was with a white âRâ Turtleneck and the dark grey outfits with a red âRâ Turtleneck.…