Simon wilson ed (15 Ergebnisse)
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USAThriftBooks-Atlanta
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Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
- Hardcover
- Erstausgabe
Anbieter: Bookplate, Chestertown, MD, USABookplate
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EUR 8,83
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. P/O gift inscription to fly leaf o/w clean, unmarked copy with firm hinges, sharp corners, clean pages. DJ in VG+ condition altho lined up a touch off center. BP/Nabokov.
Weitere Bilder- Hardcover
- Erstausgabe
Anbieter: ThriftBooksVintage, Tukwila, WA, USAThriftBooksVintage
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Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. First Edition. Dust jacket in good condition. First edition. Shelf and handling wear to cover and binding, with general signs of previous use. Minor wear to the dust jacket; dust jacket is price clipped. Light wear to the boards. Sound binding. Clean interior pages. Se…cure packaging for safe delivery.
- Hardcover
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, NiederlandeAntiquariaat Schot
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EUR 27,60
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Original publisher's blue cloth hardback, gilt title spine, pictorial dustjacket, large 4to: frontispiece, 304pp., 5 essays, 5 coloured plates, 54 bl.& wh. text-illustrations, catalogue of 139 coloured plates with descriptions, notes, bibliography, abbreviations, index works, lenders, photo credits, gallery notes.
Anthill 1
Astrid Wilson (ed.); Simon Cutts, Anne Gardner, Thomas Meyer, Stephen Duncalf and Martin Fidler (contributors)
Verlag: The Sarum, london, 1977
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Fine. Book. 201 x 145 mm,13 pp. printed black on white stock, with hand-coloured illustrated cover by Martin Fidler. A literary magazine, published quarterly, that includes issues about painters, sculptors and people prominent in other fields. Features poems by Simon Cutts, Anne Gardner and Thomas Meyer, and…"Deuteronomy" by Stephen Duncalf.
- Softcover
Anbieter: Hatt Rare Books ILAB & CINOA, Hägersten, SchwedenHatt Rare Books ILAB & CINOA
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EUR 9,30
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In den WarenkorbSewn as issued, pictorial wrappers. Very fine. London, Tate Publishing, 2000. Large 8vo. 248 pp. Richly illustrated in colour. This book celebrates the opening of Tate Modern, Britain's new national gallery of modern and contemporary art. [.] Illustrated in full colour with 200 key works from the Tate collection. [.] The second…half of the book is an A to Z of one hundred key artists within the collection, each represented by one or more significant works, and introduced by one of a team of eleven leading historians of modern art. [.] This book also documents the way in which Giles Gilbert Scott's power station was transformed by the architects Herzog & de Meuron.
Verlag: London ; Dartmouth, England : International Who's Who in Poetry, 1970., 1970
- Hardcover
Anbieter: Joseph Valles - Books, Stockbridge, GA, USAJoseph Valles - Books
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EUR 35,31
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In den WarenkorbHardcover. Zustand: Very Good. 2nd Edition. 2nd ed. ; 519 pp. ; 25 cm. ; purple cloth with gold lettering ; several photographic portraits of poets laureate ; personal information and addresses of poets worldwide ; VG. Book.
Weitere Bilder- Hardcover
Anbieter: Any Amount of Books, London, Vereinigtes KönigreichAny Amount of Books
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EUR 120,38
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Hardcover. 8vo. pp xiii, 330. Original publisher's illustrated laminated boards. ISBN: 9780199247462 Fine.
Verlag: The Sarum Press, London, 1977
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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EUR 24,08
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In den WarenkorbZustand: Very good +. vvery good. Astrid Wilson (ed), Anthill 2, The Sarum Press, London, 1977. Book. A literary magazine, published quarterly, that includes issues about painters, sculptors and poets. Anthill2: 12pp. in black in white with hand-coloured illustrated cover, Poetry by Simon Cutts, Lazare Domniez, Thomas Meyer, Stu…art Mills, Philip Pacey. Drawing by Petsa Kaffens. Cover by Martin Fidler. Condition: toning to covers around edges and spine, interiors very good +/near fine.
Weitere BilderControl magazine - complete set (Issues 1-21)
Stephen Willats (ed.); contributors: Vito ACCONCI, Sue ARROWSMITH, Stephen BANN, Logie BARROW, Mark BOYLE, Victor BURGIN, Laurie BURT, Helen CHADWICK, Tony CRAGG, Simon CUTTS, Jeremy DELLER, Dan GRAHAM, Lili FISCH, Herve FISCHER, Noel FORSTER, Hamish FULTON, Jenny HOLZER, Thomas HIRSCHHORN, Anish KAPOOR, Mary KELLY, Jan KOPINSKI, John LATHAM, Tom PHILLIPS, Martha ROSLER, Douglas SANDLE, John SHARKEY, Alan SONDHEIM, John STEZAKER, John UPWARD, Lawrence WEINER, Stephen WILLATS, Andrew WILSON, Joe WILSON, Bill WOODROW
Verlag: 0, London
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Near Fine. Book. Complete set of Stephen Willats' seminal periodical 'Control'. First 5 issues: 310 x 225 mm with screenprinted wrappers. Later issues have printed pictorial wrappers and are slightly smaller in format. Since 1965, this pioneering conceptual art magazine has published original artwork and writ…ing from over 150 artists, alongside collectives and collaboratives such as Artists Placement Group. Issue 13 features an original work by Anish Kapoor of an insect-object sprayed blue; together with a photocopy collage intervention by Glenys Johnson entitled Agent Orange. Issue 3 comes complete with inserts: Poem-Blanc by John Sharkey and Peter Upward's untitled painting. This seminal publication is significant for its community-based approach, and its theories based on cybernetics and social science. Its content rejected a traditional mode of criticism and instead concentrated on theoretical ideas, technical models and artistic methods: Control is purely a magazine of art theory, in the sense that it presented text by artists looking at the thinking behind their work (Willats, Publishing Interventions, 2 in In Numbers: Serial Publications by artists since 1955, PPP Editions, Zurich, 1999, p. 129). While within the remit of the art magazine, Control is notable for its interdisciplinary reach. As the artist has commented, the magazine's origins were a reaction to a very strong inheritance from previous decades that constrained the artists into very set roles of painting, sculpture and traditional mediums (ibid). Contents - Issue 1, 1965, contributors (C): Loggie Barrow, Roy Ascot, Stephen Willats, Mark Boyle et al/No.2, 66, C: Stroud Cornock, Adrian Berg, Willats, Tom Phillips et al/ No.3, 67, C: Joe Tilson, Noel Forster, Peter Cook-Archigram Group, John Latham (Noit for Control), Willats, an original painted insert by Peter Upward, John Sharkey (Poem-Blanc) et al. Comes with a tipped-in envelope containing Three Light Modulators/No.4, 68, C: Victor Burgin, Norman Toynton, Sharkey, Willats, Douglas Sandle, et al/No.5, 69, C: Laurie Burt, Don Mason, Sharkey, Rick Oginz, Willats (on APG) et al/No.6, 71, C: Jan Kopinski, Willats, Sharkey, Ernest Edmonds, David Budgen et al/No.7, 73, C: Kevin Lole, Peter Smith, Willats, Howard O' Conner, John Stezaker/No.8, 74, C: Lole, Joe Wilson, Andrew Ironside, Willats, Gerald Laing, Stezaker et al/No.9, 75, C: Peter Smith, Dan Graham, Herve Fischer, Willats, Alan Sondheim et al / No.10, 77, C: Jon Bird, Peter Dunn & Loraine Leeson, Jane Kelly, Mary Kelly et al/ No.11, 79, C: Tony Rickaby, Willats, Ray Barrie, Kelly, Fern Tiger, Graham et al/No.12, 81, C: Lili Fisch, Willats, Helen Chadwick, Michael Peel, Bernhard Sandfort, Fred Forest et al/No.13, '82, C: Bill Woodrow (TV Blind), Glenys Johnson (Agent Orange), Jenny Holzer, Kate Blacker, Jean-Luc Vilmouth, Willats, Sue Arrowsmith, Tony Bevan, Tony Cragg and a blue sprayed insect work by Anish Kapoor: I once saw an insect in a pile of colour, it seemed to me that this was almost a work. (p32)/No.14, 90, C: Andrew Wilson, Lawrence Weiner, Rita Pacquee, Andreas Seltzer, Dennis Adams, Stephen Bann & Bob Chaplin, Martha Rosler, Willats, Michael Gibbs, Endre Tot, Simon Cutts & Colin Sackett et al/No.15, 96, C: Poster Studio, Alan Murray, Denise Hawrysio, Oliver Whitehead, Alan Kane & Jeremy Deller, Oliver Cieslik & Barbara Schenk, Les Levine, Liam Gillick, Willats et al/No.16, 01, C: Jakob Jakobsen, David Goldenberg, Art Lab, Nils Norman, Elinor Jansz, Christabel Stewart & Emily Pethick, Hamish Fulton, Sarah Staton, David Beech, Willats, et al / No.17, 07, C: French Mottershead, Jakobsen, Dan Kidner, Langlands & Bell, Nils Norman, Miriam Steinhauser, Willats, Chris Hammond et al/No.18, 09, C: Vito Acconci, Karolin Meunier, Willats, Erwin van Doorn, Dan Mitchell, Annette Krauss, Thomas Hirschhorn, Harmen de Hoop et al. / No.19, 14, C: Christian Nyampeta, Rosalie Schweiker, Ricardo Basbaum, Andrea Francke, Emma Smith, Willats, Eva Weinmayr, Taylor & Zaharia.
