sidney strube (11 Ergebnisse)

Card Covers. Zustand: Fair. No Jacket. Strube, Sidney (illustrator). 1st Edition. [1945], [144pp], cartoons, landscape format, card covers worn with sl loss, spine cocked.

Soft cover. Zustand: Very Good. Oversized softcover. Covers are very mildly scuffed with some minor edge wear small piece of tape on spine, otherwise clean. Binding is good and tight. No date on title page. Copyright page dated 1981. 96 pages. Pages are clean, crisp, and bright with some mild toning on fore-edge. B&W cartoon reprints throughout. Overall a nice copy. This is an oversized book, so extra shipping will be necessary for priority or international shipping. Please email with questions or to request photos. Note: if there is a photo beside this listing, it s a STOCK photo that ABE put there (for reasons that we cannot understand or control) and might not match this actual book.

Soft Cover. Zustand: Very Good. No Jacket. First Edition. Softback book. Grey card covers with black lettering and cartoon ilustration.Unpaginated 155 pages.[1945] Cartoons from the Daily Express satirising the events and personalities of the second world war from 1939 to 194 by Strube.9.75 X 7.25 inches. Very good copy.

Card. Zustand: Good+. 4pp Card cover with hand stitched sheets about the dinner. The main feature is the superb cover cartoon by Strube, the long-serving 'Daily Express' cartoonist - the best paid in Fleet Street. Titled "Father's Dream" with a drawing of the Father of the Chapel (G K Southwell) dreaming of a Heath-Robinson machine that combines a printing press with a restaurant.

Paperback. Zustand: Good. Sidney Strube (illustrator). First edition. An uncommon oblong first publication of the cartoons for the 'Daily Express' by Sidney Strube. A series of cartoons from theDaily Express by Strube. The first and only edition of this work, an uncommon copy. With a foreword by H V Morton.Sidney Strube was a British cartoonist. This work features his most popular design, the character of 'Little Man', the personification of the "man in the street" which appeared every day on the editorial page. With a bowler hat and umbrella at hand, he represented the tax-payer suffering under politicians and vested interests, and the modern Englishman of interwar years.In the original publisher's wraps. This copy features a lovely reproduction of the 'Little Man' in pencil to the title page by a previous owner. In the original publisher's wraps. Externally generally sound with some shelf wear and chipping to the wraps. With minor mathematical inscriptions in pen to the front and rear wrap, and the general minor marking. Featuring a reproduction of the 'Little Man' in pencil to the title page by a previous owner, signed Tomas and dated 1927. Internally, firmly bound. With a minor spotting scattered throughout. Fully illustrated. Good. book.

First edition in publisher's original illustrated blue card wrap covers, black lettering to the front cover. Landscape 7½'' x 10''. Contains monochrome cartoon illustrations with text to every page. 50 mm repaired tear to the foot of the spine, corners a little turned-in, light soiling to the pale card covers, without any ownership markings, no dust wrapper as published. Member of the P.B.F.A. HUMOUR (Satire, Cartoon).

Paperback. (100pp) card covers, London Express Newspapers Ltd., London 1928. Covers marked & chipped, contents VG.

Zettel. Zustand: Sehr gut. Blankokarte mit Schwarzweissphoto eines Schattenriss-Portraits von Sidney Strube auf schwarzem Tonkarton montiert, das Kärtchen von Sidney Strube mit schwarzer Tinte signiert.- Darunter vom Sammler mit zartem Bleistift auf den 26.3.1931 datiert. /// Signiert signed signée autograph autographe autogramm /// Sidney Strube (1891-1956) was a British cartoonist. He was born in Bishopsgate, London. His early career included work as a junior draughtsman with a furnishing company and as a drawer of electrical equipment and lettering for a small advertising agency.[1] He then entered John Hassall's art school. Hassall admired his caricatures and sent Strube's drawings to the periodical Conservative and Unionist (later renamed Our Flag). The editor printed four of Strube's caricatures during the January 1910 United Kingdom general election. Strube later worked as a freelance cartoonist, including drawing for the Bystander and the Evening Times.[1] In 1912 he joined the Daily Express with an exclusive contract, where he would work until retiring in 1948.[1] In 1933 he was offered £10,000 a year to leave the Express and join the Daily Herald but Lord Beaverbrook matched the offer to retain Strube.[2] In the 1930s Strube was contrasted with fellow cartoonist David Low. Stanley Baldwin admired Strube: "Strube is a gentle genius. I don't mind his attacks because he never hits below the belt. Now Low is a genius, but he is evil and malicious. I cannot bear Low".[3] The Little Man His cartoons for the Express included his character the Little Man, the personification of the "man in the street", which appeared every day on the editorial page.[4] The "Little Man" wore a bowler hat and an umbrella and represented the hard-pressed taxpayer suffering under politicians and vested interests.[1][4] The Little Man also represented an Englishness that saw itself as modern, in contrast with the traditional John Bull figure used by cartoonists.[5] The interwar years witnessed the growth of the middle class and the suburbs, along with the domestification of popular culture. According to Alison Light, the nation abandoned "formerly heroic.public rhetorics of national destiny" in favour of "an Englishness at once less imperial and more inward-looking, more domestic and more private".[6] Consequently, traditional state displays of patriotism (such as the Silver Jubilee of George V) became less significant; in this context the Little Man replaced John Bull as the personification of the nation.[7] According to Rod Brookes, Strube's cartoons represented a "modern, privatised version of British national identity defined against the archaic, aggressive, jingoistic Nationalism of European countries".[8] Some saw the Little Man as symbolic of Britain's post-First World War decline. George Orwell's protagonist in his 1936 novel Keep the Aspidistra Flying denounces the Little Man as a symbol of suburban mediocrity and conformity: "the typical bowler-hatted sneak?Strube's ?little man?".[9] W. H. Auden's 1937 poem "Letter to Lord Byron" favourably contrasted John Bull to the Little Man.[10] Auden wrote: Ask the cartoonist first, for he knows best. Where is the John Bull of the good old days, The swaggering bully with the clumsy jest? His meaty neck has long been laid to rest, His acres of self-confidence for sale; He passed away at Ypres and Passchendaele. Turn to the work of Disney or of Strube; There stands our hero in his threadbare seams; The bowler hat who strap-hangs in the tube, And kicks the tyrant only in his dreams, Trading on pathos, dreading all extremes; The little Mickey with the hidden grudge; Which is the better, I leave you to judge.[11] /// Standort Wimregal Ill-Umschl2021-07 Sprache: Englisch Gewicht in Gramm: 10.

Zettel. Zustand: Sehr gut. Vermutlich ein kleines Albumcutout, ca 7,5x4 cm von Sidney Strube mit schwarzer Tinte signiert.- /// Signiert signed signée autograph autographe autogramm /// Sidney Strube (1891-1956) was a British cartoonist. He was born in Bishopsgate, London. His early career included work as a junior draughtsman with a furnishing company and as a drawer of electrical equipment and lettering for a small advertising agency.[1] He then entered John Hassall's art school. Hassall admired his caricatures and sent Strube's drawings to the periodical Conservative and Unionist (later renamed Our Flag). The editor printed four of Strube's caricatures during the January 1910 United Kingdom general election. Strube later worked as a freelance cartoonist, including drawing for the Bystander and the Evening Times.[1] In 1912 he joined the Daily Express with an exclusive contract, where he would work until retiring in 1948.[1] In 1933 he was offered £10,000 a year to leave the Express and join the Daily Herald but Lord Beaverbrook matched the offer to retain Strube.[2] In the 1930s Strube was contrasted with fellow cartoonist David Low. Stanley Baldwin admired Strube: "Strube is a gentle genius. I don't mind his attacks because he never hits below the belt. Now Low is a genius, but he is evil and malicious. I cannot bear Low".[3] The Little Man His cartoons for the Express included his character the Little Man, the personification of the "man in the street", which appeared every day on the editorial page.[4] The "Little Man" wore a bowler hat and an umbrella and represented the hard-pressed taxpayer suffering under politicians and vested interests.[1][4] The Little Man also represented an Englishness that saw itself as modern, in contrast with the traditional John Bull figure used by cartoonists.[5] The interwar years witnessed the growth of the middle class and the suburbs, along with the domestification of popular culture. According to Alison Light, the nation abandoned "formerly heroic.public rhetorics of national destiny" in favour of "an Englishness at once less imperial and more inward-looking, more domestic and more private".[6] Consequently, traditional state displays of patriotism (such as the Silver Jubilee of George V) became less significant; in this context the Little Man replaced John Bull as the personification of the nation.[7] According to Rod Brookes, Strube's cartoons represented a "modern, privatised version of British national identity defined against the archaic, aggressive, jingoistic Nationalism of European countries".[8] Some saw the Little Man as symbolic of Britain's post-First World War decline. George Orwell's protagonist in his 1936 novel Keep the Aspidistra Flying denounces the Little Man as a symbol of suburban mediocrity and conformity: "the typical bowler-hatted sneak?Strube's ?little man?".[9] W. H. Auden's 1937 poem "Letter to Lord Byron" favourably contrasted John Bull to the Little Man.[10] Auden wrote: Ask the cartoonist first, for he knows best. Where is the John Bull of the good old days, The swaggering bully with the clumsy jest? His meaty neck has long been laid to rest, His acres of self-confidence for sale; He passed away at Ypres and Passchendaele. Turn to the work of Disney or of Strube; There stands our hero in his threadbare seams; The bowler hat who strap-hangs in the tube, And kicks the tyrant only in his dreams, Trading on pathos, dreading all extremes; The little Mickey with the hidden grudge; Which is the better, I leave you to judge.[11] /// Standort Wimregal GAD-0062 Sprache: Englisch Gewicht in Gramm: 10.

First edition in publisher's original illustrated sand card wrap covers, black lettering to the front cover. Landscape 7½'' x 10''. Contains monochrome cartoon illustrations with text to every page. Overlapping card edges a little nicked, without any ownership markings and in Very Good clean condition, priced 1/- to the front cover, no dust wrapper as published. Member of the P.B.F.A. HUMOUR (Satire, Cartoon).

Sidney Strube (illustrator). Original vintage British World War Two propaganda poster - Yield not an inch! Waste not a minute! - encouraging Anglo-Russian solidarity and increased factory production to support the war effort featuring a design by the British cartoonist Sidney Strube (1892-1956) depicting an outline of British factory worker's arm shaking hands with a Russian soldier's arm from the slogans Work Fast! by the factory and Stand Fast! over the Moscow Kremlin by a battle scene of military tanks and planes surrounded by smoke, the bold title text on the border above and below. By courtesy of Daily Express. Printed for H.M. Stationery Office by Lowe & Brydone Printers. Horizontal. Good condition, folds, tears, creasing, staining. Size: 38x51cm.