Shovana narayan (36 Ergebnisse)

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Contents Acknowledgements Preface 1 Introduction 2 Evolution of classical dance 3 Constituents of dance 4 Dance and dancers 5 Odissi 6 Technical terms BibliographyIndia is fascinating country with plurality of ethnicity cultures religions and philosophy Unsurprisingly this plurality extends to the arena of classical dances having the distinction of being the only country with eight recognized classical dance forms all of which are bound in the single thread of spirituality and philosophy radiating the fragrance of IndiannessThough many books of Indian Classical Dances are available this Indian Classical Dance series by Shovana Narayan can be described as the book among books on Indian Classical Dances for these are comprehensive and detailed encyclopaedia on different classical dance forms essaying the historical evolution and influences characteristic identifying features techniques and also the format of presentation in an evening?s programme of each style The book also details the repertoire texts utilized costumes and make up of each characteristic of each dance formThis Indian Classical Dance Series with its exhaustive information and liberal use of photographs is a must for all Some of the interesting nuggets of information prove to be eye openers demolishing and demystifying few prevailing hypothesis 120 pp.…
Verlag: Shubhi Publications, 2005
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In den WarenkorbHardcover. Zustand: As New. Krishna is a subject that holds eternal fascination for writers, poets, philosophers and artistes. He demands love, faith, devotion and surrender. He has been the favourite subject of researchers and authors. Many books have featured him in their critiques covering various facets of his personality. This volume, Krishna in Performing Arts is `one of its kind' for it is a monumental work that presents a detailed exposition of the multi-faceted influence of Krishna in the field of performing arts. He has influenced poses and stances of certain dance forms; he has been associated with `aas', `maharaas' and the `madan bhramari'; he has caused development and evolution of whole genre of dance theatres, operas, classical dance forms, ballads, music forms, rituals, make-up and costumes associated with performing arts, floor art, as well as cloth paintings that are unique in presentation, content and devotion. He is celebrated in all seasons and he is associated with festivals involving performing arts much more than any other deity. His personality, his deeds and his philosophy serve not only as themes for performing as well as visual arts but also for psychologists and psychoanalysts. This volume with its detailed exploration, exhaustive information and liberal use of photographs is a must for all. There are several interesting nuggets of information that are not to be found in other books on Krishna, including a comparative glimpse into the attributes of Shiva and Krishna, the two principal deities of performing arts.…
Verlag: Shubhi Pub, 2012
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In den WarenkorbHardcover. Zustand: As New. Contents Acknowledgements Preface 1 Introduction 2 Evolution of classical dance 3 Constituents of dance 4 Dance and dancers 5 Bharatanatyam 6 Technical terms BibliographyIndia is fascinating country with plurality of ethnicity cultures religious and philosophy Unsurprisingly this plurality extends to the arena of classical dances having the distinction of being the only country with eight recognized classical dance forms all of which are bound in the single thread of spirituality and philosophy radiating the fragrance of IndiannessThrough many books of Indian classical dances are available this Indian classical dance series by Shovana Narayan can be described as the book among books on Indian classical dancers for these are comprehensive and detailed encyclopaedia on different classical dance forms essaying the historical evolution and influences characteristic identifying features techniques and also the format of presentation in an evening?s programme of each style The book also details the repertoire texts utilized costumes and make up of each characteristic of each dance formThis Indian classical dance series with its exhaustive information and liberal use of photographs is a must for all Some of the interesting nuggets of information prove to be eye openers demolishing and demystifying few prevailing hypothesis 114 pp.…

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Hardcover. Zustand: New. This book is the result of 7,000 kilometres of travel through North India and five years of untiring field work, investigation and research. The mission was to understand the existence of Kathak villages and what Kathak and 'Kathak Lok' represented. Going from village to village, seeing Kathak-s dance in temples, meeting Maharajas, dancers, scholars and swamis, the authors peeled layer upon layer of history. Bit by bit facts revealed themselves, slowly lifting the curtain to a clear and accurate picture. The authors unearth little-known facts of pre-Christian era roots of Kathak and its role in propagating and preserving dharma, over the centuries, which continues as a living tradition today. This book will shatter many popular perceptionssuch as the Mughal origins of Kathak or the belief that Kathak is the dance of the courtesans.…

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Zustand: New. pp. 243 Illus.

Sprache: Englisch
Verlag: Shubhi Publications
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Zustand: New. pp. 160 Illus. (Some Col.).
Verlag: Kanishka Publishers & Distributors
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In den WarenkorbZustand: New. pp. v + 135 Figures, Illus.

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Zustand: New.

Verlag: Shubhi, 2012
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Contents Acknowledgements Preface 1 Introduction 2 Evolution of classical dance 3 Constituents of dance 4 Dance and dancers 5 Kathak 6 Technical terms BibliographyIndia is fascinating country with plurality of ethnicity cultures religions and philosophy Unsurprisingly this plurality extends to the arena of classical dances having the distinction of being the only country with eight recognized classical dance forms all of which are bound in the single thread of spirituality and philosophy radiating the fragrance of IndiannessThough many books of Indian classical dances are available this Indian classical dance series by Shovana Narayan can be described as the book among books on Indian classical dances for these are comprehensive and detailed encyclopaedia on different classical dance forms essaying the historical evolution and influences characteristic identifying features techniques and also the formal of presentation in an evenings programme of each style The book also details the repertoire texts utilized costumes and make up of each characteristic of each dance formThis Indian classical dance series with the exhaustive information and liberal use of photographs is a must for all Some of the interesting nuggets of information prove to be eye openers demolishing and demystifying few prevailing hypothesis jacket 130 pp. photographs (illustrator).…

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Zustand: New. pp. 312.

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Zustand: Good. Paperback, some illustrations (including photographs) in colour and b/w, 8vo.; Crease on corners, light stains on cover.

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Contents Foreword Preface 1 Basis of the study 2 Political scenario of India up to Eighth 3 Land management 4 Land measurement 5 Agriculture and irrigation schemes 6 Commerce and trade management 7 Revenue administration 8 Summary and conclusion List of inscriptions ReferencesThe study of the economy of ancient Indian through Sanskrit inscriptions is a Herculean task Till date several works are available on research done on arts religious philosophy history and language through inscriptions but very little has been attempted in the field of economic studies based on Sanskrit epigraphs Dr Kamala Kishore Mishra is the first person to traverse this unchartered terrainThis work details fourteen tables bibliography table of terminologies list of inscriptions and plates of 122 inscriptions which throw valuable light on the practices of ancient India For example from the copper plate inscription from Sahgaura there is evidence of storage of grain in silos for meeting the needs in crucial times of scarcity and is an effort in risk management The Mandsaur inscription throws light on the relative affluence and well being of the people of the area who contributed towards construction of temples and wells The Girnar stone inscription of Rudradaman speaks of the construction of a large pond or lake to take care of water scarcity Inscriptions also seem to throw light on a well balanced decentralization of powers that contributed to governance of the state Self sufficiency at village level and at various other levels also seems to emerge from a study of the inscriptions and there is a definite indication towards economic prosperity of the sub-continent in eighth century AD 244 pp.…

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Hardcover. Zustand: New. The book, Indian Theatre Traditions: Drama, Music and Dance Covers a wide horizon and provides an insight into the multi dimensional theatrical traditions of India that include drama, dance and music, folk and classical. This book also covers areas of puppetry, martial arts and the tradition of masks. It delves into the roots of various streams of Indian culture including a deep reflection on the applicability of the ancient treatise on dramaturgy, the Natyasastra. This book is rich in information, yet it caters to all sections of society, the uninitiated and the initiated.…

Sprache: Englisch
Verlag: Shubhi, 2012
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Contents Acknowledgements Preface Introduction 1 Evolution of classical dance 2 Constituents of dance 3 Dance and dancers 4 South India 5 Technical terms BibliographyIndia is fascinating country with plurality of ethnicity cultures religions and philosophy Unsurprisingly this plurality extends to the arena of classical dances having the distinction of being the only country with eight recognized classical dance forms all of which are bound in the single thread of spirituality and philosophy radiating the fragrance of IndiannessThough many books of Indian classical dances are available this Indian classical dance series by Shovana Narayan can be described as the book among books on Indian classical dances for these are comprehensive and detailed encyclopaedia on different classical dance forms essaying the historical evolution and influences characteristic identifying features techniques and also the formal of presentation in an evenings programme of each style The book also details the repertoire texts utilized costumes and make up of each characteristic of each dance formThis Indian classical dance series with its exhaustive information and liberal use of photographs is a must for all some of the interesting nuggets of information prove to be eye openers demolishing and demystifying few prevailing hypothesis jacket 160 pp. photographs (illustrator).…

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Hardcover. Zustand: New. 1st Edition. Dance and Yoga are the two sides of the same coin. United in their origins, while dispersing and expressing energy, both are wholesome practices for the body and mind. Lord Shiva, the Lord of Dance, also considered to be the Supreme Yogi in Indian culture, is known as the first Guru or the Adi Guru as well as the Adi Yogi. His realization has resulted in ecstatic dances which had bouts of stillness, reminiscent of yoga, along with hectic movements, that have seen manifestations in many Indian classical dances. This humble effort of highlighting the commonalities between Indian classical dance and yoga comes from decades of experience of a classical dancer and a yoga enthusiast. This book endeavours to search and examine the asanas and mudras that are practiced in these pursuits. Like a prism that separates the light passing through into different colours, so has been the effort of analyzing the postures and hand movements frequently utilized in Indian classical dance. These are especially seen through Patanjali s ashtanga yoga (the eight fold path of Yoga). This maiden joint exercise seeks to share the appreciation of such aspects of these two integral pursuits of Indian life. It is only recently that art and science are emerging as disciplines independent of the divine. Dance and Yoga however continue to have strong spiritual association.…

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Zustand: New. pp. 180.

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Zustand: New. pp. 240 Illus. (Partly Col.).

Verlag: Shubhi Publication, Gurgaon, 2004
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In den WarenkorbHardcover. Zustand: VG+. 1st Edition. Hardback in Very Good+ condition with Very Good+ dust jacket. . 4to 11" - 13" tall. Inscribed by author on front endpaper. . Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Verlag: New Delhi : Kanishka Publishers, 2003
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In den WarenkorbZustand: Good. Original cloth, dust jacket, 8vo.
Verlag: Macmillan Bangalore, 2007
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Hardcover. Zustand: New. Krishna is a subject that holds eternal fascination for writers, poets, philosophers and artistes. He demands love, faith, devotion and surrender. He has been the favourite subject of researchers and authors. Many books have featured him in their critiques covering various facets of his personality. This volume, Krishna in Performing Arts is `one of its kind' for it is a monumental work that presents a detailed exposition of the multi-faceted influence of Krishna in the field of performing arts. He has influenced poses and stances of certain dance forms; he has been associated with `aas', `maharaas' and the `madan bhramari'; he has caused development and evolution of whole genre of dance theatres, operas, classical dance forms, ballads, music forms, rituals, make-up and costumes associated with performing arts, floor art, as well as cloth paintings that are unique in presentation, content and devotion. He is celebrated in all seasons and he is associated with festivals involving performing arts much more than any other deity. His personality, his deeds and his philosophy serve not only as themes for performing as well as visual arts but also for psychologists and psychoanalysts. This volume with its detailed exploration, exhaustive information and liberal use of photographs is a must for all. There are several interesting nuggets of information that are not to be found in other books on Krishna, including a comparative glimpse into the attributes of Shiva and Krishna, the two principal deities of performing arts.…

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Hardbound. Zustand: As New. New. Contents Acknowledgement. Preface. 1. Krishna. 2. Krishna and Performing arts i. Symbolisms. ii. Bhakti Bhava and Emotional response. iii. Navarasa and Krishna devotion. iv. Human values. 3. Influence on dance theatre and opera. 4. Influence of Krishna on Music. 5. Festivals inspired by Krishna. 6. Krishna and accessories for performing arts. Glossary. Krishna is a subject that holds eternal fascination for writers poets philosophers and artistes. He demands love faith devotion and surrender. He has been the favourite subject of researchers and authors. Many books have featured him in their critiques covering various facets of his personality. This volume Krishna in Performing Arts is one of its kind for it is a monumental work that presents a detailed exposition of the multi faceted influence of Krishna in the field of performing arts. He has influenced poses and stances of certain dance forms he has been associated with raas maharaas and the madan bhramari he has caused development and evolution of whole genre of dance theatres operas classical dance forms ballads music forms rituals make up and costumes associated with performing arts floor art as well as cloth paintings that are unique in presentation content and devotion. He is celebrated in all seasons and he is associated with festivals involving performing arts much more than any other deity. His personality his deeds and his philosophy serve not only as themes for performing as well as visual arts but also for psychologists and psychoanalysts. This volume with its detailed exploration exhaustive information and liberal use of photographs is a must for all. There are several interesting nuggets of information that are not to be found in other books on Krishna including a comparative glimpse into the attributes of Shiva and Krishna the two principal deities of performing arts. 180 pp. …

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Hardcover. Zustand: New. "Ramayana in World Art and Thought" is a unique anthology where eighteen best-selling authors, well-known historians, litterateurs and notable minds come together to present a harmonious choir of the celebrated and timeless epic in order to paint a landscape on the life of Rama and his influence, from different perspectives. Ranging from the historical connection of Ayodhya and South Korea, footprints of Rama in the Punjab, the influence of Ramayana in Mughal paintings, the warrior persona of Rama, the bhakti of Hanuman, the shakti of Sita, the diverse ecological landscape of Bharatvarsha covered in the Ramayana, to the warp and weft of ethics and morality, the essays will beguile and illuminate readers from start to finish.…

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Hardcover. Zustand: New. gahan shodh par aadhaarit yah pustak uttar bhaarat mein saat hajaar kilomeetar kee yaatra aur paanch saal ke kshetr stareey kaary, jaanch aur anveshan ka parinaam hai. uddeshy kathak gaanvon ke astitv aur kathak aur kathak lok ka pratinidhitv karane vaalon ko samajhana tha. gaanv-gaanv jaakar, mandiron mein kathak lok nrty dekhakar, mahaaraajaon, nartakon, vidvaanon aur saadhakon se milate hue, lekhakon ne itihaas ko parat dar parat ubhaara hai. thoda-thoda karake tathy svayan prakat hote gaye kiya aur ek spasht aur sateek tasveer par se parda dheere-dheere uthata gaya. …

Verlag: Shubhi Publications
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Zustand: New. pp. xi + 293 Illus. (Col.), Maps.

Verlag: Shubhi Publications, 2022
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Hardcover. Zustand: New. The history of civilizations is full of myths. Apart from the obvious tangible heritage there is a vast amount of intangible heritage in world history. "A culture keeps its tangible heritage in things like buildings, art, craft and other artifacts. It keeps its intangible heritage in mythologies and art such as literature, music, dance, and rituals. The mythology of a nation doesn't emerge from the history of the nation; instead, by means of the mythology of the nation, the history of the nation is composed." While the history of the nation settles in its books, its myths, art and culture live through the people.…