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Paperback. Zustand: Brand New. 352 pages. 9.00x6.00x0.82 inches. In Stock.

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers a different take on the aesthetic experience. Firstly, aesthetics has traditionally been analyzed only from the point of view of the viewer. This book does not do that, as aesthetics involves both a viewer and a maker; thus, a satisfactory account of the aesthetic experience would be one that was derived from both kinds of perceptual experiences. Secondly, this book focuses on the role of low-level features, such as texture, illumination, color, shape, movement, etc., in the aesthetic experience. Perception itself significantly involves these low-level features, and the sensory experience of aesthetics does so particularly. To explicate this, the book provides background information into recent findings in visual science that support this emphasis on low-level features, particularly within the framework of very early perception known as gist perception, which is experienced in the first approximately 300 ms. This gist experience is also viewed through the philosophical lens of sensing, which gives a framework with which to understand low-level percepts. Thirdly, the book concludes with a description of how the perceptual and cognitive processes of viewer and maker interact with curatorial/critical testimony in order to construct the artwork s meaning. Thus, art is seen as a kind of conversation.

Taschenbuch. Zustand: Neu. Nominalism and Its Aftermath: The Philosophy of Nelson Goodman | Dena Shottenkirk | Taschenbuch | xiv | Englisch | 2010 | Springer | EAN 9789048182237 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Nelson Goodman's disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others' epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman's historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman's basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology.This book will benefit not only the professionals in the field of philosophy, but will also help both graduate and upper level undergraduate students understand Goodman's disparate writings within their proper context, and hopefully will also encourage them to view philosophical thinking in a less truncated and departmentalized way.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Nelson Goodman's disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others' epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman's historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman's basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology.This book will benefit not only the professionals in the field of philosophy, but will also help both graduate and upper level undergraduate students understand Goodman's disparate writings within their proper context, and hopefully will also encourage them to view philosophical thinking in a less truncated and departmentalized way.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Buch. Zustand: Neu. Nominalism and Its Aftermath: The Philosophy of Nelson Goodman | Dena Shottenkirk | Buch | xiv | Englisch | 2009 | Springer | EAN 9781402099304 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Zustand: New.

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Buch. Zustand: Neu. Neuware -Nelson Goodman's disparate writings are often written about only within their own particular discipline, such that the epistemology is discussed in contrast to others' epistemology, the aesthetics is contrasted with more traditional aesthetics, and the ontology and logic is viewed in contrast to both other contemporary philosophers and to Goodman's historical predecessors. This book argues that that is not an adequate way to view Goodman. The separate disciplines of ontology, epistemology, and aesthetics should be viewed as sequential steps within his thought, such that each provides the ground rules for the next section and, furthermore, providing the reasons for limitations on the terms available to the subsequent writing(s). This is true not merely because this is the general chronology of his writing, but more importantly because within his metaphysics lies Goodman's basic nominalist ontology and logic, and it is upon those principles that he builds his epistemology and, furthermore, it is the sum of both the metaphysics and the epistemology, with the nominalist principle as the guiding force, which constructs the aesthetics. At the end of each section of this book, the consequent limitations imposed on his terms and concepts available to him are explicated, such that, by the end of the book, the book delineates the constraints imposed upon the aesthetics by both the metaphysics and the epistemology. 174 pp. Englisch.

Hardcover. Zustand: Brand New. 352 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. 2019. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

28 pp.; 27.9 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue ten of Real Life Magazine, edited by Thomas Lawson. Contents include: "Ruins in the Realm of Thoughts," John Roberts on the work of John Stezaker; "Songs," by Peter Nadin; "Fucked by Dracula," by J. Smith; "From the Permanent Collection," Paul McMahon on the work of Allan McCollum; "Beyond the Pale," by Jo Baer and Bruce Robbins; "'Courage,'" by Kathi Norklun; "More Positions Than Modernism Ever Dreamt Of," by Dena Shottenkirk and "The Sunrise," by Bodil Hansen and Walter Robinson. Cover by Jessica Diamond. Good. Light soiling of covers and yellowing of cover edges with a 23 cm. dog-ear to bottom left corner of verso. Contents clean and unmarked.

[16] pp.; 27.4 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 17 - February 17, 1985. Traveled to Midland Group Gallery, Nottingham, March 2 - 30, 1985. Curated and with an introduction by Rosetta Brooks. Artists include Dara Birnbaum, Sarah Charlesworth, Sherrie Levine, Frank Majore, Steve Miller, Gerry Morehead, Tom Otterness, Dena Shottenkirk amd Laurie Simmons. Includes a checklist of the exhibition. Very Good. Light rubbing of cover edges, yellowing along spine, light soiling of verso and 2 mm. of bumping to upper right corner of publication. Contents are clean and unmarked.

27 pp.; 41.9 x 27.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 12 of ZG Magazine, edited by Rosetta Brooks. Contents include: "Editorial: The New Fundamentalism;" "Extract from an Interview with British Jan Wandja; "All Things Being Equal," by Silvia Kolbowski; "Auras: Dilation to Overthrow," by Stuart Piggott; "Advertising Death's Space," by Rosetta Brooks; "Fashion: Sacred Symbols/Magical Rites," by Krystina Kitsis; "Interview with Rhys Chatham & Joseph Nechvatal"; "The Frozen Land," by Peter Halley; "Disco Inferno," by Carlo McCormick; "Works," by Holly Warburton; "What is Love? Describing Quenelle," by Paul Taylor and Adrian Martin; "Transcendence & Titillation," by Dena Shottenkirk; "Duchamp: Lower East Side," by Richard Flood; "The Geography of Time," by Jonathan Miles and "The Shadow Reflected," by Robert Kleyn. Back cover by Michael Smith. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 312. Fair / Good. 6.2 cm. water damage to bottom of recto carrying through to first four pages with dark soiling. Contents otherwise clean and unmarked. Rubbing and light creasing of spine edge and rubbing off cover edges with 6 mm. tear to top edge of recto and 2 mm. tear to top edge of verso and 7 mm. tear to bottom edge of verso. Bumping off top and bottom edge of periodical and additional light rubbing of covers. Due to size additional shipping charges will be required for international orders.

28 pp.; 27.9 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue ten of Real Life Magazine, edited by Thomas Lawson. Contents include: "Ruins in the Realm of Thoughts," John Roberts on the work of John Stezaker; "Songs," by Peter Nadin; "Fucked by Dracula," by J. Smith; "From the Permanent Collection," Paul McMahon on the work of Allan McCollum; "Beyond the Pale," by Jo Baer and Bruce Robbins; "'Courage,'" by Kathi Norklun; "More Positions Than Modernism Ever Dreamt Of," by Dena Shottenkirk and "The Sunrise," by Bodil Hansen and Walter Robinson. Cover by Jessica Diamond. Good / Very Good. Light soiling to covers and light rubbing and yellowing of cover edges. Contents clean and unmarked.

28 pp.; 28 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue eight of Real Life Magazine, edited by Thomas Lawson. Contents include: "Edit deAk," an interview by Joan Wallace and Geralyn Donohue; "Democratism or, I Went to See Chelsea Girls and Ended Up Thinking About Jenny Holzer," by Rex Reason; "Documentation," by Ken Lum; "A Critique of Authoritarian Rhetoric," by Richard Hertz; "Stations," by Hans Müller; "Contamination," by John Miller and "Ned Smyth," an interview by Susan Morgan and Dena Shottenkirk. Cover images are details from graffiti in Edit deAk's apartment. Reference : No. 7.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 193, 291. Very Good. Light rubbing and soiling of covers, yellowing of right side edge of recto and left side edge of verso and light bumping of top right corner of publication. Light yellowing of page edges. Contents otherwise clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. THE DIVIDED MEADOWS OF APHRODITE: IAN HAMILTON FINLAY Michael Archer SLACKERS Jack Bankowsky PURGATORIO CANTO I: A PROJECT FOR ARTFORUM John de Fazio LOOK WHO'S TALKING Connie Samaras WAR WITHOUT BODIES Allan Sekula CUNNING STUNTS Text by Carlos Fuentes, drawings by Brian Nissen CRITICAL REFLECTIONS Thomas McEvilley LUNA PARK: A PROJECT FOR ARTFORUM Max Kozloff WHO'S BAD? ACCOUNTING FOR TASTE Barbara Kirshenblatt-Gimblett TYPISCH DEUTSCH, A PROJECT FOR ARTFORUM Anna & Bernhard Blume OPENINGS: RICHARD HAWKINS Dennis Cooper COLUMNS FEATURES REVIEWS NEW YORK Jan Avgikos on Robert Barry Jan Avgikos on Cosima von Bonin Michael Corris on Ad Reinhardt John Yau on Norman Bluhm David Rimanelli on Sam Francis David Rimanelli on William Wilson Tom Kalin on Edward Ruscha Lisa Liebmann on Joan Brown Lisa Liebmann on Robert Yarber Kirby Gookin on Maura Sheehan Kirby Gookin on Anne Truitt Rhonda Lieberman on Tina Barney Charles Hagen on Eileen Cowin Justin Spring on Andrew Young Donald Kuspit on Gillian Jagger Donald Kuspit on Romare Bearden Jenifer P. Borum on Pepón Osorio Ronny Cohen on Bernarda Bryson Shahn Dena Shottenkirk on Anne Deleporte Lois Nesbitt on Rudolf Stingel BOSTON Patricia C. Phillips on Elizabeth Diller and Ricardo Scofidio CHICAGO James Yood on Mike Hill SAN FRANCISCO Maria Porges on May Sun Dean Rolston on Joe Goode Performance Group LOS ANGELES Amy Gerstler on Kerr + Malley Benjamin Weissman on Terry Allen Colin Gardner on Constance Mallinson MONTREAL John K. Grande on Betty Goodwin TORONTO Linda Genereux on Joanne Tod BARCELONA Anatxu Zabalbeascoa on Tom Drahos VENICE Giorgio Verzotti on Biennale of Architecture PARIS Francesca Pasini on Piero Manzoni, Pino Pascali, Ettore Spalletti Olivier Zahm on Marylène Negro Miriam Rosen on Christine Spengler NICE Giorgio Verzotti on No Man's Time GENEVA Elizabeth Janus on Urs Lüthi MUNICH Justin Hoffman on Raimond Kummer STUTTGART Johannes Meinhardt on Christa Näher COLOGNE Norbert Messler on Stephan Balkenhol Noemi Smolik on Maria Lassnig Julia Koether on Nils Norman DÜSSELDORF Sabine B. Vogel on Christoph Schäfer & Cathy Skene LONDON Michael Corris on Tony Cragg.

[24] pp.; 41.3 x 28.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 9 of ZG Magazine, edited by Rosetta Brooks. Contents include: "My Death, My Life by Pier Paulo Pasolini," an Extract from New York writer Kathy Acker's New Novel; "You No Wanna Dadda" by Barbara Kruger; "Rock Videos: Another World," By Michael Boodro; "Twin Desires: The Art of Troy Brauntuch, David Salle, Jack Goldstein," by Merope Lolis; "Seeing and Believing," by Jonathan Miles; "Junk Culture: The Uses of Affluence," by Brian Hatton; "Before the Storm: Two Interviews with Eric Bogosian," interviews by Howard Halle, co-edited with Amy Lowe, and by Steve Roeser; "Fashion Fictions: Absence and the Fast Heartbeat," by Dena Shottenkirk; "George is Dead: Boys from the Blacckstuff: A British T.V. Drama," by Philip Derbyshire; "The Algebra of News," by Sylvere Lotringer; "Fear of Fascism: Old Stories - New Narratives," by Angela McRobbie; "It's All True: A Cautionary Tale About the Video Age," ZG talks to Julian Temple; "After the Fire is Gone," by Josh Baer; "A Flower of Light in a Field of Darkness," by Gerry Morehead and "Glenn Branca: Symphony No. 4," photos by Chris Harris. Cover by Robert Mapplethorpe. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 312. Good. Light rubbing of covers and cover edges with bumping of top right corner of magazine and light creasing across recto. Yellowing of pages. Contents clean and unmarked. Due to size additional shipping charges will be required for international orders.