Short roy (11 Ergebnisse)

Buckram. Rebound in green buckram. Ex-library. 198 pages. 198 pp.

Unknown Binding. Zustand: Very Good. Covers show light edge wear and some soiling. Previous owner's name on end paper, pages are otherwise clean and unmarked.; 100% Satisfaction Guaranteed! Ships same or next business day.

Broschiert. Zustand: Gut. 131 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 275.

VG in orig. wrapper. v, 62 p.; 21 cm. Illustrated by Cover design by Paul Behrens. Binding is Paperbound.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Vintage black-and-white still photograph from the 1952 film. Features Leo G. Carroll, with studio rubber-stamps on the verso. Based on the Hemingway short story, about a wounded writer reflecting on his failures, and only the love of his wife helps him regain the will to live. 8 x 10 inches. Slight light corner creases, else Near Fine.…

Zustand: New. Series: Schiffer Book for Collectors. Num Pages: 160 pages, 704 color photos. BIC Classification: AVG; WC. Category: (G) General (US: Trade). Dimension: 280 x 195 x 15. Weight in Grams: 1008. . 1999. 1st. Paperback. . . . . Books ship from the US and Ireland.

Englisch. Zustand: Gut. Obr.,48s., in gutem Zustand., [SAP271]. Deu 1945g.

Zustand: Very good. Very good. - Octavus Roy Cohen's autograph penned in full on 1-3/8 inch high by 4-1/2 inch wide slip of paper clipped from what appears to be a contract with a signature line on the recto and text printed on the verso. Very good. The early 20th century American author Octavus Roy Cohen (1891-1959) wrote dialect comedy stories about African-Americans. His stories became popular after being published in the Saturday Evening Post. Several were adapted into short films by Al Christie. His stereotype portrayals were unflattering to African-Americans and drew criticism from W.E.B. Du Bois who referred to them as "the monstrosities he has created".…

Vintage reference photograph of actor Larry J. Blake from the 1938 film, with a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Based on the short story "If You Break My Heart" by Steve Fisher. Sally Eilers stars as a nurse, whose brother, shortly after being released from prison, is shot and killed in a shootout between a criminal gang and the police. Larry J. Blake, a police officer, is accused of shooting him but knows he didn't do it, and sets out to prove it, both to clear his name and because of his feelings for Eilers. Set in New York City. 8 x 10 inches. Near Fine.…

Archive of three scripts and one post-production script for the 1942 film. First is a First Draft script, under the working title "'Sherlock Holmes' (#2)," by screenwriters Edward T. Lowe and Scott Darling, dated March 24, 1942. Ribbon copy typescript on onionskin stock, with annotations in manuscript pencil on several pages, inquiries about plotline, question marks, as well as dates, and name of screenwriter Darling. Bound in, preceding script, are: A two-page, carbon typescript, breakdown of the story in 21 points, with annotation of "1st rough draft" and "One 3/24/42," in manuscript pencil, in upper right of first page. A ribbon copy typescript "continuity" breakdown of locations and sequences in ten points, dated 4/6/42. A ribbon copy typescript "comments on Sherlock Holmes #2," broken into nine points, dated 4-6-42, and a three-page ribbon copy typescript synopsis, dated 3/24/42. Second is a Third Draft script, under the working title "'Sherlock Holmes' (#2)," crediting screenwriter Scott Darling on front wrapper, and Edward T. Love and Scott Darling on title page, dated April 22, 1942. Annotation in manuscript pencil of "mimeographed pink" on lower right of front wrapper. Ribbon copy typescript on onionskin stock, with several annotations in red or graphite manuscript pencil, question marks, an asterisk, underlines, and screenwriter S. Darling's name and date "4-27-42." Third is a Draft script, under the working title "Sherlock Holmes Fights Back," with name of screenwriter Edmund L. Hartmann on front wrapper. Title page credits to "Additional Changes by Edmund L. Hartmann," and screenwriters Scott Darling and Edward T. Lowe, dated May 22, 1942. Carbon typescript, with mimeograph duplication revision pages. Bound in, preceding script, is a page describing concept for "The Miss Bently School for Girls," with photograph affixed, illustrating concept. Annotations in red and graphite manuscript pencil throughout, noting dialogue, locations, shots, characters, as well as strikes and dates. Lastly, a Post-production Dialogue and Contitnuity script, dated August 6, 1942, with single annotation in manuscript ink on front wrapper. Loosely based on the 1903 Sherlock Holmes short story "The Adventure of the Dancing Men," by Sir Arthur Conan Doyle. The fourth Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the second produced at Universal Studios. Preceded by "Sherlock Holmes and the Voice of Terror" (1942), directed by John Rawlins, and followed by "Sherlock Holmes in Washington" (1943), also directed by Roy William Neill (who would go on to direct all subsequent Holmes films at Universal). Watson and Holmes, transplanted from their usual Victorian setting, now in England in the midst of WWII, have to protect Swiss scientist Dr. Franz Tobel and his invention, an advanced bomb site, from falling into the hands Nazi Germany, as well as Holmes' arch-nemesis, Professor Moriarty (Lionel Atwill). The first Holmes film to feature Inspector Lestrade (Dennis Hoey) of Scotland Yard. March 24, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, dated March 24, 1942, with credits for screenwriters Edward T. Lowe and Scott Darling. Title page integral with first page, dated 3/24/42, noted as 1st draft screenplay, with credits for screenwriters Lowe and Darling. 103 leaves, with last page of text numbered 96. Ribbon copy typescript on onionskin stock, rectos only. Pages Near Fine, wrapper Very Good with chipping and closed tears to extremities and one large 4.5 inch closed tear on bottom of front wrapper, bound with three gold brads. April 22, 1942 script, "'Sherlock Holmes' (#2)": Gray titled wrappers, noted as THIRD DRAFT on the front wrapper, dated April 22, 1942, with credits for screenwriter Scott Darling. Title page integral with first page, with credits for screenwriters Edward T. Lowe and Scott Darling. 110 leaves, with last page of text numbered 110. Ribbon copy typescript, rectos. Pages Near FIne, wrapper Very Good with closed tears and chipping at extremities, bound with three gold brads. May 22, 1942 script, "Sherlock Holmes Fights Back": Gray titled wrappers, with credits for screenwriter Edmund L. Hartmann. Title page present, dated May 22, 1942, with credits for Additional Chages by screenwriter Edmund L. Hartmann, screenwriters Scott Darling and Edwart T. Lowe and author Sir Arthur Conan Doyle. 107 leaves, with last page of text numbered 100. Carbon typescript with mimeograph duplication revision pages, rectos only, with pink revision pages throughout, undated. Pages Near Fine, wrapper Very Good with large closed tear to front wrapper and chipping and closed tears to extremities, bound with three gold brads. script: Titled self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper,dated August 6, 1942, with credits for director Neill. 109 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.…