shepard christopher (17 Ergebnisse)

Hardback. Zustand: Very Good. Shepard, Ernest H. (illustrator). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

No Binding. Zustand: Very Good. ORIGINAL Articles, disbound from journal; no covers; in very good condition. Journal.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Published by Hugh Lane, 2008. Folio. Gray cloth boards stamped in gold with blue endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 205 pages. ISBN: 9781857595758. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Paperback. Zustand: Brand New. 206 pages. 8.80x6.00x0.90 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Qto., 206 pages, colour illustrated. A Fine copy in a Fine dust jacket.

Zustand: New. Editor(s): Dickson, David; Pyz, Justyna; Shepard, Christopher C. Num Pages: 300 pages, Illustrations, maps. BIC Classification: 1DBR; 3JH; 3JJ; HBJD1; HBTB; HBTQ; JN. Category: (G) General (US: Trade). Dimension: 247 x 170 x 23. Weight in Grams: 548. . 2012. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: New.

Hardcover. Zustand: Brand New. 239 pages. 9.50x6.50x1.00 inches. In Stock.

Paperback. Zustand: Good. First Edition. 185 pages. "All references. have been cross-referenced under three headings; species, geographic area, and author." Usual library markings. Moderate wear. Binding sound. Quality working copy. (Location: Reference Collection).

Zustand: very good. Cleon Peterson (illustrator). vendeur pro, expedition soignee en 24/48h.Le livre peut montrer des signes d'usure dus à son utilisation, des défauts esthétiques tels que des rayures, des bosses et/ou des coins legerement endommages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. E. H. Shepard (illustrator). 1st Edition. First edition, second impression, 1975. Signed "Christopher Milne - Dartmouth" on the title page. No other inscriptions. Slight foxing to endpapers otherwise in near fine condition. In bright dust jacket, price-clipped, otherwise complete without tears or chipping. Very slight foxing to reverse and back flap. Signed by Author(s).

First Draft script for the 1982 film. Loosely based on William Arnold's 1978 novel "Shadowland," a heavily fictionalized and widely discredited account of the life of actress Frances Farmer, whose film career was famously halted in 1942 by rapid mental deterioration and a subsequent diagnosis with paranoid schizophrenia. Arnold's novel detailed physical and sexual abuse and a forced lobotomy during the period Farmer spent in an institution, although his claims have since been debunked. Widely considered among actress Jessica Lange's best performances. Blue titled leatherette wrappers. Title page present, dated March 19, 1981, noted as FIRST DRAFT, with credits for screenwriters Eric Bergren and Christopher DeVore (sic). 144 leaves, with last page of text numbered 143. Xerographic duplication, rectos only. Pages about Fine, wrapper Near Fine, bound internally with three gold brads.

Four vintage borderless reference photographs from the 1982 film, two showing actress Jessica Lange, one showing Lange with actor Sam Shepard, and one showing Lange and director Graeme Clifford on the set. Loosely based on William Arnold's 1978 novel "Shadowland," a heavily fictionalized and widely discredited account of the life of actress Frances Farmer, whose film career was famously halted by rapid mental deterioration and a subsequent diagnosis with paranoid schizophrenia in 1942. Arnold's novel detailed physical and sexual abuse and a forced lobotomy during the period Farmer spent in an institution, although his claims have since been debunked. 9.5 x 7 inches. Near Fine.

Vintage reference photograph from the 1969 film, showing Robert Frank, Peter Orlovsky, and Allen Ginsberg. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.

Vintage studio still photograph taken on the set of the 1969 film, showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.

Vintage reference photograph from the 1969 film, showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine.

Vintage poster for the 1969 film, an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film, in which he follows poet Peter Orlvosky and his mentally ill brother Julius as they move through the late 1960s Beat scene, while Peter tries to care for his mostly catatonic brother. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin. The film examines the boundaries of reality and sanity, and features the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was restored and released by Steidl in 2007, along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine.