Christopher shepard (20 Ergebnisse)

No Binding. Zustand: Very Good. ORIGINAL Articles, disbound from journal; no covers; in very good condition. Journal.

Paperback. Zustand: Brand New. 206 pages. 8.80x6.00x0.90 inches. In Stock.

Zustand: New.

Zustand: New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Editor(s): Dickson, David; Pyz, Justyna; Shepard, Christopher C. Num Pages: 300 pages, Illustrations, maps. BIC Classification: 1DBR; 3JH; 3JJ; HBJD1; HBTB; HBTQ; JN. Category: (G) General (US: Trade). Dimension: 247 x 170 x 23. Weight in Grams: 548. . 2012. Hardcover. . . . . Books ship from the US and Ireland.…

Zustand: New. Editor(s): Dickson, David; Pyz, Justyna; Shepard, Christopher C. Num Pages: 300 pages, Illustrations, maps. BIC Classification: 1DBR; 3JH; 3JJ; HBJD1; HBTB; HBTQ; JN. Category: (G) General (US: Trade). Dimension: 247 x 170 x 23. Weight in Grams: 548. . 2012. Hardcover. . . . .

Hardcover. Zustand: Brand New. 239 pages. 9.50x6.50x1.00 inches. In Stock.

Hardback. Zustand: New.

Paperback. Zustand: Good. First Edition. 185 pages. "All references. have been cross-referenced under three headings; species, geographic area, and author." Usual library markings. Moderate wear. Binding sound. Quality working copy. (Location: Reference Collection).

Hardback. Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. Published by Methuen, London, UK, 1968. Original cloth. Dustwrapper. Size: 13cm x 19cm. pp. xi, 177. Reprint. Signed in ink and dated 1970 by Christopher Robin Milne underneath Shepard's illustration of Christopher Robin and Winnie-the-Pooh playing Pooh sticks. A fine, bright, clean copy in near fine dustwrapper which has a short closed tear to the top of the front panel and very minor rubbing to the edges. Copies signed by A. A. Milne's son as 'Christopher Robin' are very scarce. ISBN: 416341802. Signed by Author(s).…

First Draft script for the 1982 film. Loosely based on William Arnold's 1978 novel "Shadowland," a heavily fictionalized and widely discredited account of the life of actress Frances Farmer, whose film career was famously halted in 1942 by rapid mental deterioration and a subsequent diagnosis with paranoid schizophrenia. Arnold's novel detailed physical and sexual abuse and a forced lobotomy during the period Farmer spent in an institution, although his claims have since been debunked. Widely considered among actress Jessica Lange's best performances. Blue titled leatherette wrappers. Title page present, dated March 19, 1981, noted as FIRST DRAFT, with credits for screenwriters Eric Bergren and Christopher DeVore (sic). 144 leaves, with last page of text numbered 143. Xerographic duplication, rectos only. Pages about Fine, wrapper Near Fine, bound internally with three gold brads.…

Vintage reference photograph from the 1969 film, showing Robert Frank, Peter Orlovsky, and Allen Ginsberg. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.…

Six vintage borderless reference photographs from the 1982 film, showing actress Jessica Lange, variously with actors Sam Shepard, Jonathan Banks, Jack Riley, Bonnie Bartlett, and director Graeme Clifford on the set. Loosely based on William Arnold's 1978 novel "Shadowland," a heavily fictionalized and widely discredited account of the life of actress Frances Farmer, whose film career was famously halted by rapid mental deterioration and a subsequent diagnosis with paranoid schizophrenia in 1942. Arnold's novel detailed physical and sexual abuse and a forced lobotomy during the period Farmer spent in an institution, although his claims have since been debunked. 9.5 x 7 inches. Near Fine.…

Vintage studio still photograph taken on the set of the 1969 film, showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was released by Steidl in 2007 in a new restoration, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.…

Vintage reference photograph from the 1969 film, showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine.…

Vintage poster for the 1969 film, an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film, in which he follows poet Peter Orlvosky and his mentally ill (and mostly catatonic) brother Julius as they move through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin. A meditation on the boundaries of reality and sanity, featuring the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was released in a new restoration by Steidl in 2007, along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine. In a custom frame.…