shepard carter (10 Ergebnisse)

Soft cover. Zustand: Very Good. 52 pgs. Includes poetry by several authors, along with articles on the Jefferson Hotel, John Marshall High School, Margaret Prescott Montague, Mary Wingfield Scott, and more. Some toning around spine.

Zustand: New. In.

Soft cover. Zustand: Very Good. 9th printing ; xxxviii, 852 pp. : illustrated ; 24 cm. ; ISBN: 0810322951 ; OCLC: 31159823 ; LC: GR830.V3; Dewey: 398.45 ; color pictorial stiff paper wrappers ; crease to back cover ; ".[E]xplores the historical, literary, mythological, biographical and popular aspects of the world's most mesmerizing night owl. It goes beyond the contemporary depiction of blood-sucking, sensual creatures of the night to shed new light on vampire myth and fact. Endorsed by the Count Dracula Society and Vamp ire Studies,.includes 110 images." ; VG. Book.

Zustand: New.

Paperback. Zustand: Good. First Edition. 185 pages. "All references. have been cross-referenced under three headings; species, geographic area, and author." Usual library markings. Moderate wear. Binding sound. Quality working copy. (Location: Reference Collection).

One Draft script and one Final Draft script for the first half of Season 1 Episode 15 of the 1988-1991 television series. Originally aired December 3, 1988 on ABC. Based on the books by A.A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Tigger breaks Rabbit's mirror and both are convinced it means the other will have bad luck. Set in the fictional Hundred Acre Woods. Draft script: White titled self-wrappers, lacking rear wrapper, production No. 4W88-031, dated May 9, 1988, with credits for screenwriter Carter Crocker. Title page integral with front self-wrapper. 22 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Pages Very Good plus, with some toning to the rear pages, wrapper Near Fine, bound with a staple at the top left corner. Final Draft: White titled self-wrappers, lacking rear wrapper, noted as Final on the front wrapper, production No. 4W88-031, dated May 20, 1988, with credits for screenwriter Carter Crocker. Title page integral with front self-wrapper. 23 leaves, with last page of text numbered 22. Xerographic duplication duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner.

One Revised Draft script for "King of the Beasties" and one Final Draft script for "The Rats Who Came to Dinner", presented together as Season 1 Episode 17 of 1988-1991 television series. Originally aired January 7, 1989 on ABC. Based on the books by A.A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, believing he is related to lions, Tigger tries to declare himself King and later, a strong rain storm hits the Hundred Acre Woods and a group of rats steal pots and pans for the leaks in Pooh's roof in exchange for shelter. Set in the fictional Hundred Acre Woods. "King of the Beasties" Revised Draft script: White titled self-wrappers, noted as Revised on the front wrapper, production No. 4W88-071, dated July 6, 1988, with credits for screenwriter Carter Crocker. Title page integral with front self-wrapper. 22 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. "The Rats Who Came to Dinner" Final Draft script: White titled self-wrappers, production No. 4W88-051, dated July 6, 1988, with credits for screenwriter Bruce Talkington. Title page integral with front self-wrapper. 23 leaves, with last page of text numbered 22. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner.

One Final Draft script, one Draft script and two Treatment scripts for Season 2 Episode 5 of the 1988-1991 television series. Originally aired October 7, 1989 on ABC. Based on the books by A. A. Milne and E. H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Rabbit tries to cancel Valentine's Day after the disorganization of the celebration the year prior. Set in the fictional Hundred Acre Woods. Final Draft script: White titled self-wrappers, noted as Final on the front wrapper, production No. 4W89-010, dated January 16, 1989, with credits for Screenwriters Carter Crocker and Stephen Sustarsic. With a script distribution list bound before front self-wrapper. Title page integral with front self-wrapper. 40 leaves, with last page of text numbered 37. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Draft script: Title page integral with first page of narrative text, production No. 4W89-010. 19 leaves, with last page of text numbered 19. Xerographic duplication, rectos only. Pages Near Fine, bound with a staple at the top left corner. Treatment script 1: Title page integral with first page of narrative text, production No. 4W89-010. 21 leaves, with last page of text numbered 21. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text, dated 12/28/88, with credits for screenwriter Stephen Sustarsic. 8 leaves, with last page of text numbered 8. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

One Draft script, one Second Draft script, and eight Treatment scripts for Season 2 Episode 4 of the 1988-1991 television series. Originally aired September 30, 1989 on ABC. Five of the Treatment scripts are under the working title, "Land of Lost Wishes," one Treatment script under the working title, "Land of Forgotten Wishes," and the remaining two Treatment scripts with no title. Based on the books by A.A. Milne and E.H. Shepard, this children's series taught important lessons through stories about the characters in the Hundred Acre Woods. The series won two daytime Emmys in 1989 and 1990 for Outstanding Animated Program and sparked a revival of Winnie-the-Pooh media. In this installment, Winnie the Pooh tries to gift the moon to Tigger for his birthday. Set in the fictional Hundred Acre Woods. Second Draft script: White titled self-wrappers, lacking rear wrapper, noted as Second Draft on the front wrapper, production No. 4W88-160, dated December 20, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 37 leaves, with last page of text numbered 36. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine. Bound with a staple at the top left corner. Draft script: White titled self-wrappers, lacking rear wrappers, production No. 4W88-160, dated December 14, 1988, with credits for screenwriters Stephen Sustarsic and Carter Crocker. Title page integral with front wrapper. 40 leaves, with last page of text numbered 39. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with a staple at the top left corner. Treatment script 1: No title page. 11 leaves, with last page of text numbered 11. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 2: Title page integral with first page of narrative text. 3 leaves, with last page of text numbered 3. Mimeograph duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 3: Title page integral with first page of narrative text, production No. 4W88-160. 24 leaves, with last page of text of numbered 24. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 4: Title page integral with first page of narrative text, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 5: Title page integral with first page of narrative text, dated 10/3/88, with credits for screenwriter Marley Clark. 7 leaves, with last page of text numbered 7. Xerographic duplication, rectos only. Near Fine, bound with a staple at top left corner. Treatment script 6: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 5 leaves, with last page of text numbered 5. Xerogrpahic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 7: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 3 leaves, with last page of text numbered 3. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner. Treatment script 8: Title page integral with first page of narrative text, with credit for screenwriter Marley Clark. 4 leaves, with last page of text numbered 4. Xerographic duplication, rectos only. Near Fine, bound with a staple at the top left corner.

Archive of 288 vernacular color photographs of country music acts from the 1970s, housed in a contemporary photo album, with the subject of nearly every photograph identified by manuscript ink captions. Occasional additional notations give a date range between 1972-1980 for the photographs, with most being dated 1977-1979. The photographs primarily consist of performers on stage, indicating the photographer was near the stage, with a strong sense of composition and timing. Photographs of performers casually posing for the camera indicate the photographer likely had backstage access for some of the performances. Based on additional information in some of the handwritten captions, the photographs were primarily taken at concerts or events in the Western New York region, - Chautauqua, Dunkirk, Little Valley, and Lakewood - all within an hour of each other, as well as the nearby Erie County (NY) Fair and Expo, and Pittsfield, PA. Other locations include the New York State Fair and Pittsburgh, PA. Included are images of country music legends Johnny Cash, Dolly Parton, Loretta Lynn, Conway Twitty, Hank Snow, June Carter Cash, The Carter Family, Minnie Pearl, Tanya Tucker, Tammy Wynette, and Wanda Jackson. Also included are photographs of singers, who while lesser known today, were among the biggest stars of the era, including Bobby Goldsboro, Crystal Gayle, Donna Fargo, Freddy Fender, Jeannie C. Riley, Buddy Alan, Charlie Walker, Peggy Sue, Bill Anderson, Kenny Price, LeRoy Van Dyke, Lynn Anderson, Jay Lee Webb, Jean Shepard, and Kitty Wells. Finally, the album contains images of smaller, and possibly even regional acts, some of which appear unknown to us, presenting a broad survey of a transitional era in country music, as rock, soul, and pop began to fuse with the more traditional country sound that had begun declining in popularity toward the end of the previous decade. For more details, please inquire. Photographs variously sized, primarily 3.5 x 5 inches, but up to 7.5 x 9.75 inches. Generally Near Fine. Housed in an about Very Good generic photo album, with starting and loss to the spine, fraying, and rubbing. Several internal pages loose, or with dried glue, leading to occasional slipping of the photographs.