shelley gilbert (17 Ergebnisse)

Paperback. Zustand: Fair. Study Guide. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: New. In.

Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Kartoniert / Broschiert. Zustand: New.

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

68 pp. 8vo. Zustand: Near Fine. First edition. First edition. 68 pp. 8vo. The first issue of the Emerson Review, including the uncollected Bukowski poem, "Part of an Ordinary Day of an Inordinate Man", as well as work by AR Ammons, Jack Gilbert, Robert Kelly, Denise Levertov, Gerard Malanga, among others. Illustrated wrappers, light soiling to spine, and even toning, otherwise near fine.

Two vintage black-and-white borderless still photographs from the 1966 UK film. Press photos, with layout annotations in the British style (millimeters) on the verso of one still, and a stamp on the verso of the other still. Based on Bill Naughton's 1966 play, set in sexy, swinging 1960s London, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique used again by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set in London, shot on location there and in Middlesex, England. 8 x 10 inches, borderless. About Near Fine.

Vintage borderless photograph from the set of the 1966 UK film, showing a very relaxed Michael Caine, laying across the laps of his four costars (Vivien Merchant, Jane Asher, Julia Foster, and Shelley Winters) between takes. Mimeo snipe affixed to the verso. Based on Bill Naughton's 1966 play, set in sexy, swinging 1960s London, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique used again by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Shot on location in London and Middlesex, England. 7 x 9 inches. About Fine.

Vintage borderless photograph from the set of the 1966 UK film, showing actor Michael Caine in conversation with director Lewis Gilbert. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Based on Bill Naughton's 1966 play, set in sexy, swinging 1960s London, about a young, working class chauffeur who decides to change his womanizing behavior after a tuberculosis diagnosis and the birth of his son. Director Lewis Gilbert breaks the fourth wall in this film, with Caine directly addressing the camera in attempt to gain sympathy from the audience (a technique used again by Gilbert in "Shirley Valentine," 1989). Gilbert also addressed the then-taboo issues of pregnancy and abortion in an uncommonly candid style. Set and shot on location in London. 10 x 8 inches. Near Fine, lightly age toned.