sheldon shelley (5 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 34 pages. 6.50x6.50x0.09 inches. In Stock.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Neuware - Heart of a Child is a book of love and encouragement written for children during times of so much anxiety and confusion. It is meant as a gentle reminder of the power of kindness, mutual respect, and love of self in every situation. The book encourages children as they are searching for answers to so many difficult situations and as they are learning to maneuver complicated relationships. It also encourages children to be authentic to themselves in a way that is respectful and kind to others. Lastly it is a loving reminder to look deep inside themselves as they search for answers. This. book encourages resiliency and love of self in a rhyming format, illustrated with adorable animal illustrations and is meant to be shared by a loving adult with a child.

Three original draft title card maquettes hand lettered by Harold Adler for the 1979 film. Based on the 1960 novel by Isaac Bashevis Singer. The three sketches show different approaches to the title, all distinct from the final lettering design used. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Magician of Lublin" his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "The Birds" (1963), "In the Heat of the Night" (1967), and "Finian's Rainbow" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. At the turn of the Twentieth century, a Jewish stage magician and con man, whose career has been ruined by womanizing, gets one more shot at the big time by attempting to pull off a never before seen trick. Two leaves. First leaf: 19 x 18 inches. About Near Fine with creasing to the edges. Two designs, executed in black ink on white paper with a manuscript notation to the side in blue pencil. Second leaf: 15.5 x 5.5 inches. Black ink on white paper. Near Fine, with manuscript annotations in blue pencil.