sheldon museum sheldon museum (15 Ergebnisse)

Zustand: As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . . Books ship from the US and Ireland.

Zustand: As New. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. Explores photography through the lens of transnationalism, highlighting the artistic, cultural, geographic, scientific, and technological conflicts and concurrences that have shaped the modern photographic image Editor(s): Ruud, Brandon K. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 256 pages, 139 color photographs. BIC Classification: 1KBBNN; AJC. Category: (P) Professional & Vocational. Dimension: 304 x 227 x 20. Weight in Grams: 1408. 2013. paperback. . . . .

Soft cover. Zustand: Good. 166 pages . : illustrations. Publisher's pictorial paper wrappers clean and attractive, light wear to edges; contents fine. 330 grams.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whitney Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 8vo 8" - 9" tall; 145 pages; Description: 145 p. : front., chiefly col. ill. ; 33 cm. Subjects: Davis, James G. --Artists --Artists --Exhibition. 4 Kg.

Paperback. Zustand: Brand New. 0th edition edition. 256 pages. 11.75x9.00x0.75 inches. In Stock.

Zustand: New. Adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Editor(s): Veneciano, Jorge Daniel. Series: American Transnationalism: Perspectives from the Sheldon Museum of Art. Num Pages: 208 pages, 99 plates, 39 figures. BIC Classification: ACX. Category: (P) Professional & Vocational. Dimension: 229 x 303 x 15. Weight in Grams: 1134. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Zustand: Good. 8vo. 124 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear to wraps, front and verso. Light spots of foxing to title page, else pages fine. B&W plates throughout.From the Collection of the Art Historian Peter Selz.ISBN: 9780803276451 0803276451.

Paperback. Zustand: Brand New. 208 pages. 11.90x8.80x0.70 inches. In Stock.

Paperback. Zustand: Brand New. 0th edition edition. 256 pages. 11.75x9.00x0.75 inches. In Stock.

Zustand: New. In this volume, the Sheldon Museum of Art presents more than one hundred examples from its distinguished photography collection, which contains nearly twenty-five hundred objects. Encompassing the full range of photographic history, Encounters showcases rec.

Kartoniert / Broschiert. Zustand: New. Inspired by the Sheldon Museum of Art s holdings in geometric abstraction, this book introduces adventurous new thinking about a visual approach that has captivated both artists and viewers for more than a century. Four richly illustrated essays explore the.

Taschenbuch. Zustand: Neu. Neuware - Brandon K. Ruud is the curator of transnational American art at the Sheldon Museum of Art. He is the editor of Karl Bodmer¿s North American Prints (Nebraska, 2004), which was named a New York Times notable book. More recently, he contributed to the catalogs American Modernism at the Art Institute of Chicago and Apostles of Beauty: Arts and Crafts from Britain to Chicago.

Taschenbuch. Zustand: Neu. Neuware - Jorge Daniel Veneciano is the director of the Sheldon Museum of Art. He is the coeditor of Fabulous Harlequin: ORLAN and the Patchwork Self (Nebraska, 2010) and the editor of Neo-Constructivism: Art, Architecture, and Activism and Play¿s the Thing: Reading the Art of Jun Kaneko.