Shaw lawrence e (21 Ergebnisse)

Paperback. Zustand: GOOD. Most pages are clean, unmarked, and tight; small stains on title page; major stains on front and back covers and outer edges of text block; stains bleed lightly onto first and last few pages; spine is wrinkled; a sturdy little book that has met its enemy: water.

3rd printing. Record of an unusual literary friendship from when they first met in 1922 when Shaw was 66, Lawrence 34, until Lawrence's death in 1935. 302 pg, index, references. Good in worn dust jacket. (book- edge wear, corners bumped, dj- edge waer, slightly faded).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Reprint. A fine new copy of this delightful little volume of the T.E. Lawrence translation of The Odyssey. aeg. 408pp.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: N/A. 1st Edition. Not dated but circa 1930. 160pp, with colour plate frontispiece and four further colour illustrations, numerous line drawings and sketches throughout, colour decorated endpapers. In pictorial boards with linen spine (boards are worn and heavily rubbed and a little chipped and indented at edges, rounded and scuffed on corners and spine ends, where the cloth is worn). Hinges cracked, some mild occasional spotting, and the 'belongs to' section has been filled in. A little loose but holding.…

Zustand: New. In English.

Hardcover. Zustand: Brand New. 1st edition. 282 pages. 10.25x7.25x0.75 inches. In Stock.

Zustand: New. pp. viii + 282 56 Illus. (49 Col.).

Zustand: New. In English.

Hardcover. Zustand: Brand New. 324 pages. 9.21x6.14x9.21 inches. In Stock.

Hardback. Zustand: Fine. First Edition. A fine as new copy of this first volume in the definitive edition of these letters from T.E. Lawrence to Charlotte Shaw. 227pp. One of 45 copies bound in quarter brown goatskin. in card slipcase as issued A handsome edition of what is an invaluable source for the student of T.E.L.…

Gebundene Ausgabe. Zustand: Wie neu. Gebraucht - Wie neu -The behavior of lymphocytes in the immune system depends on encounters with antigens. These bind to immunoreceptors on the surface of T-cells and B-cells, activating a variety of signal transduction pathways that control cell survival, proliferation, differentiation, and effector functions. …

Buch. Zustand: Neu. Neuware - In the context of information security, social engineering is the manipulation of people into performing actions or divulging information for the purpose of gathering, defrauding, or gaining unauthorized system access. While some of the most common forms of social engineering involve telephone or social networks where criminals pose as employees of targeted organizations, phishing accounts for 96% of all successful cyber-attacks. Governments and private organizations have responded through various means such as training employees, executing internal vulnerability assessments, and ad campaigns. Despite all these efforts, phishing continues to provide the primary cyber-attack vector for nefarious entities. Phishing attacks continue to escalate, with over 300,000 reported incidents in the US alone last year. This book provides an in-depth look at the anatomy of modern phishing threats and how they are evolving with AI technologies. Readers will learn about the latest social engineering tactics used by cybercriminals, including deepfakes for audio/video manipulation and AI-generated spear-phishing campaigns, and discover emerging defensive tools that leverage machine learning to detect anomalies and protect against hyper-personalized phishing attempts. With phishing losses averaging millions per breach, this book equips readers with the knowledge to identify risks and implement robust countermeasures as these attacks become increasingly sophisticated and difficult to spot. Written by two experts in the field, bringing together their wide experience in academic research, security engineering, incident response and cyber forensics, this book offers valuable insights for researchers, engineers, cybersecurity professionals and organizational leaders working in cyber security, information technology, network and infrastructure security, endpoint protection, data governance, risk and compliance, digital forensics, incident response, operational technology and industrial control systems.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First British Edition. (Vii), 327 Pp. Blue Cloth, Gilt, Top Edge Gilt, Foredge Deckled. The 28Th English Rendering Of The Odyssey, First Published In A Limited Edition In Great Britain By Emery Walker, And In A Limited Edition In The Us, Both In 1932, This Is The First Uk Trade Edition, 1935, Stated, Lacking The Map Endpapers And Introduction By Findlay Present In The American Issue. Book Is Fine, Bright, Clean, No Wear Or Marks. Dj Is Bright, Clean, Very Slight Spine Fading And Browning, Shallow Chipping Across Top Of Spine, 1/2" X 3/16" Triangular Chip At Center Of Bottom Edge Of Rear Panel, 3/4" To 2' Closed Tears At Corners Of Front Panel Each With Internal Clear Tape Repairs.…

Soft cover. Zustand: Very Good. 3rd Edition. Original grey printed wrappers, stapled as issued but with staple removed to prevent further rusting. 28 pp., including advertisements, plus 2 photographic plates. Size: 11.2 × 14.4 cm. Catalogue for the Leicester Galleries exhibition held 5-21 February 1927, listing 61 works by Eric Kennington, Augustus John, William Roberts, Paul Nash, Henry Lamb, Colin Gill and others relating to Lawrence, the Arab Revolt and Seven Pillars of Wisdom. Includes prefaces by Bernard Shaw and T. E. Lawrence, and a full-page Jonathan Cape advertisement for Revolt in the Desert. Very good overall; wrappers lightly toned and handled, minor edge wear and rust dsmage, contents clean and complete. Uncommon Lawrence exhibition catalogue. Institutional copies recorded; first issue cited by O'Brien A098.…

Hardcover. Zustand: Near Fine. First Edition Thus. One Of The Most Famously Well Produced Books Of The 20Th Century. Unpaginated, One Of 530 Copies Only. Bound In Full Black Niger Morocco With Top Edges Gilts And Gilt Spine Lettering, Deckled Edges. Printed On Special Paper Made By J. Barcham Greem & Son In 16-Point Monotype Centaur. There Are 26 Decorations Of Homeric Figures From Greek Vase-Paintings That Are Printed In Black On Roundels Of Gold Leaf That At The Head Of Each Book And On The Title Page. Several Of The Original Loose Tissue Guards Are Present. Lacking The Slipcase. Slight Usage To Covers. Endpapers Darkened In Half-Inch Strips Along Edges (From Turns), As Usual.…

Wraps. Zustand: Fair. Format is approximately 6.5 inches by 4.5 inches. 384 pages, plus covers. Illustrations. Introduction by John Finley. Cover is worn, torn, soiled, creased, and cover partially reglued to spine. This is the complete book--not a digest. The prose translation by T. E. Shaw (known to hundreds of thousands as Lawrence of Arabia( of Homer's great Greek epic poem was first published in 1932. At Shaw's instance, it appeared without any mentioned of the translator's name. Hailed by the Book-of-the-Month Club News as :one of the notable books of our time: and by the New York Herald Tribune as 'perhaps the most interesting translation of the world's most interesting book," it immediately became a best seller. Not until the tragic death of Shaw in 1935 were the publishers permitted to reveal that Lawrence of Arabia was responsible for this outstanding translation, a translation which the eminent critic, Dr. Henry Seidel Canby, has heartily recommended 'for everybody over twelve." In all editions of the book subsequent to his death, Shaw's name has appeared as translator. This special edition of The Odyssey of Homer has been made available to the Armed Forces of the United States through an arrangement with the original publisher, Oxford University Press, New York. Overseas edition for the Armed Forces. Distributed by the Special Services division, A.S.F. for the Army, and by the Bureau of Naval Personnel for the Navy. U.S. Government Property. Not for sale. Published by Editions for the Armed Services, Inc., a non-profit organization established by the Council on Books in Wartime. This overseas edition/Armed Services Edition is among the rarest, if not the rarest, of the posthumously published work of T. E. Lawrence/T. E. Shaw. As can be imagined, although there were a large number of copies printed, relatively few have survived the ravages of combat, the other ravages of time, the ephemeral nature of these softcover wartime editions, and both intentional and inadvertent destruction. This 'fair condition' copy has literally been through the wars. It's survival over nearly eight decades rivals, in some ways, the survival through the oral tradition of the Odyssey of Homer until such time as it's majestic words could be captured in written form. Not only is this work of inestimable value to the serious Lawrence of Arabia collector, but it is equally significant to the classical scholar and those who appreciate a rowdy good tale. Edith Hamilton, whose reputation as a scholar of the ancient Greeks has no equal, wrote: Homer's poetry turned to prose. "I did not know that it was possible for a translation to reproduce so closely the beauty and delightfulness of Homer. I feel that Colonel Lawrence (T.E. Shaw) has given the poem back to the world that has ceased to read Greek. The Translator [Shaw/Lawrence] wrote: "For years we were digging up a city of roughly the Odysseus period. I have handled the weapons, armour, utensils of those times, explored their houses, planned their cities. I have hunted wild boars and watched wild lions, sailed the Aegean (and sailed ships), bent bows, lived with pastoral peoples, woven textiles, built boats and killed many men. So I have odd knowledges that qualify me to understand the Odyssey, and odd experiences that interpret it to me." Armed Services Edition; Overseas Edition.…

Single leaf, folded. Somewhat creased and soiled with slight, closed tears at head, otherwise a very good copy. Scarce.

Hardcover. Zustand: Fine. Hardcover. One of 500 copies offered for sale of 530 copies of this monumental edition of Homer's Odyssey. The book was printed at the works of Emery Walker, Ltd., under the supervision of Bruce Rogers. Walker and Rogers were two of the most influential figures in the world of books, design, and printing in the late 19th and early 20th century. Emery Walker (1851-1933) was an English engraver, photographer and printer. Walker took an active role in many organizations that were at the heart of the Arts and Crafts movement, including the Art Workers Guild, the Society for the Protection of Ancient Buildings, and the Arts and Crafts Exhibition Society. He also was a key figure in the world of design, typography and printing, in the teaching and dissemination of those crafts, and in the cultural landscape of late nineteenth and early twentieth century Britain. Bruce Rogers (1870 - 1957) was an American typographer and type designer, acclaimed by some as among the greatest book designers of the twentieth century. Rogers was known for his "allusive" typography, rejecting modernism, seldom using asymmetrical arrangements, rarely using sans serif type faces, often favoring faces such as Bell (at the time known only as Brimmer), Caslon, his own Montaigne, a Jensonian precursor to his masterpiece of type design Centaur. His books can fetch high sums at auction. [Wikipedia] In his book, "Paragraphs on Printing" on pages 148-160, Rogers recounted the four year creation of the Odyssey, from his asking Lawrence to translate the work, to creating the perfect paper and making ink, and the special gold and seven-step printing operation of the rondels. It was widely recognized that Rogers had created a masterpiece (see Blumenthal, Art of the Printed Book). Rogers had been inspired by his reading of "Seven Pillars of Wisdom" to persuade Lawrence to undertake this new translation. Lawrence began his work in 1928, and after some years produced a translation of the classic using his personal experience in the fog of war as well as faithfulness to the text as his guidelines. Bound in full black Niger morocco with gilt toes and lettering on the spine in gold. Printed on special paper made by J. Barcham Greem & Son in 16-point Monotype Centaur. There are 26 decorations of Homeric figures from Greek vase-paintings that are printed in black on roundels of gold leaf that at the head of each Book and on the title page. There is a two inch long ink line on the front free endpaper and the usual discoloration from the leather turns. Otherwise a fine copy. Accompanied by the prospectus. Not in original slipcase. Now housed in a very good fleece lined black clamshell box with a leather spine and black cloth covers. With a bit of scuffing and signs of handling. With an unusual Velcro closure. Measures 8.25 - 11.5 inches. Unpaginated [358 pages]. PRI/092724.…

Card Covers. Zustand: Fine. First Edition. A superb copy of the rare First Printing of this catalog of art works (later printings are noted at top of front wrapper) accompanying Lawrence's account of his legendary part in the Arab rebellion against the Ottoman Empire during the First World War. Foolscap 8vo (144 x 110mm): 28pp, with 2 full-page photographs on coated paper (Eric Kennington's bust of Lawrence and Augustus John's portrait of "H. M. King Feysal of Irak"). Wire-stitched in original dark beige card wrappers. Trivial nick to leading edge of upper wrapper, else pristine. O'Brien A099. Catalogue of an exhibition of 81 items. The preface Lawrence contributed to the 1921 exhibition catalogue of Arab Portraits by Kennington, with the first three paragraphs omitted, was repurposed for this 1927 catalogue. George Bernard Shaw also contributed a preface "saying more about Lawrence than he did about the exhibition." (O'Brien) Lawrence sat for the modeling of Kennington's bust in November and December of 1926. In a letter to Kennington dated 15 February 1927, the month of the Leicester Galleries exhibition, Lawrence expressed his admiration for the sculpture: "It's amazing: and very curious . . . It represents not me, but my top-moments, those few seconds in which I succeed in thinking myself right out of things . . ." (The Letters of T. E. Lawrence, London, 1938, pp. 507-508). N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.). …

Paperback. Zustand: Very Good. First Edition. London, Ernest Brown & Phillips, The Leicester Galleries, 1927 (second printing - '2nd Edition' is printed at the head of the front cover). Sextodecimo, 28 pages (including 7 pages of advertisements) plus 2 plates (Eric Kennington's bust of Lawrence, and Augustus John's portrait of King Feysal [sic]). Overlapping wrappers (with advertisements for Leicester Galleries on three surfaces) slightly nicked and a little creased, with a short tear to the front bottom margin expertly sealed; corner creases to the last two leaves and the John plate; scattered foxing; minor signs of handling; overall a very good copy. 'Exhibition No. 427 February 5th-21st, 1927'; Shaw's preface runs to seven pages, Lawrence's (five pages) is an extract 'from a note on Mr Kennington's Arab portraits written by Colonel Lawrence in 1921'. Provenance: 'from the library of David Garnett', with a small label to that effect mounted on the front cover. A most felicitous association: David Garnett edited the first major collection of Lawrence's correspondence, and both he and his father Edward were important influences on him as a writer. Castle Hill Press has recently published 'T.E. Lawrence's Correspondence with Edward and David Garnett' (2016). O'Brien A099.…

Zustand: Near Fine. First Edition. First edition, limited to 530 copies, of T. E. Lawrence's translation of Homer's Odyssey into English prose. Unpaginated (180 leaves), printed on gray handmade watermarked paper, illustrated with 26 roundels printed in black on gold leaf. Bound in publisher's full black Niger morocco, raised bands and gilt lettering to spine, top edge gilt; lacking original slipcase and chemise. Near Fine with light scuffing to leather, scattered indentations to rear board, and offsetting to endpapers from binder's glue. Previous owner label to front pastedown and bookseller ticket to back pastedown. Light offsetting from roundels, of which some lack tissue guards. Binding strong. A handsome book, designed and commissioned by Bruce Rogers and published three years before the first trade edition. O'Brien A141.…