Shaw george bernard editor (23 Ergebnisse)

Zustand: Very Good. 5th impression. Paperback, VG+. xlvi+185pp, covers & page margins a little tanned. Longman Study Texts series. A critical edition with introduction of Shaw's play on the trial of Joan of Arc. 175 grams.

Zustand: Fine. 1st edition. Paperback, F. xxviii+211pp, a fine copy. A educational edition with introduction, glossary and study programme of Shaw's play on the trial of Joan of Arc. 250 grams.

Paperback. Zustand: Very Good. 2nd Edition. Minor cover wear. 986 p. Book.

Softcover. Clean text, cover has some browning and edge wear, former owner's name inside. 455 pages. Book has 3 parts: The Unsocial Socialists (1884) ; The Quintessence of Ibenism (1891) ; Essays and Reviews.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First edition, first printing. Hardbound. New/New. A tight, clean, unread copy, without flaws of any kind. Comes with mylar dust jacket cover. UNIVERSITY PRESS (FERRY).

Paperback. Zustand: Brand New. 352 pages. 7.68x5.08x1.10 inches. In Stock.

Soft cover. Zustand: Good. No date but c. 1940. Collection of Shaw's writings on socialism plus essays on Shaw's thought by a variety of authors. Spine is sunned, toning to covers. light foxing to page edges, contents clean and tight. Good.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very good. - Octavo, printed green wraps with the title and a vignette in black on the front cover. The overlapping edges of the covers are creased. Illustrated with several plates. Very good. The articles in this issue start with "Man and Super-Tramp: W.H. Davies: His Life and Works", followed by "A Note on the Poetry of John Donne", and James Laver's article "The Later Drypoints of Martin Hardie". The meat of this periodical, though, is Geoffrey H. Wells's "A Bibliography of the Books and Pamphlets of George Bernard Shaw". This bibliography was concluded in issues number 8 and 9. …

Zustand: Very good. - Octavo, printed green wraps with the title and a vignette in black on the front cover. The overlapping edges of the covers are creased. Illustrated with several plates. Very good. The meat of this periodical is the conclusion of Geoffrey H. Wells's "A Bibliography of the Books and Pamphlets of George Bernard Shaw", earlier parts of which were published in issues number 7 and 8.…

Paperback. Zustand: Brand New. 284 pages. 8.50x5.75x1.00 inches. In Stock.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: Wie neu. Octavo. 339 pages. Original Hardcover with original dustjacket in protective collector's mylar. Very good condition with only minor signs of wear. Beatrice Rose Stella Tanner (9 February 1865 9 April 1940), better known by her stage name Mrs Patrick Campbell or Mrs Pat, was an English stage actress, best known for appearing in plays by Shakespeare, Shaw and Barrie. She also toured the United States and appeared briefly in films. Campbell was born Beatrice Rose Stella Tanner in Kensington, London, to John Tanner (18291895), son and heir of a wealthy British Army contractor to the British East India Company, and Maria Luigia Giovanna ("Louisa Joanna") née Romanini (18361908), daughter of Italian Count Angelo Romanini. Her father John Tanner (18291895), a descendant of Thomas Tanner, Bishop of St Asaph, was a Consul and merchant who "managed to get through two large fortunes", in part through losses in the Indian Mutiny. Her mother, Louisa Joanna Romanini, was one of the eight daughters of Angelo Romanini of Brescia and Rosa née Polinelli of Milan. Angelo had joined the Carbonari and, as a result, had to leave Italy. He and his family travelled over Eastern Europe aided by a firman from the Sultan of Turkey. Six of his eight daughters, all under eighteen, married Englishmen. She studied for a short time at the Guildhall School of Music. Campbell made her professional stage debut in 1888 at the Alexandra Theatre, Liverpool, four years after her marriage to Patrick Campbell. In March 1890, she appeared in London at the Adelphi, where she afterward played again in 189193. She became successful after starring in Sir Arthur Wing Pinero's play, The Second Mrs Tanqueray, in 1893, at St. James's Theatre where she also appeared in 1894 in The Masqueraders. As Kate Cloud in John-a-Dreams, produced by Beerbohm Tree at the Haymarket in 1894, she had another success, and again as Agnes in The Notorious Mrs. Ebbsmith at the Garrick (1895). Among her other performances were those in Fédora (1895), Little Eyolf (1896), and her notable performances with Forbes-Robertson at the Lyceum in London's West End in the rôles of Juliet in Romeo and Juliet, Ophelia in Hamlet, and Lady Macbeth (189598) in Macbeth. Once established as a major star, Campbell assisted in the early careers of some noted actors, such as Gerald Du Maurier and George Arliss. In 1900, "Mrs Pat", having become her own manager/director, made her debut performance on Broadway in New York City in Heimat by Hermann Sudermann, a marked success. Subsequent appearances in New York and on tour in the U.S. established her as a major theatrical presence there. Campbell would regularly perform on the New York stage until 1933. Other performances included roles in The Joy of Living (1902), Pelléas et Mélisande (1904; as Melisande to the Pelleas of her friend Sarah Bernhardt), Hedda Gabler (1907), Electra (1908), The Thunderbolt (1908), and Bella Donna (1911). In 1914, she played Eliza Doolittle in the original West End production of Pygmalion, which George Bernard Shaw had expressly written for her. Although forty-nine years old when she originated the role opposite the Henry Higgins of Sir Herbert Beerbohm Tree, she triumphed and took the play to New York and on tour in 1915 with the much younger Philip Merivale playing Higgins. She successfully played Eliza again in a 1920 London revival of the play. A couple of "Mrs Pat"'s later significant performances were as the title role in the 1922 West End production of Henrik Ibsen's play Hedda Gabler and Mrs. Alving in the "Ibsen Centennial" (1928) staging of Ghosts (with John Gielgud as her son Oswald). Her last major stage role was in the Broadway production of Ivor Novello's play A Party, where she portrayed the cigar-smoking, Pekingese-wielding actress "Mrs. MacDonald" a clear takeoff on her own well-known persona and made off with the best reviews. In her later years, Campbell made notable appearances in films, including One More River (1934), Riptide (1934), and Crime and Punishment (1935). Her tendency, however, to reject roles that could have vitally helped her career in later years caused Alexander Woollcott to declare ".she was like a sinking ship firing on the rescuers". In the late 1890s Campbell first became aware of George Bernard Shaw the famous and feared dramatic critic for The Saturday Reviewwho lavishly praised her better performances and thoroughly criticised her lesser efforts. Shaw had already used her as inspiration for some of his plays before their first meeting in 1897 when he unsuccessfully tried to persuade "Mrs Pat" to play the role of Judith Anderson in the first production of his play The Devil's Disciple. Not until 1912, when they began negotiations for the London production of Pygmalion, did Shaw develop an infatuation for "Mrs Pat" that resulted in a passionate, yet unconsummated, love affair of mutual fascination and a legendary exchange of letters. It was Campbell who broke off the relationship although Shaw was about to direct her in Pygmalion. They remained friends in spite of the break-up and her subsequent marriage to George Cornwallis-West, but Shaw never again allowed her to originate any of the roles he had written with her in mind (e.g. Hesione Hushabye (Heartbreak House), the Serpent (Back to Methuselah), etc.). When Anthony Asquith was preparing to produce the 1938 film of Pygmalion, Shaw suggested Campbell for the role of Mrs Higgins, but she declined. In later years, Shaw refused to allow the impoverished Campbell to publish or sell any of their letters except in heavily edited form, for fear of upsetting his wife Charlotte Payne-Townshend and the possible harm that the letters might cause to his public image. Most of the letters were not published until 1952, two years after Shaw's death. (Wikipedia).…

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 65 pp. Red cloth in dust wrapper. Dw edgeworn. Spotting to edges. Frontis portrait. No ownership names. VG/VG 12mo.

The front and back covers of the newspaper are present, forming a bifolium. A frail and scarce survival. Heavily-aged newsprint, chipped and worn, with the top and bottom halves of the front page separated along a horizontal fold line. The article on Synge's play covers the first two of the six columns on the front page, with a further quarter-column on the back page. The headlines indicate the tone: 'NEW YORK'S PROTEST AGAINST A VILE PLAY | Hostile Demonstration Unparalleled In The History Of The City Greets "The Playboy" - Actors Hooted Off The Stage In First Act, The Police Reserves Called Out And More Than A Hundred Citizens Ejected - Supporters Were Largely English - Barefooted Women Act Like Prostitutes in Dublin Slums Capturing Drunken Soldiers And Sailors - Disgraceful And Disgusting Spectacle. To the right of the article at the centre of the front page is a caricature of W. B. Yeats ('Willie') and Lady Gregory, captioned 'The "Playboy" and his Protectors', and subtitled 'The Latest Emanation of "The Mind of Ireland."' Beneath the cartoon, taking up the remains of the third column and a small part of the fourth is a similarly-hysterical article on G. B. Shaw's play 'The Shewing Up of Blanco Posnet', under the headline: 'SHAW RELIEVES HIS MIND. | Angry at American Criticism of His Grotesque Play, He Hurls Gross Abuse at the American People, Accuses the Clan-na-Gael of Being the Ally of Dublin Castle and the Editor of "The Gaelic American"'.…

Cloth. Zustand: Good. First edition. A first edition of the Fabian Society"s defining essays on Socialism, setting out the principles of British gradualist socialism under George Bernard Shaw"s editorship. In the publisher's original pictorial cloth binding.First edition.A foundational collection of essays outlining the principles, aims, and methods of the early Fabian Society, addressing topics such as economic reform, land ownership, labour conditions, and gradualist socialism.Edited by George Bernard Shaw, with contributions from leading Fabians including Sidney Webb, Annie Besant, Sydney Olivier, and Graham Wallas. The volume became a key statement of Fabian gradualism, shaping the direction of British social democracy in the decades that followed. In the publisher's original cloth binding. Externally, sound. Staining heavier to spine and front board. Slight discolouration to extremities. Slight paper residue to lower front boards where label was previously affixed, with slight offsetting. Slight rubbing and bumping to extremities. Hinges cracked, but holding. Internally, firmly bound. Pages generally bright and clean with the odd spot and handling makr, heavier to fore edge and first and last few leaves. Good. None (illustrator). book.…

Cloth. Zustand: Good. No Jacket. First Edition. No Jacket. First Edition. 8vo - over 7¾" - 9¾" tall. Undated , but 1889. 233 pages and publisher's adverts. Essays by George Bernard Shaw, Sidney Webb, William Clarke, Sydney Olivier, Annie Besant, Graham Wallas and Hubert Bland. Green cloth covers (upper pictorial in black) with gilt lettering on spine. Covers rubbed and marked but text in very good condition. SCARCE.…