Sharp w engraver (2 Ergebnisse)

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  • Verlag: Alexr. Hogg nd. ca. 1784, London, 1784

    Anbieter: Attic Books (ABAC, ILAB), London, ON, KanadaAttic Books (ABAC, ILAB)

    Verkäufer/-in mit 5 Sternen
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    Verbandsmitglied: ABACILAB

    Zustand: Gebraucht - Gut bis sehr gut

    EUR 89,97

    EUR 13,10 Versand 
    Versand von Kanada nach USA

    Anzahl: 1 verfügbar

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    Zustand: Near fine. 24 x 35 cm handcoloured print. Cropped, but not affecting the image. This engraving is after a drawing by John Webber from John Hawkesworth's account (1773) of the voyages of Captain James Cook, Joseph Banks and Captain John Byron. John Webber was the artist on Cook's third voyage from 1776-1780. Cook traveled to Nootka Sound, Vancouver Island, between March 29 and April 26, 1778. Illustration shows the local method of cooking, the rows of smoked salmon under the ceiling, the opening of the roof for the entry of light, the inhabitants seated on mats, their occupation at weaving, etc.

  • Verlag: London John and Josiah Boydell 1803., 1793

    • Kunst / Grafik / Poster

    Anbieter: Robert Frew Ltd. ABA ILAB, London, Vereinigtes KönigreichRobert Frew Ltd. ABA ILAB

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    Verbandsmitglied: ABAPBFAILAB

    Zustand: Gebraucht

    EUR 240,11

    EUR 11,66 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 1 verfügbar

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    Original copper engraving (42 x 60 cm, overall sheet 53 x 68 cm). Tissue guard to verso. Light soiling to lower right margin, not affecting plate From "A Collection of Prints. Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).