shapiro david eds (10 Ergebnisse)

Hardcover. Zustand: Very Good. 203 pages, a very good hardback.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780471952190.

Hardcover. Zustand: Very Good. Dust Jacket Included. 203 pages, a very good hardback in a very good dust-jacket.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0123042607.

Journal. Zustand: Very Good. (Nos. 7/8/9). [modest edgewear and external rubbing, creasing and fading to spine]. (B&W photographs) A triple issue (288 pages), with three themes/topics: Interviews; Rediscoveries; Third World. The interviews, which take up almost half the issue, are with: filmmaker Hollis Frampton (specifically about his film cycle MAGELLAN); actor/director Eric Mitchell; filmmaker/dancer Yvonne Rainer (focusing on her film JOURNEYS FROM BERLIN; critic Annette Michelson (talking about the acting in Rainer's JOURNEYS FROM BERLIN; filmmaker Jackie Raynal; and performance artist/filmmaker Carolee Schneemann. The "Rediscoveries" and "Third World" selections (somewhat mixed together) include articles on: the work of Charles Dekeukeleire, a Belgian experimental filmmaker from the late 1920s; the 1930 film BORDERLINE, an avant-garde drama produced in Switzerland which starred Paul Robeson and the British poet H.D. (Hilda Doolittle); Luis Buñuel'S LAS HURDES (LAND WITHOUT BREAD) (1933); discussions of LA HORA DE LOS HORNOS (HOUR OF THE FURNACES), a 1968 Latin American film directed by Octavio Getino and Fernando Solanas; Sembene Ousmane's XALA (1974); and SIGMUND FREUD'S DORA: A CASE OF MISTAKEN IDENTITY (1979); an article entitled "Language and Cinema: Preliminary Notes For a Theory of Verbal Images," by Noel Carroll; "Canvassing the Midwest," a look at several films by James Benning; a report on the Media Arts scene in Philadelphia; short discussions/analyses of various films by Stan Brakhage, Susan Pitt, John Knecht, Bruce Conner, Ken Kobland, Dana Gordon, Leandro Katz, and Vincent Grenier. And finally, an exchange of testy letters between P. Adams Sitney and the journal's editors. Phew!

Journal. Zustand: Very Good+. (Vol. 1, No. 2). [modest edgewear and external rubbing, one-time owner's name on title page]. (B&W photographs) Special issue devoted to international avant-garde and structural film, with contributions from Paul Arthur ("Structural Film: revisions, new versions, and the artifact"); Peter Gidal ("Talk at Millennium"); Birgit Hein ("The Avantgarde and Politics"); Anthony McCall & Andrew Tyndall ("Sixteen Working Statements"); Bill Simon ("'Reading' Zorns Lemma"); Malcolm Le Grice & Peter Gidal ("Letters"); Dominique Noguez ("The Experimental Cinema in France"); Eugeni Bonet ("There is an Independent Cinema in Spain, But --- "); Taka Iimura ("On Film-Installation"); and Noël Carroll ("The Cabinet of Dr. Kracauer"). Also includes numerous reviews of books and films.

paperback. Zustand: Good. Zustand des Schutzumschlags: No dust jacket. First Edition. Slightly scuffed and sun faded softcover with minor discoloration. Lower leading corners are lightly creased and worn. Foot of page block is slightly grubby. Minor creasing to lower leading corners of early pages. Pages are clean and tight throughout. T. Used.

Dura. Zustand: Buen estado. Zustand des Schutzumschlags: Buen estado.

XXII/400 S., Originalpappband (publisher's cardboard covers), Bibliotheksexemplar von guter Erhaltung/fine exlibrary, keine Unterstreichungen oder Anmerkungen/no underlinings or remarks, Sprache: englisch.

Zustand: Very Good. 1st ed. VG, edges, hd & hl worn, dj worn, torn & creased, 400pp.