Shamberg michael (10 Ergebnisse)

Softcover. Zustand: Fine. First Edition. Softcover in illustrated wraps. First edition. Fine condition, with a whisper of wear at edges. A visionary book. Illustrated throughout. 4to. 108 pp. Profusely Illustrated (illustrator).

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First Edition (stated), 1971. Clean and tightly bound with fine contents. Light edge wear at the spine ends and slightly to the edges, remains Very Good plus. The dust jacket has creasing and several long closed tears at the rear panel, Very Good minus. International shipping and domestic Priority Mail may require added postage charges.…

Erstausgabe, herausgegeben von Raindance Corporation, mit zahlreichen Abbildungen, 108 S., Quart, Ecken mit Knickspuren, innen gutes Exemplar, illustrierte Original-Broschur.

MGM Pictures, 1989. Laufzeit ca. 103 Minuten. In original Kassettenhülle--- 750 Gramm.

softcover. Zustand: Near fine. First edition. Visionary technology, process evolution, you are the media, feedback-feedforward, networking, the second coming of television, videosphere new clear vision, electronic literacy, high tech, bio-technology, organic re-focusing, alternatives transformations in media America. Its editing was ultimately taken over by its original publisher, Raindance Corporation, a loosely formed group of like-minded videographers: some with a philosophical bent, painters, and an aspiring Hollywood producer. Michael Shamberg who went on to become a Hollywood producer co-edited Issue #5 of Radical Software along with Dudley Evenson. Previous owner address rubber stamped top right corner of title page. 9" - 12". Magazine/Periodical.…

Softcover. Zustand: Near Fine. First edition, wrappered issue (also issued in hardcover). Quarto. 108pp. Illustrated. A little light rubbing along the edges of the spine, else very near fine. DIY guide to non-commercial counterculturally subversive television techniques. Very uncommon.

31.5 x 31.4 cm.; edition size unknown; unsigned and unnumbered Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. LeRoy, Chris Nelson, Willie Klein, Mitch Corber, Mark Abbott, Dan Graham, Michael Shamberg, Anne Demarinis, Thurston Moore, Andy Blinx, Don Hunerberg, Vikky Alexander, John Howell, Salvatore Principato, Nigel Rollings, Peggy Katz, Eric Bogosian, Herr Lugus, Amy Taubin, Remko Scha, Susan Russell, Bill Buchen, Verge Piersol, David Hofstra, Lynne Tillman, D. Brown, Sandra Seymour, Phill Niblock, Barbara Kruger, John Rehberger, Paul McMahon, Nancy Radloff, Bruce Tovsky, Martha Wilson, Ned Sublette, Glenn Branca, Gail Vachon, B. Conan Piersol, Gregory Sandow, Stephan Wischerth, Bob George, Judy Rifka, David Garland, Mark Bingham, Michael Byron, Glenda Hydler, Susan Fisher, Laurie Spiegel, Barbara Ess, Kiki Smith, Shelley Hirsch, Peter Gordon, Arleen Schloss, Tod Jorgensen, David Rosenbloom, Doug Snyder, Jon Rubin, Steve Stain, Thomas Lawson, Harry Spitz, Rhys Chatham, David Linton, Isa Genzken, Daile Kaplan, Kim Gordon, Miranda, Sally A. White, Joseph Nechvatal, Steven Harvey, Sammy Marshall Harvey, Brian Doherty, Rudolph Grey, Richard Morrison, and Zev. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Light yellowing of verso from adhesives. Still in factory shrink-wrap, opened to sleeve cut. Dusting to plastic wrapping. Light scuff on side 1. Otherwise Fine. Due to the fragility of this item additional shipping charges will be required for international orders. …

[1] pp.; 27.8 x 27.8 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Poster announcing a screening of "Altered to Suit" a film of Lawrence Weiner at Mudd Club, New York, April 23, 1979. Featuring Peter Gordon, David van Tieghem, and Love of Life Orchestra. Music by Peter Gordon with Teta Gorgoni, Rosmary Hochschild, Britta Le Va, Michael Shamberg, and Kirsten Vibeke Thueson. References : "Lawrence Weiner : Posters, November 1965 - April 1986" by Lawrence Weiner, Benjamin H.D. Buchloh, Alice Z. Weiner. Halifax, Nova Scotia / Toronto, Canada : Nova Scotia College of Art & Design / Art Metropole, 1986, pp. 80 - 81. "SHOW (&) TELL : The Films & Videos of Lawrence Weiner" by Lawrence Weiner, Bartomeu Mari, R.H. Fuchs, Alice Weiner, Dieter Schwarz. Ghent, Netherlands : Imschoot Uitgevers, 1992, pp. 22- 25. "Of & About Posters : The Lawrence Weiner Poster Archive (1965?2021) at the Vancouver Art Gallery" by Lawrence Weiner, Grant Arnold, AA Bronson, Cathy Busby, Gary Dufour, Willard Holmes. Vancouver / Munich, Canada / Germany : Vancouver Art Gallery / Hirmer Publishers, 2025, pp. 49. Very Good / Fine. 1 mm. nick to left side edge of recto. Very light bumping of corners and small areas of rubbing on recto, otherwise Fine.…

Unbound. Zustand: Very Good. Periodical. Folio. 26pp. Quarter-fold newsprint in blue ink. Small stamps on front wrap, light toning on rear cover, small nicks and tears at edges, very good. A journal started by Beryl Korot, Phyllis Gershuny, and Ira Schneider in 1970 (soon after low-cost portable video equipment became available) "as a service to alternate television people". The journal ran for 11 issues and dealt with videos and other technologies as a tool for social change and making people familiar with the technologies that are controlling their lives. Articles include "Cybernetic Guerilla Warfare," "Alternatives for Alternate Media II," "Tentative Design for a Flexible Video Environment," "Design for a Human Porta-Pak," "Videotape Versus Film," "This Cassette Thing," "Dial Access Information Retrieval Systems," "Citizen Sampling Simulations: A Method for Involving the Public in Social Planning," and more. Also includes a videotape distribution and exchange plan which they hope to be the genesis of an alternate television network. One of the only periodicals devoted to video in the early 70s.…

New York: Raindance Corporation, 1971. Folio (folded: 36 × 30 cm, unfolded: 58 × 36 cm). Original pictorial self-wrappers; [1], 26, [1] pp. with numerous illustrations. Signs of wear; small edge tears and creases; wrappers somewhat toned; few pages with handwritten annotations; else good or better. Third issue of the "most important video journal" (Wulf Herzogenrath). Iconically, the cover of the first issue shows a computer-generated image and thus evokes the dawn of a new age in which media are no longer structured by the hierarchical relationship between sender and receiver, but by a plastic, dynamically changing network. The subtitle of the first issue already makes it clear what the New York group "Raindance Corporation" of artists, writers and video artists was all about: The establishment of an "Alternate Television Movement". And the editorial of the first issue states that the aim would be to "design and implement alternate information structures which transcend and reconfigure the existing ones." The lead article in the third number was Paul Ryan's essay "Cybernetic guerrilla warfare". Contrary to what the title might initially suggest, Ryan is not interested in a cybernetic guerrilla war. "Nobody with any wisdom is looking for a straight out fight. We have come to understand that in fighting you too easily become what you behold." Instead, Ryan thinks about how social consciousness could change as a result of the findings of cybernetics. The concept of feedback is crucial for Ryan. Networking and free exchange, in which there is no longer a distinction between active sender and passive receiver, is intended to set deadlocked structures in motion. Ryan sees the portable video camera as the "weapon" in this "guerrilla war", which is supposed to be fundamentally different from violent, bloody acts of revolution. However, it is not just the video that is supposed to bring about change, but "What is critical is to develop an infrastructure to cable in situations where feedback and relevant access routes can he set up as part of the process." Other contributions include: Willard Van de Bogart ("Laser Light in Video Space"), Van Ftergiotis ("Dial Access Information Retrieval Systems"), Frank Gillette ("Aspects of Data"), Louis Jaffe ("Videotape versus Film"), Stuart Umpleby ("Citizen Sampling Simulations: A Method for Involving the Public in Social Planning"), Gene Youngblood ("Cathode-Ray Tube Videotronics"). The idea of the network was primarily based on a "techno-anarchist" critique of the structures of the mass media. In contrast, video was interpreted as an "egalitarian" medium that provided the individual with an affordable means of production. Thus, in addition to theoretical discussions on the ideas of thinkers such as Gregory Bateson, Buckminster Fuller and Marshall McLuhan, numerous practical contributions on video production with inexpensive camera equipment are also printed. (Cf. Alan N. Shapiro, Decoding Digital Culture with Science Fiction: Hyper-Modernism, Hyperreality, and Posthumanism, Bielefeld: 2024, p. 330f.) As of September 2025, KVK, OCLC list only two copies in North America. …