Shakespear dorothy (17 Ergebnisse)

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fine. Near Fine. First edition. Edited by Omar Pound and A. Walton Litz. 399pp. Black and white illustrations. Fine in a near fine dust jacket with toning and a faint tidemark on the front panel top edge.

Hard Cover. Zustand: Very Good. No Jacket. Limited. Hardback, no dust-wrapper. 27.5cm x 21cm. 11pp. Frontis. Numerous b&w illustrations. One of a limited edition of only 300 copies. Inscribed by the editor, Moelwyn Merchant, to title page. Binding is a little marked, contents clean and unmarked. Inscription from Editor. …

HARDCOVER. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition Thus. Printed at the Lanana Creek Press, Nacogdoches, Texas in an edition of 210 copies (200 for sale) designed by Charles Jones, printed on a Vandercrook Universal III press onto Magnani Biblios mould made white wove paper, hand-bound in Harmatan's tan leather with Japanese book cloth over boards, and matching slip-case. This copy numbered 114 and signed by Omar Pound and Charles Jones in pencil . [CONDITION: An AS NEW unread and unmarked copy in an AS NEW slip-case. This copy has been stored un-opened since it was made ] . . . NOTE: Depending on destination this item may require an extra payment for insurance. If so, orders made by card will be completed only after you have approved any such extra cost. . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Hardback, with protected dust-wrapper. 11pp & illustrations. Frontispiece. Signed by the editor, Moelwyn Merchant, to introduction. No. 119 of a limited edition of only 300 copies. D/w a little grubby. (bs110). Signed by Author(s).…

SOFTCOVER. Zustand: FINE. Zustand des Schutzumschlags: FINE. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 56pp, tipped in colour plates, b/w plates etc (collated complete) PLUS loosely inserted copy a review of the exhibition by Edward Lucie Smith . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (pages slightly tanned in a FINE clear glassine wrapper (small nick to head of spine panel). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good. Bookplate inside front cover. Carefully wrapped on a protective acetate cover to prevent further damage.

Softcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. Limited edition. Edited by Moelwyn Merchant. Quarto. Curling on flyleaves, boards lightly bowed, near fine in a fine dust jacket. One of 100 copies (out of 300 total) numbered and Signed by the author. Publisher's prospectus laid in.

SOFTCOVER. Zustand: FINE. Zustand des Schutzumschlags: Issued without a dustjacket. 1st Edition. Extra Large 4to. in illustrated stiff card covers, 112pp, colour plates, illustrations in text, etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked and unread or barely read copy (covers slightly tanned). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Zustand: FINE+. Zustand des Schutzumschlags: Issued without a dustjacket. 1st Edition. Extra Large 4to. in illustrated stiff card covers, 112pp, colour plates, illustrations in text, etc . [CONDITION: An extremely well preserved FINE+ very clean and tight unmarked and unread or barely read copy (covers faintly tanned). An excellent copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Exeter, Rougemont Press, 1971. 4°. 44 ungez. Seiten. OLeinen mit Rücken- und Deckeltitel in Gold. OUmschlag. Erste Ausgabe. Dorothy Shakespear Pound war die Ehefrau von Ezra Pound. - Nr. 68 von 100 numerierten und signierten Exemplaren. - Fast neuwertig. First edition. No. 68 of 100 numbered and signed copies. Near fine copy. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

Hardcover. Zustand: Fine. 1st Edition. The sole UK printing published by The Scolar Press, London / LaNana Creek Press, Nacogdoches, Texas in 1999. Number '145' of a limited edition of 210 numbered copies (of which 200 were for sale) signed by Omar Pound and the designer and printer, Charles Jones. The BOOK is in Fine condition in a Fine matching slipcase, with a printed title label pasted to the spine. Charles Jones printed 200 copies on a Vandercrook Universal III press, on Magnani Biblios mould made white wove paper. The edition is hand-bound in Harmatan's tan leather with Japanese bookcloth covered boards, and slipcased. In the late 1930s, Ezra Pound planned an edition of the 'Cantos' to be illustrated by his wife, the artist Dorothy Shakespear. She created the designs, but for various reasons, the edition was never published. This volume presents them in a limited edition based on a selection of pages from the 'Cantos'. The selection has been made by Omar Pound, the son of Dorothy Shakespear and Ezra Pound. The edition has been designed by the LaNana Creek Press' printer, Charles Jones, and reflects the style and generosity of materials and processes that were the hallmark of private press publishing in the 1920s and 1930s. A very handsome production. More images available on request. Ashton Rare Books welcomes direct contact. …

First edition. Edited by Moelwyn Merchant. Quarto. 36 pages. Includes the author's brief description of Pound, written in 1909, and reprints Pound's poem written for her, "Plaint".One of 100 copies signed by the author/artist, out of a total edition of 300 copies.Very near fine in near-fine dustwrapper slightly creased at top edge.…

Pound was related to the Busha family through the marriage of his first cousin once removed Ida Lillian Pound (1858-1949) to Charles Thomas Busha (see 'Ezra and Dorothy Pound: Letters in Captivity, 1945-1946, ed. Omar Pound and Robert Spoo, 1999). The two letters are each 2pp., 4to. Both in fair condition, lightly aged and worn. Both closely typed on both sides, with a few autograph emendations; the second letter with an autograph postscript. 'Tommy', who at the time of the first letter is serving with the United States armed forces, is also referred to by his nickname 'Toppie'. ONE (18 May 1945). A long gossipy letter, packed with family news, concluding: 'Ezra Pound is to be brot [sic] to U.S.A. to stand trial for treason, for just why, I cannot tell you. He is supposed to have talked over the Rome Radio against the U.S.A. I think that he made the same remarks that Hoover and other Republican leaders made against the new deal and after that country of Italy joined with Germany those remarks weren't free speech as we call it here. However, I have yet to know just what the real charge is that is to bring him here for trial. Aunt Alice Robertson wrote the other day as if he had been in hiding and was just found, said she saw his picture and a news item to that effect in a Montana paper but I did not see anything. His father died over there in 40 I think and she, his mother wrote me that the American consulate wanted her to go to Lisbon and take passage for U.S.A. but she said if she came, there was no home for her here. Omar, Ezra's only child [Omar Shakespear Pound (1926-2010)] lives with his grandmother Shakespeare [sic, for the novelist Olivia Shakespear (1863-1938)] in London or near there, always has and I wish I could hear what happened to Cousin Isabelle, Ezra's mother. I visited her in Philadelphia and she is surely sweet. About eighty three now. I must get busy at once on some files. Thanks for letter and do keep them coming. Love from | Aunt Beulah'. Other topics include: V. E. Day and 'the Chinese retreat from Foochow'; a visit from 'Aunt Helen'; 'Mabel'; 'Ford and Bobby'; 'Bea's card'; the sale by 'Alice Helen and her husband' of 'their home in Seattle'; 'David Busha Granley'; 'Ida', who is at 'Treasure Island, or rather at Almeda', TWO (19 August 1947): Written in the same style as One. Begins with news of a communication from Pound's wife the artist Dorothy Pound (née Shakespear, 1886-1973): 'Your letter was such a happy surprise. I had been wondering about you, if you were vacationing or going to summer school, and since Dorothy Pound's last note stated that Omar was in Hamilton College, I had wondered if you two cousins might meet. You will have a lot of fun, sort of catching up on family history. And Dorothy has said that it is possible that sometime she and Omar might come to see me, so we will keep this trip that you and he may have in mind. If he gets out here, he will love the country and later bring his mother. Right now, I have been looking for a note from her telling me if Omar's grandmother has arrived from Italy, or a note from Isabella herself telling me if her plans to come are shaping up. Since Mother has not been writing, I have corresponded with the "Italy Pounds" myself []'. She continues on the topics of Homer's pension, and a letter she has received 'from Ezra from Elizabeth's Hospital', which she has forwarded to 'Dorothy, Omar's mother'. She discusses a photograph she has of Omar, taken 'when he was a small tot': 'Aunt Isabelle has told me so much about him, I feel as if he is one of my own circle of adopted sons'. She discusses his actual relationship to her and the recipient, concluding: 'Anyway, even if the cousin-ship is not close, you can be real buddies at that.' She reminisces on an 'Easter vacation with Homer and Isabelle in Philadelphia' when she was young. She continues with family news concerning 'Uncle Pat'; 'The girls'; 'Aunt Bea'; and 'the original Busha name [] "Boucher"'.…

watercolour on paper, a little tattered at the edges, pin holes in corners, the drawing to the verso with some paint dabs for the other work, 32 x 25 cm approx, good condition. Two pieces of artwork by Ezra Pound's wife, the painting a more finished work, though the roofscape has a Vorticist feel by dint of the geometric arrangement of its subject - the sheet was presented to poet Michael Alexander in the 1960s, as per his note in the corner of the pencil drawing. Alexander had first visited Pound in 1962, to ask if he would accept the dedication of his translations of 'The Earliest English Poems', and was a regular visitor (in Rapallo and Venice) over the following decade.…