shagin (7 Ergebnisse)

Mappe mit 12 Fotos, 7,5 x 9,5 cm, Mappe an den Rändern leicht berieben, sonst perfekt, insgesamt sehr guter Zustand. Book Language/s: Russian.

Zustand: new. Pages: 48 Language: Russian. "Nebyljandija" - detskaja kniga stikhov rossijskogo aktjora teatra i kino, poeta Antona Shagina, izvestnogo po filmam "Stiljagi", "Sojuz spasenija", "Konjok Gorbunok", "Pozyvnoj "Passazhir" i drugim, artista teatra "Lenkom Marka Zakharova". Anton uchastvuet v spektakljakh "Vishnjovyj sad", "Dokhodnoe mesto" i dr. On avtor poeticheskikh sbornikov "Ejo", "Antonovki", "Vopreki", vypusknik literaturnoj masterskoj Zakhara Prilepina. Laureat premii Pravitelstva Rossijskoj Federatsii i premii Prezidenta Rossijskoj Federatsii. Deti najdut v svetloj poezii Antona Shagina istochnik radosti i vdokhnovenija, a papy i mamy - tjopluju nostalgiju. Akvarelnye illjustratsii vypolneny khudozhnikom Annoj Drozdetskoj. NEBYLJANDIJa - eto priglashenie v udivitelnyj i volshebnyj mir. Prikljuchenija nachinajutsja! 9785907727465.

Taschenbuch. Zustand: Neu. Na grani | SENSACIONNYJ ROMAN, osnovannyj na real'nyh sobytijah | Dimitry Shagin (u. a.) | Taschenbuch | Russisch | 2024 | ISIA Media Verlag | EAN 9783910741331 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

OKart. mit OUmschlag, 221 Seiten, kl.-4°, mit zahlr. teils ganszeitigen Illustrationen und eingeklebten Aufnahmen im Text, Einband etwas berieben, bestoßen und etwas beschmutzt/bestaubt. Beide Kapitale leicht eingerissen, Kanten und Ecken leicht beschabt, Umschlag beschmutzt und mehrfach, stellenweise mit kleinem Verlust, eingerissen, Nachsatz gestempelt, sonst gut erhaltenes Exemplar. Book Language/s: Russian.

Hard Cover. Zustand: Very Good. No Jacket. First Edition. Text in Russian. Large. Original grey cloth embossed with red lettering on the front with the Moscow Metro logo blind stamped on the front with the central "M" in red, with the publisher's imprint also blindstamped on the front. Unpaginated, title page with hammer and sickle Soviet insignia, two page introduction, photographs throughout with captions and occasionally with some brief text. The photos are mainly in monochrome, some are in colour. The photographs are by Georgy Petrusov and Ivan Shagin. The design is by by Varvara Stepanova. [Stepanova, Varvara (1894-1958): well-known artist of Russian avant-garde. Wife of A. Rodchenko, worked in collaboration with him. Graphic artist, designer, painter, theatre artist. Posters, books, textile design. Constructivist. Member of "October" with Klutsis, Lissitzky, Stenberg brothers, et al. 9 X 12 inches. A very good copy all complete and quite sound throughout. Some age darkening to the cloth and light rubbing to corners. Inside , owner's name in ink on the front free emdpaper, some offsetting to the endpapers. Pages all quite clean and unmarked throughout.

Taschenbuch. Zustand: Neu. Chörnaq polosa | Kniga wtoraq | Igor' Shagin | Taschenbuch | Russisch | 2019 | YAM Young Authors' Masterpieces Publishing | EAN 9786202499217 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

St. Petersburg: Uchrediteli khudozhniki gruppy Mit'ki, 1993. Quarto (30 × 21 cm). Original staple-stitched pictorial self-wrappers; offset-printed text and images; [12] pp. (consecutive pagination: 085-096). Very good or better. Later issue of this periodical issued by the "Mit'ki" (meet-KEE), the "cinematographic issue," with articles by M. S. Trofimenkov ("Seks, lozh' i mit'ki"), D. Shagin ("Kak mit'ki snimalis' v zagranichnom kino"), V. Shinkarev ("Po povodu mul'tfil'ma" and "Mit'ki i kino"), drawings by Shagin, Shinkarev, and others, as well as iamges of the group. The Mit'ki cultivated an existence outside the concerns of the late Soviet system, their members often worked in boiler rooms or as janitors, spent their time drinking and 'loafing' and did not read newspapers or otherwise acknowledge social norms. Aesthetically, they were part of a larger tendency in the Soviet underground to embrace naive and neo-primitivist forms of art, simultaneously looking back to the surrealist work of writers such as the Oberiuty Kharms and Vvedensky, and other representatives of the Russian historical avant-garde of the 1920-30s. According to a much more ironic view, the "main artistic achievement of the group was its ritualized lifestyle [.] According to Shinkarev, Mitki dressed like outcasts: striped sailor shirts (the Soviet bohemian uniform inherited from the Leningrad neorealists), old quilted jackets, Russian felt boots, and mangy fur hats with earflaps. Mitki drank from morning till night, but only the cheapest vodka and rotgut wine." (Volkov, St. Petersburg 530). Edited by Iurii Molodkovets and Dmitrii Shagin, Shinkarev and A. Florenskii. See also Alexei Yurchak's in-depth analysis in chapter 7 of Everything Was Forever, Until It Was No More: The Last Soviet Generation. One of 1000 copies. KVK, OCLC show complete runs at Amherst, Stanford, and Humboldt Universität, and scattered issues at British Library, Oxford, and LOC.