Senft william (10 Ergebnisse)

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Fine Condition. 176 pages. Profusely illustrated with mostly black and white, but some color photographs. Some shelfwear, and a small chip to the crown of the dustjacket, but in otherwise crisp and tight condition. A scholarly study of a much loved and collected pottery.…

First edition, first printing. Ephemera material laid in. Fine in near fine dustjacket.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Edition. 176 pages, 16 pages of colour plates, 78 black and white illustrations, backstamp illustrations, pattern numbers, registered design numbers, chronology of the firm, bibliography.

Hardcover. Zustand: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 16.5 x 24 cm.; 0.6 kg.; 176 pages with black and white and colour illustrations.; Used with signs of wear on the exterior and interior. The dust jacket shows edge wear, scuffs and scratches on the front cover, spine and back cover and show signs of have been bent on the rear of the back cover. Some yellowing on the interior. The outside text block shows some wear signs.; This book presents a comprehensive account of the history and development of an important Staffordshire pottery and the family with whom it was connected. Shelley Potteries were amalgamated into a larger group in 1966, but their activities up to that date are recorded here, including the period from 1872 to 1925 when they operated under the title Wileman & Co., using the trade name Foley. In many ways Shelleys were like every other pottery but they show a distinctive development, particularly as they were affected by, and in turn influenced, public taste. Their production included bone china, tableware, Harmony ware, commemorative and advertising ware, jelly moulds, domestic ware and Mabel Lucie Attwell nursery ware. Many of their products illustrate the styles of Art Nouveau and Art Deco, and later, after the Second World War, reflect a continuing balance between modern and traditional design. Above all, the potteries were a family concern, with the strengths and weaknesses of such an organization, typical of many family firms which have disappeared in recent decades. Yet Shelleys achieved prominence with a reputation for stylish, elegant, modern, high quality production that was the envy of many better-known potteries in North Staffordshire. Visitors to the recent exhibition of design in the '30s organized by the Arts Council and the Victoria & Albert Museum will have been impressed by several striking examples of their ware. Although so recent in the history of British ceramics, items of Shelley ware are much sought by a growing number of collectors, for whom this study will prove indispensable in providing the complete historical background, documents, marks and carefully selected illustrations.…

London; Barrie & Jenkins, 1986. Reprinted. 24 x 16 cm. Hardcover with dustjacket. 176 pages. With illustrations in color and b/w. NEAR FINE COPY [Keramiek / Ceramics / Keramik ].