Selenitsch alex (7 Ergebnisse)
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 68,64
EUR 9,12 VersandVersand innerhalb von USAAnzahl: 18 verfügbar
Zustand: New.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 55,07
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Kartoniert / Broschiert. Zustand: New.
Verlag: Artspace Mackay, Mackay, Queensland, 2009
- Softcover
- Erstausgabe
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 50,11
EUR 24,33 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
In den Warenkorbstiff wraps. 1st Edition. 1st ed., original printed stiff wraps, colour plates, pp 104, remains of sticker rear end-paper otherwise very good condition. Rare Australian exhibition catalogue of artists's altered books. Profusely illustrated with colour plates together with introductory essays and artist biographies. 'Artists inve…stigate existing and found books in an era when the printed page is endangered by digital technology'. (Artspace Mackay Exhibition toured by Museum Gallery Services Queensland).
Weitere Bilder- Softcover
Anbieter: Douglas Stewart Fine Books, Armadale, VIC, AustralienDouglas Stewart Fine Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 56,37
EUR 32,15 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
In den WarenkorbMelbourne : the artist, 2009. Small quarto, diet black wrappers, pp. [8], graphically designed text. Artist's book limited to 26 copies.
Verlag: 4 x ½ A3 on an incline 2008 4 x ½ A3 horizontal tear 2015 'Each book presents a colour narrative : four pastel 'primaries' making colour tableaux, introduced and closed off by black and white covers. The book size is based on a double square that can be cut out of an A3 sheet, folded to make a square page format. The colour pages are assembled from A3 sheets which have been halved : accurately in two cases (straight line orthogonal and straight lineincline) or approximately (sinusoidal and horizontal tear). The cut-outs on the cover hint at the kind of division or halving that the coloured sheets have been subjected to. Both halves are used in the edition of each book, so that each edition of 32 copies with 4 folded sheets (giving 16 pages), 4 x ½ A3 sinusoidal 2014, 2015
Anbieter: Douglas Stewart Fine Books, Armadale, VIC, AustralienDouglas Stewart Fine Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 225,47
EUR 32,15 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
In den Warenkorb"Melbourne : the artist, 2008 - 2015. Four volumes, presented as a set, each with sculpted black card covers, hand stitched, title leaf and colophon, eight leaves of cut or torn coloured paper, 21x21cms when closed. Created in an edition of 32 examples, this is number 27, each book hand numbered. The four titles are .
Weitere Bilder- Softcover
- Signiert
Anbieter: Douglas Stewart Fine Books, Armadale, VIC, AustralienDouglas Stewart Fine Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 1.127,37
EUR 32,15 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
In den WarenkorbMelbourne : Hybrid Production, 1995. Folio, lettered wrappers, six sheets, folded, woodcuts by John Ryrie, poems by Alex Selenitsch, in timber slip-case by Hamish Hill measuring 50 x 27 x 4 cm Limited edition of 20 numbered and signed copies. Printed by John Ryrie using garamond, imprint & rondo hand-set monotype, on Arches 200…GSM, the cover on Khadi 320 GSM, the box made from various suburban forest timbers. In this instance, the folio is numbered 9/20, and is made of Elm and Silver Ash. 'While visiting John Ryrie to talk about a printing job, I noticed that his studio was filled with paintings, woodcuts and little sculptures on the theme of trees and ladders. For the previous decade, I had been writing poems on the same themes, and the fact that some texts were ready, that John had some wood-blocks ready, and that we had been brought together by some other reason meant that a book was something we had to do. John and I began with a selection of poems and prints, and produced a number of dummy designs, with the format being finally established when we found some discounted paper. Care was taken to distribute the poems and prints so that they both made sense sequentially. This produced some startling cross-references, startling because we had produced our prints and poems without knowing of each other's work. We also designed the book to make sure that even though the publication is unbound, a flattened and framed extract would make no sense, so that one would always have to unfold it, turn it over and pack it together again. Hamish Hill, who had collaborated with me on two pieces of furniture earlier this year, offered to make slip-cases for the book. Out of our conversation, an idea emerged for a box made of suburban forest timbers with one edge open and rough (the tree) and one edge closed, machined and visibly jointed (the ladder). The final book, in an edition of 20 copies, consists of 6 folded sheets of texts and images, tucked into a folder/cover which is then slid into a timber case. The papers are identical from issue to issue, the box is not. Wood is not a homogeneous material and Hamish has used different timbers and jointing techniques while still keeping the tree/ladder concept intact. This exhibition of the complete set of boxes is probably the only time that they will ever be seen together. In fact, two of the books were on display at John Ryrie's exhibition at the Australian Galleries in Collingwood in September this year, even though the focus in that show was on John's woodcuts, sculptures and paintings. All of the woodcuts in our book were exhibited there as separate prints and on their own presented a coherent vision of trees, ladders and their symbiosis with the human psyche. Some of the poems have also been made public as independent works, at a La Mama Poetica reading in 1989, when they were performed by the author, recorded and then issued on cassette (along with other poets reading on that evening) by Collective Effort, Melbourne. After December, however, I hope that the woodcuts, poems and the slip-cases become known for their interconnectedness through this book. Apart from its tangible beauty, the book reveals how the same ideas can be wrought in very different mediums and materials and by different people, sometimes without even knowing it. ' - Alex Selenitsch, Artist's Statement, December 1995.
Weitere BilderAnbieter: Douglas Stewart Fine Books, Armadale, VIC, AustralienDouglas Stewart Fine Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 281,84
EUR 32,15 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
In den WarenkorbMelbourne : the artist, 2018. Quarto, 22 x 26cms (closed), black card covers with oval design, pp. 12, with the letters of the title stencilled in felt pen. Unique example. An inventive work of concrete poetry by the noted Melbourne poet, architect and artist.
