seguy e a (53 Ergebnisse)

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Color Illustrations (illustrator). Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. No Jacket. E. A. Seguy (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: good. Color Illustrations (illustrator). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Very Good. 1st thus. 48pp, quarto, staple bound, clean and colorful throughout, tight binding, mild toning to back cover, mild corner wear, bright and colorful cover.

Paperback. Zustand: Good. Reissue Edition. 9.5 X 0.25 X 12.5 inches; 40 pages; color illustrations throughout the book. Previous owner's name on front cover and on the flyleaf page. Light shelf wear and few minor, faint smudges on the covers. Good condition otherwise. No other noteworthy defects. No markings on text pages. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With usual stamps and markings, In good all round condition. No dust jacket. Re-bound by library. Year of publication not stated Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1450grams, ISBN:

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Zustand: Gut bis sehr gut. Broschiert. Großformat. Sehr gut erhalten, innen und außen.

Zustand: Good. 4to., printed wraps. [80] pp.; illust. 40 full color plates. Reproduces two Seguy portfolios: Bouquets et Frondaisons and Suggestions pour Etoffes et Tapis. Some cover wear; small int. inscrip. Good.

Heft. Zustand: Gut. 31,5 x 23,5 cm 40 S. ; Heft mit Klammerheftung. Sprache: Englisch, Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat min. Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Zustand: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Buone.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Feb 01, 1977. Zustand: Gebraucht - Gut. Color Illustrations (illustrator). Gebrauchsspuren am Einband. Seiten gut erhalten.

Broschiert. Folio. 6 S. + 40 Farbtafeln. Broschur. Mit 40 Farbtafeln. sehr gutes Exemplar.

Originalbroschur. Zustand: Wie neu. Deutsche ERSTAUSGABE. Folio. 6 Seiten, 40 Farbtafeln. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Sprache: Deutsch Gewicht in Gramm: 700.

Stoffmuster ). farbig illustr.Orig.Brosch. Folio 2° 68 unpag. p. S. mit ca. 100 farbigen Zeichnungen auf 30 Bildtafeln ( florale und abstrakte Eugene Alain Seguy was one of the foremost French designers at the beginning of the 20th century. Working in both the Art Deco and Art Nouveau styles, he published many design folios utilizing the pochoir technique, a printing process that employs a series of stencils to lay dense and vivid color.

Couverture souple. Zustand: bon. RO30125860: 1995. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 270 pages agrémentées d'une planche photographique (non coupée) - ex-dono sur page de faux titre. . . . Classification Dewey : 929.2-Histoire des familles célèbres.

Broché. Zustand: Mauvais. Ed. Masson & Cie. 1951, 971 pages. Volume broché, couverture souple. Format : 17 x 25. BE intérieur. Etat extérieur mauvais, dos grossièrement réparé. Bon exemplaire de travail.

(2) ff., 40 pl. h. t. In-4 - en feuilles, sous chemise.

Softcover/Paperback. 6 S., 40 Bl. mit Abb. / gutes Exemplar // Ornament , Bildband, Bildende Kunst L048 9783880593114 *.* Sprache: Deutsch Gewicht in Gramm: 550.

Paris, [ca. 1915]. 2 pp. 40 plts. H.cloth portfolio.

FIRST EDITION. Folio (32 x 24.5 cm). Half-title and title-page on one bifolium, 40 fine full-colour pochoir plates, with tissue guards, all housed loose as issued in publisher's original cloth-backed portfolio, retaining the original black ties. Some light toning and spotting to portfolio, small split to cloth at foot of spine, the plates in fine condition, some with just the lightest suggestion of toning to very outer margins, an excellent example overall. A very rare and well-preserved, complete copy of this enigmatic work by the French Art Deco painter, decorator and entomologist Émile Allain Séguy (1877-1951). This is his last work. The plates, on wove paper, contain illustrations based on minerals, finely coloured using pochoir. It is considered a quintessential example of Art Deco design, showcasing Séguy's transition from the organic curves of Art Nouveau to the bold, geometric abstraction of the 1930s. "Simply stated, pochoir is the French word for stencil. In the 1920's and 30's Art Deco era, the colour application process of the stencil was rejuvenated by the French, bringing color illustration processes for books and prints to new glorious heights. This interest in exploring the stencil process came in reaction to the proliferation of machine printing and the poor quality of color reproductions in publishing. With pochoir printing, the hand application of layers of pigment created dazzling effects that the camera or printing press could never replicate. Earlier stencil works, typically used for decorative surface ornament were quite primitive, with applied color areas outlined by the supporting cutout framework. New experimental techniques in pochoir refined the process using multiple layers of color applications for a single print. Pochoir printing was also easily combined with images made by lithography, woodcut, wood engraving, line drawings, or etchings, thus turning a decorative technique into fine art" (RISD library website). Some minor wear to binding, overall a very good copy. The colouring is absolutely spectacular. Hardy, A. R. (2015) Ornemaniste Art Deco. Bulletin S.A.B.F 202, pp. 30-32; Vallée, M. (2015) Les portfolios d'ornements d'Emile Allain Séguy (E.A Séguy 1877-1951): de la flore étrange et contournée aux ordonnancements rationnels. Mémoire de Master 1, Université Paris Sorbonne. Young, T. (2015) Insect Men. Design Observer (website). Not in Schneider-Henn, Ornament und Dekoration.

SEGUY, E.A. (illustrator). First Edition. . Prismes. 40 Planches de Dessins et Coloris Nouveaux Paris: Editions d'Art Charles Moreau, 1930. First Edition. With forty pochoir plates by Seguy. Complete. Folio (12 1/2 x 9 1/2 inches; 321 x 244 mm). Publisher's quarter cloth over printed boards portfolio. Spine printed in black. With original silk ties. Portfolio cover with some wear to edges and top outer corner bumped. Cloth with minor fraying and splitting at extremities. Margins of plates lightly foxed, but images still very clean. Bookplate of the Worcester Art Museum on front pastedown, covering the publisher's ads. Bookplate with "withdrawn" stamp on it. Half-title and each plate at lower margin with small stamp reading "School of the Worcester Art Museum. Overall very good, with beautiful plates. "E.A. Seguy was an artist and designer active in Paris during the first three decades of the 20th century. Very little is known about him, even his actual name and birth/death dates are in dispute. Seguy was one of few artists that successfully combined both Art Deco and Art Nouveau styles in his work. His brightly colored geometric patterns were intended to be used as inspiration for such decorative items as textiles and wallpaper. Seguy's albums were created using a unique printing process called pochoir, which was popular in France at the turn of the 20th century. Pochoir is a process that utilizes the method of applying pigment to paper through the use of stencils. First, the artist created an image in watercolor or gouache. The design was then analyzed to determine the necessary colors and number of stencils needed. The stencils could be cut from any number of materials, including copper, zinc, oiled cardboard, or celluloid. The paint was applied through the stencils by brushes or pompons. The prints were produced entirely by hand assembly line style, and each one was individually examined and approved upon completion." (E.A. Seguy, Insects, and the Art of Pochoir. University of Miami, Special collections). HBS 68572. $3,000.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. This is a fine hardcover two volume set in fine glassine dust jackets and a fine hardshell illustrated slipcase. Completely clean inside and out. Text in French and Japanese. List of plates also in French and Japanese. 144 full-page color plates, 2 gatefolds in La Plante et ses applications ornamentales. 60 full-page color plates, 2 gatefolds in Les fleurs et leurs applications decoratives. Superbly printed. A beautiful production. 15" high X 11" wide. Large heavy set. Foreign postage extra. This book will be securely wrapped and packed in a sturdy box and sent with tracking.

4°, Sondereinband. 1 Faltblatt und 40 Tafeln mit zahlr. Abbildungen in OHLwd-Mappe. Blätter u. Faltblatt etwas gebräunt, sonst in gutem Zustand. Mappe berieben, Leinenrücken und Bänder durchtrennt, Titel mit Abriß und etwas fleckig. (Kein Problem für die Buchbinderin) Sprache: Französisch Gewicht in Gramm: 2000.