Sean connery starring (29 Ergebnisse)

Vintage studio still photograph from the US release of the 1971 British film, showing actors Charles Gray and Jill St. John, alongside an unknown henchman. Based on Ian Fleming's 1956 novel. The seventh James Bond adventure and the second of four directed by Guy Hamilton, following 007 as he pursues a diamond smuggling ring in Las Vegas. 10 x 8 inches. Near Fine.…

Vintage photograph from the 1964 film, a publicity shot of Sean Connery and Tippi Hedren. Based on Winston Graham's 1961 novel. Set in and shot on location in California, Pennsylvania, New Jersey, Virginia and Maryland. 8 x 10 inches. Near FIne. Collation details available on request.

Vintage studio still photograph from the 1961 television movie adaptation. Snipe stamped to the verso. Television adaptation of Leo Tolstoy's classic novel detailing the doomed romance between two Russian socialites. This version starring Claire Bloom as Anna Karenina and Sean Connery as Count Alexis Vronsky. Set in Russia, shot on location in London. 8 x 10 inches. Very Good plus, with extensive annotations to the verso.…

Two vintage black-and-white double weight still photographs from the 1961 UK film. Sean Connery stars as Paddy Damion, the best friend of a gangster who is killed in opposition to the extortionist mob that runs a decrepit area of London. Paddy swears revenge on those responsible for his friend's death, and after a bit of bloodshed, agrees to provide information to the police in exchange for a light sentence. An early starring role for Sean Connery, who would solidify his status in Hollywood as James Bond, in "Dr. No" (1962), and a gratifying crime drama in the noir style, with a nightclub setting, a femme fatale (Yvonne Romaine), and downbeat ending. Set in London. 8 x 10 inches. Very Good plus, with slight toning, pinholes to one still, and a closed tear to one still. Grant US. Keaney US. Selby US. Spicer US.…

Collection of 4 vintage black-and-white still photographs from the 1979 film. General Batista's army is in need of some training if they hope to squash Castro's guerillas in pre-Revolution Cuba, and Sean Connery is just the man for the job. He simultaneously romances an old flame. 8 x 10 inches. Two with ink annotations on the versos, else Near Fine.…

Vintage black-and-white British front-of-house card from the 1961 UK film. A comedy based on the novel "Stop at a Winner," by R.F. Delderfield, starring Sean Connery as a hustler who is ordered by a judge to enlist in the armed forces. 8 x 10 inches. About Near Fine.

Vintage black-and-white British front-of-house card from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Very Good plus, with light creases.

Vintage reference photograph from a 1975 television re-release of the 1967 film, showing Sean Connery and Mie Hama. Loosely based on the 1964 novel by Ian Fleming, the first in the franchise to bear little likeness to its source novel. The fifth in the James Bond franchise, preceded by "Thunderball" (1965), and followed by "On Her Majesty's Secret Service" (1969). 7 x 9 inches. Fine. …

Vintage reference photograph from a television re-release of the 1964 film, showing Sean Connery and Honor Blackman. The third James Bond film, and the first to achieve blockbuster status, introducing many of the elements that would become staples of the franchise, including the pre-credit sequence, futuristic technology, Bond's Astin Martin, and gadgets. Winner of an Academy Award, also a first for the franchise. 7 x 9 inches. Fine. …

Vintage reference photograph from a television re-release of the 1971 film, showing Sean Connery and Jill St. John. Based on Ian Fleming's 1956 novel. The seventh James Bond adventure and the second of four directed by Guy Hamilton, following 007 as he pursues a diamond smuggling ring in Las Vegas. 7 x 9 inches. Fine. …

Seven vintage borderless studio still photographs from the 1970 film. Snipe affixed to the verso of each, as issued. Set to the backdrop of coal country Pennsylvania, the film follows a secret organization of Irish miners formulated to fight oppressive mine owners. Sean Connery stars as the treacherous leader, Jack Kehoe. Shot on location in Pennsylvania. 8 x 10 inches. Some brown discoloration to two of the photos (see images), overall Very Good plus with annotations to the versos.…

Vintage one sheet poster for the 1971 film. Based on Frank Pierson's 1970 novel, about an ex-con who initiates a cascade of chaos when he decides to rob his upscale apartment building. Actor Christopher Walken's feature film debut, as well as a breakthrough role for Sean Connery, who moved beyond being typecast as James Bond. Shot on location in New York. 27 x 41 inches. Folded as issued. Near Fine. Lee, The Heist Film. Spicer US.…

Vintage borderless reference photograph from the 1965 film. The fourth "James Bond" film, based on the 1961 Ian Fleming novel, winner of an Academy Award. 10 x 8 inches. Near Fine.

Vintage program for the 1971 film. With a single page of promotional material specific to the film's UK release laid in. Based on Ian Fleming's 1956 novel. The seventh James Bond adventure and the second of four directed by Guy Hamilton, following 007 as he pursues a diamond smuggling ring in Las Vegas. Bi-fold. 10 x 7.75 inches. Near Fine.…

Eight vintage black-and-white British front-of-house cards from the 1965 UK film. Based on the play by Ray Rigby, about a British disciplinary camp on the Libyan desert. Winner at the 1965 Cannes festival for Best Screenplay. 8 x 10 inches. Light toning overall, else Near Fine.

Two vintage borderless reference photographs from the 1964 film, both showing Sean Connery and Shirley Eaton. With the stamps of Top magazine on the verso, along with layout annotations in manuscript pencil. The third James Bond film overall, but the first to achieve blockbuster status, introducing many of the elements that would become staples of the franchise, including the pre-credit sequence, futuristic technology and gadgets, and Bond's Aston Martin. Winner of an Academy Award, also a first for the franchise. One photograph 9 x 6.75 inches, the other 9.25 x 7 inches. Very Good plus, lightly creased at the edges, and smaller photograph with light wear to the finish.…

Revised Draft script for the 1993 film. Based on the 1992 novel by Michael Crichton. Sean Connery and Wesley Snipes star as two LAPD detectives called in to assist in an investigation of the murder of a call girl in a boardroom of a large Japanese company, and act as a liason between the Japanese executives and the investigating officer, played by Harvey Keitel. Set in and shot on location in Los Angeles. Yellow titled wrappers, dated April 21, 1992. Title page present, dated April 21, 1992, noted as REVISED, with credits for screenwriter Philip Kaufman and author Michael Crichton. 132 leaves, with last page of text numbered 131. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

Draft script for the 1977 film. Copy belonging to actor Martin Landau, with his signature on the title page, and manuscript ink and pencil annotations throughout. Included is an 18-page revised shooting schedule signed by Landau, and additional material related to production. The USSR and NASA must join forces and double their nuclear firepower to destroy a massive meteor headed straight for Earth before it effectively wipes out humankind. Set in Washington, DC and California. Black non-standard titled wrappers. Title page present, dated October 19, 1977, with credits for screenwriter Stanley Mann. 121 leaves, with last page of text numbered 114. Xerographic duplication, rectos only, with pink, blue, and yellow revision pages throughout, dated variously between 9-16-77 and 10/19/77. Pages Very Good plus, wrapper Near Fine, bound with two silver brads.…

Three vintage studio still photographs from the 1964 film. The third James Bond film, and the first to achieve blockbuster status, introducing many of the elements that would become staples of the franchise, including the pre-credit sequence, futuristic technology, Bond's Astin Martin, and gadgets. Winner of an Academy Award, also a first for the franchise. 10 x 8 inches. Near Fine. …

Vintage reference photograph from the set of the 1962 film, showing a group of Allied troops storming Pegasus Bridge, with a camera crew in the foreground. With manuscript pencil annotations on the verso regarding layout, along with the stamp of Marine films. Based on screenwriter Cornelius Ryan's 1959 book. A star-studded dramatization of the events of D-Day, from both the Allied and Axis perspectives, with many scenes (such as the aforementioned storming of Pegasus Bridge) filmed at their corresponding real-life French locations. Set and shot on location in France. 10 x 8 inches. Near Fine.…

Vintage reference photograph from the 1965 film, showing Sean Connery in a helmet. French "Associated Artists" stamp on the verso. Based on the 1961 novel by Ian Fleming. The fourth film in the James Bond franchise, preceded by "Goldfinger" (1964), and followed by "You Only Live Twice" (1967). In this entry, Bond must recover two stolen warheads, held by the evil SPECTRE organization. Shot on location in the Bahamas, Switzerland, Portugal, France, England, and the US. 10 x 8 inches. Very Good, lightly age toned, with pinholes at the corners.…

Vintage reference photograph from the 1964 film. Printed mimeo snipe affixed to the verso. The third James Bond film, and the first to achieve blockbuster status, introducing many of the elements that would become staples of the franchise, including the pre-credit sequence, futuristic technology and gadgets, and Bond's Aston Martin. Winner of an Academy Award-also a first for the franchise. 10 x 8 inches. Near Fine. Ebert II. Penzler 101.…

Vintage reference photograph from the 1964 film, showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco, with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso. Based on Winston Graham's 1961 novel, which follows a wealthy businessman's unwanted, often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development, most relating to Hitchcock's insistence on including a rape scene present in the novel, and the subsequent troubles in casting the lead role, given the emotional complexity demanded for the character. Set and shot on location in California, Pennsylvania, New Jersey, Virginia and Maryland. 10 x 8 inches. Faint discoloration on the top edge of the verso, else about Near Fine. Godard, Histoire(s) du cinema. Grant US. Spicer US.…

Vintage color reference photograph of Sean Connery and Sara Kestlman from the 1974 film. After the critical and commercial success of 1972's "Deliverance," director John Boorman was given almost total creative freedom for his next film. He responded by costuming Sean Connery in red briefs and suspenders, thigh-high boots, a handlebar mustache, and a long braid, and setting him loose in a utopian city of nearly catatonically bored immortals as a ruthless killer doing the violent bidding of a giant, floating, talking stone head. In his spare time, he woos and has a child with Charlotte Rampling. Somewhat obviously, the film has since become a cult classic. Shot on location in Ireland. 10 x 8 inches. Near Fine. Arrow 1147.…

Four vintage black-and-white press photographs featuring Bond girls Claudine Auger ("From Russia With Love"), Honor Blackman ("Goldfinger"), Diana Rigg ("On Her Majesty's Secret Service"), and Jane Seymour ("Live and Let Die"). All are borderless press photographs with associated stamps on the verso excepting "Goldfinger," which is a studio still. All photos 8 x 10 inches except "Live and Let Die," which is 7.5 x 10 inches. All prints just about Near Fine or better.…

Four vintage color transparencies from the 1964 film, all four showing Tippi Hedren. Based on Winston Graham's 1961 novel, which follows a wealthy businessman's unwanted, often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development, most relating to Hitchcock's insistence on including a rape scene present in the novel, and the subsequent troubles in casting the lead role, given the emotional complexity demanded for the character. Set and shot on location in California, Pennsylvania, New Jersey, Virginia, and Maryland. 5 x 4 inches. Near Fine. Godard, Histoire(s) du cinema. Grant US. Spicer US.…

Vintage black-and-white still photograph from the 1964 film. In the photo, Hitchcock leans over Tippi Hedren, who sits at a typewriter, portraying her character in the office where she works as a secretary. With a mimeograph snipe on the verso. 8 x 10 inches. Near Fine.

Vintage studio still photograph from the set of the 1964 film, showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso, along with the stamp of Culver Pictures and a stamp noting No. 75147. Based on Winston Graham's 1961 novel, which follows a wealthy businessman's unwanted, often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development, most relating to Hitchcock's insistence on including a rape scene present in the novel, and the subsequent troubles in casting the lead role, given the emotional complexity demanded for the character. Set and shot on location in California, Pennsylvania, New Jersey, Virginia and Maryland. 10 x 8 inches. Near Fine. Godard, Histoire(s) du cinema. Grant US. Spicer US.…

Vintage US silkscreen banner poster for the 1971 film. Based on Frank Pierson's 1970 novel, about an ex-con who initiates a cascade of chaos when he decides to rob his upscale apartment building. Actor Christopher Walken's feature film debut, as well as a breakthrough role for Sean Connery, who was previously stuck being typecast as James Bond. Shot on location in New York. 82 x 24 inches. Rolled. About Near Fine with no restoration, a few old splashes near the edges, some rubbing and scratches, three small closed tears in margins and light creases, otherwise quite bright and unfaded. Lee, The Heist Film. Spicer US Neo-Noir.…