scott goddard (24 Ergebnisse)

Soft cover. Zustand: Very Good. Undated edition. Stapled booklet.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Good. xxx, 434, vi pp. Black publisher's cloth-covered boards, gilt-stamped lettering on the spine. 8vo. Cloth is worn and unevenly faded, a little rubbed and rounded on corners and spine ends, spine sunned. Some toning on text block edges and endpapers, hint of page aging throughout.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: No Dust Jacket. Critical foreword by Yvor Winters. 217 pages. Ex-university library marks, sunned covers and spine; pages lightly toned; a good solid binding. No jacket. Quantity Available: 1. Category: Poetry; Inventory No: 218309.

Paperback. Zustand: Brand New. illustrated edition. 144 pages. 10.25x6.75x0.25 inches. In Stock.

Wrappers. Zustand: Near Fine. 280 pages with 400 illustrations 120 in color. Minor rubbing, chipping and wear to the paper covers and edges. Foreword by George W. Neubert, Director. Curator's Note by Penny C. Morrill. Published on the occasion of the exhibition from the San Antonio Museum of Art, San Antonio Texas October 7, 2002. Bibliography. Book.

Light Blue Cloth Hardback. Zustand: Very Good. Zustand des Schutzumschlags: Good to Very Good. First Edition. 1965. First edition. xxviii, 217pp. Critical foreword by Yvor Winters. Frederick Goddard Tuckerman (1821-1873) was an American poet, remembered mostly for his sonnet series. Apart from the 1860 publication of his book Poems, which included approximately two-fifths of his lifetime sonnet output and other poetic works in a variety of forms, the remainder of his poetry was published posthumously in the 20th century. This complete collection of his poetical works has been edited with an introduction by N. Scott Momaday, with a critical foreword by Yvor Winters. The book is bound in the original light blue cloth covered boards with green titling on the spine and a green illustration of a plant on the front board. The case of the book is in very good condition with noticeable fading to the spine and lighter fading along the top 1 3/4" and 1 1/4" of the fore edge of both boards. The spine ends and top corners are lightly bumped. The contents are tight and clean with the name Richard Kell written on the front free endpaper. We believe this to be Richard Alexander Kell (1927-2023), the Irish poet, composer and teacher, and many of the pages of the poems have his neatly written pencil notes and lining on the margins. The endpapers are slightly browned on the margins. The clipped dustwrapper has shelf wear with light soiling and the spine and top and fore edges are noticeably browned. The spine ends are bumped and nicked and up to about 3/4" is missing from along the top front and rear edges. There is a tear of about 1/2" on the top front edge and another tear of 1/2" on the front spine edge below a missing piece.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware.

First edition in publisher's original symmetrical colour decorated card wrap covers. Landscape 5½'' x 8''. Contains 16 printed pages of text followed by the score. In Very Good clean condition, no dust wrapper. We currently hold in stock 6 other titles from this series. Member of the P.B.F.A. MUSIC [Classical].

Post-production script for the 1944 film. Copy belonging to an unknown crew member, with their name in manuscript ink on the front wrapper. A woman in San Francisco during WWII does not want to get into a serious relationship with any soldier before he goes off to war until she meets one soldier who wants to change her mind. Tall white titled self wrappers, noted as Release Dialogue Script on the front wrapper, dated May 16, 1944. 113 leaves, with last page of text numbered Reel 6A-12. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two staples.

Buch. Zustand: Neu. Neuware.

8vo. vii, 23pp. Pictorial wrappers. A Christmas Carol. Words by John Masefield, Music by Malcolm Davidson. Full Moon. Words by Walter de la Mare, Music by Scott Goddard. Desire in Spring. Words by Francis Ledwidge, Music by Ivor Gurney.

Zustand: Gut. Zustand: Gut | Seiten: 416 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. 217 pages. Momaday's first published book. A collection of Tuckerman's poems edited and with an introduction by Momaday and with a critical foreword by Yvor Winters. A near fine copy in illustrated cloth boards with some slight sunning to the edges and in a very good dust jacket with the usual toning to the edges and some other light wear. A pleasing copy of a lesser known book from the author of the Pulitzer Prize winning "House Made of Dawn.".

First edition hard back binding in publisher's original buttermilk cloth covers, burgundy title to the spine and to the front cover, blue, black and white illustrated end papers. Quarto 10'' x 7¾''. Contains colour frontispiece, 144 printed pages of text with monochrome illustrations and photographs throughout. Fine condition book in Fine condition dust wrapper, not price clipped, 25s. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. BALLET & BALLERINAS.

First edition hard back binding in publisher's original buttermilk cloth covers, burgundy title to the spine and to the front cover, blue, black and white illustrated end papers. Quarto 10'' x 7¾''. Contains colour frontispiece, 144 printed pages of text with monochrome illustrations and photographs throughout. Light soiling to the pale cloth covers. Very Good condition book in Fine condition dust wrapper, not price clipped, 25s. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. BALLET & BALLERINAS.

First edition hard back binding in publisher's original buttermilk cloth covers, burgundy title to the spine and to the front cover, blue, black and white illustrated end papers. Quarto 10'' x 7¾''. Contains colour frontispiece, 144 printed pages of text with monochrome illustrations and photographs throughout. Small smudge marks to the pale cloth covers. Very Good condition book in Fine condition dust wrapper, not price clipped, 25s. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. BALLET & BALLERINAS.

First edition hard back binding in publisher's original buttermilk cloth covers, burgundy title to the spine and to the front cover, blue, black and white illustrated end papers. Quarto 10'' x 7¾''. Contains colour frontispiece, 144 printed pages of text with monochrome illustrations and photographs throughout. Lower spine end soft, tan age spots to the edges of the covers. Very Good condition book in Fine condition dust wrapper, not price clipped, 25s. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. BALLET & BALLERINAS.

Hardcover. Zustand: Very Good. 1st Edition. First Edition. First Printing. Very light wear to dust jacket. Otherwise a clean solid copy with no marks to illustrated covers or inside pages. Binding is firm. Heavy book for North American orders only. v5vf1.

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in colour printed stiff card covers, 159pp on stiff art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

SOFTCOVER. Zustand: Fine. 1st Edition. Spiral-bound large 4to in stiff card covers, 75pp on stiff art paper (some foldout leaves), colour plates, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy. Scarce ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Poor. Used, some outer edges and corners have scuffs, cover has light scratches, outer pages have gone Brown, spine is slightly faded, book content is in good readable condition.

WITH: 2 Typed Letters Signed, 3 Autograph Cards Signed, 1 Typed Card Signed to Mary Eversley, Covent Garden Opera, with copies of two replies.The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers. They are now considered the leaders of what we may call the Modern English School, and already behind them there is pressing forward a fresh group of younger artists with the same vitality, the same ideas, but different methods.' ITEM TWO: thirty-three page manuscript extract from the same work, with typewritten insertions, headed 'CONCLUSION', resuming 'the arguments put forward in the introduction [.] in the light of whatever information thte intervening chapters have shed on the problem of British Music and its present state'. Eversley was plainly employed in typing up Goddard's manuscript, and their correspondence, variously signed by Goddard 'Scott', 'S' and 'S. G.', and with the copies of Eversley's two replies unsigned, is written in a chatty, flirty style. In a letter of March 1932, from his address at Lodge Hill, Ditchling, Hassocks, Sussex, Goddard apologises for 'forcing my own affairs on you at a time when you must be distressingly full of your own'. While it is 'dull work', he hopes it will 'take your mind off present troubles'. In an earlier letter (3 December 1931) he explains that his 'prospective (no, real) publishers are most eager that this work I am "on" should be kept as quiet as the grave. So, as regards that, look on yourself as my confidential secretary and say not a word. I mention this as important, because you are, as it happens, intimate with some who, having dealings with a certain set in town, would delighted to queer our (mine and the publishers') pitch if they ld. Twig?' He later describes her as 'such a wonderful decipherer'. 'The whole thing is about 7000 long, but as soon as may be I'll start nibling from the wrong end on this machine and so between us we might get it all "off" reasonably quickly.' One of Eversley's replies ends 'Scottie dear you've no idea what fun it will be to see you again. I suppose you will say you haven't time or you don't think you can manage to be up in town, or would 18th January do? and what is more stomachs or no stomachs we are going to get roaring drunk, I haven't had a clear head and upright carriage for two months for nothing.' COPAC does not indicate any work by Goddard from which the two extracts are likely to have come, so one must assume that it was never published or published under a pseudonym. A reference by Goddard on one card to 'a further little snippet of Maggie' might seem to support the latter supposition. In 1928 Eversley had appeared in the Lance Sieveking London 2LO production 'Love', with 'Music arranged by Scott Goddard'.