schwindl friedrich (4 Ergebnisse)

Half-Leather. Zustand: Good. Publishers includes Welcker and Longman. c.1770s. Folio, engraved. Contempary half-leather, marbled boards. NB: Basso parts only (figured bass). RISM K78, K91, 109, H3804, N754 and "Six Sonatas.Composed by Messrs. Bach, Abel & Kammell" BUC p.964. Binding fairly worn, leather disintegrating, front board detaching, edges of boards scuffed. Previous owner's inscriptions (old).

Size: Folio. [i (title)], 17pp. Disbound. Decoratively bordered title-page. Engraved. "Schwindl's instrumental music enjoyed wide circulation, especially between the 1760s and 80s, when his symphonies and chamber works appeared in numerous publications. Records of performance also attest the popularity of his music: in Paris, the Concert Spirituel of 5 April 1767 began with a performance of one of his symphonies; a concert given at Nymphenburg (near Munich) during the summer of 1772 not only opened with two symphonies by Schwindl, but also included a performance of one of his trios, with the elector playing the bass viol; and a programme that began with Schwindl's 'Overture 1st' was presented by Josiah Flagg in Boston on 17 May 1771" (New Grove). Burney found Schwindl "well known in the musical world, by his admirable compositions for violins, which are full of taste, grace, and effects" when he met him in the Hague in 1770. RISM A/I/8 and A/I/14 S 2577. BUC p.936.

Not in RISM or WorldCat. Size: Folio. 13, 11pp. Disbound, sewn. Decoratively bordered title-page. Engraved by T. Caldwall. Probably a reprint of the edition published by R. Bremner in 1771. Burney found Schwindl "well known in the musical world, by his admirable compositions for violins, which are full of taste, grace, and effects" when he met him in the Hague in 1770.

13 gest. S. Sehr gutes Exemplar. RISM A/I S/SS 2573. - Nur Violino Primo-Stimme.