Schwind jean (9 Ergebnisse)

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: New. pp. xix + 314 Illus.

Zustand: New. The authors are all faculty members in the liberal arts and sciences at Elon University in North Carolina. They share teaching responsibilities for a course called Undertstanding the Global Experience that is required of all first-year students.F.

Paperback. Zustand: Brand New. 1st edition. 320 pages. 9.00x7.30x1.00 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - First Published in 2016. In this anthology of essays for Global Studies students, the editors hope to encourage readers to live intelligent and thoughtful lives, not only as citizens of their native countries, but also as citizens of the world.

No Binding. Zustand: Fine. Invitation. Exhibition announcement card. --- ' Jean Schwind (1935-1985), the most infamous and enigmatic figure in Belgian art of the 1970s, is the pseudonym of Jean Warie. He studies Romance Philology at Ghent University, and from 1966 to 1972 is an academic assistant there. In 1969 he has his first solo exhibition - somber drawings in black-and-white - at the Brussels gallery Fitzroy, of which he was a co-founder. The following year he presents a one-night-only exhibition of large-format erotic drawings. The exhibition subsequently travels to Ghent, Antwerp and Paris, and is meant as provocation. The subject - personages in an overheated and disorderly sex universe - and the elaboration reminiscent of Jean Dubuffet and graffiti, or of the orgiastic scenes of the surrealist André Masson, are in themselves fairly brutal, but in the societal context of the time this portrayal is also taken as a general attack on the reactionary tendency that hopes to 'save' culture from the up and coming wave of subversion.' (Plus-One Gallery). Ephemera.…