Schwenger peter (86 Ergebnisse)

Paperback. Zustand: New. 1. The first critical study of writing without language In recent years, asemic writing-writing without language-has exploded in popularity, with anthologies, a large-scale art exhibition, and flourishing interest on sites like tumblr, YouTube, Pinterest, and Instagram. Yet this burgeoning, fascinating field has never received a dedicated critical study. Asemic fills that gap, proposing new ways of rethinking the nature of writing.Pioneered in the work of creators such as Henri Michaux, Roland Barthes, and Cy Twombly, asemic writing consolidated as a movement in the 1990s. Author Peter Schwenger first covers these "asemic ancestors" before moving to current practitioners such as Michael Jacobson, Rosaire Appel, and Christopher Skinner, exploring how asemic writing has evolved and gained importance in the contemporary era.Asemic includes intriguing revelations about the relation of asemic writing to Chinese characters, the possibility of asemic writing in nature, and explanations of how we can read without language. Written in a lively style, this book will engage scholars of contemporary art and literary theory, as well as anyone interested in what writing was and what it is now in the process of becoming.…

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: New. Mental image, dream, fantasy, hallucination-all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the novel, doctors expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious. For the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works-such as Calvino's If on a Winter's Night a Traveller, Coleridge's "Kubla Khan," Sorrentino's Mulligan Stew, and Rimbaud's "The Vowels"-that treat explicitly what is implicit in reading. Although the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring? These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as Prospero's Books, Fantasm and Fiction illuminates the process of textual visualization. The author develops, in addition, "A Politics of Visualization" through analyses of the photographs of David Wojnarowicz, Derek Jarman's film Blue, and Nicole Brossard's novel Picture Theory. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

1st edition. 8vo. [ix] + 172pp. Original fuschia d/w. lettered in grey and pink, some minor wear to edges. ISBN 0710201648 US$7.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Zustand: Good. From the Library of John Russell Taylor.

Paperback. Zustand: New. We surround ourselves with material things that are invested with memories but can only stand for what we have lost. Physical objects-such as one's own body-situate and define us; yet at the same time they are fundamentally indifferent to us. The melancholy of this rift is a rich source of inspiration for artists. Peter Schwenger deftly weaves together philosophical and psychoanalytical theory with artistic practice. Concerned in part with the act of collecting, The Tears of Things is itself a collection of exemplary art objects-literary and cultural attempts to control and possess things-including paintings by Georgia O'Keeffe and René Magritte; sculpture by Louise Bourgeois and Marcel Duchamp; Joseph Cornell's boxes; Edward Gorey's graphic art; fiction by Virginia Woolf, Georges Perec, and Louise Erdrich; the hallucinatory encyclopedias of Jorge Luis Borges and Luigi Serafini; and the corpse photographs of Joel Peter Witkin. However, these representations of objects perpetually fall short of our aspirations. Schwenger examines what is left over-debris and waste-and asks what art can make of these. What emerges is not an art that reassembles but one that questions what it means to assemble in the first place. Contained in this catalog of waste is that ultimate still life, the cadaver, where the subject-object dichotomy receives its final ironic reconciliation. Peter Schwenger is professor of English at Mount St. Vincent University in Halifax, Nova Scotia. He is the author of Fantasm and Fiction: On Textual Envisioning, Letter Bomb: Nuclear Holocaust and the Exploding Word, and Phallic Critiques: Masculinity and Twentieth-Century Literature.…

Zustand: new.

Zustand: new.

Zustand: New. pp. 192.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Num Pages: 176 pages, black & white illustrations. BIC Classification: DSB; JMT. Category: (G) General (US: Trade). Dimension: 216 x 141 x 14. Weight in Grams: 276. . 2012. Paperback. . . . .

Zustand: new.

Zustand: New. In English.

Paperback. Zustand: Brand New. 192 pages. 8.00x6.00x1.00 inches. In Stock.

Zustand: New. pp. 224.

Zustand: New. In English.

Paperback. Zustand: Brand New. 1st edition. 200 pages. 8.75x5.75x0.50 inches. In Stock.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Zustand: New. Num Pages: 176 pages, black & white illustrations. BIC Classification: DSB; JMT. Category: (G) General (US: Trade). Dimension: 216 x 141 x 14. Weight in Grams: 276. . 2012. Paperback. . . . . Books ship from the US and Ireland.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: New. In English.

Zustand: New. pp. 512.

Zustand: New. In English.

Zustand: New. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works that treat explicitly what is implicit in reading. Also, drawing on artists' books, drawings by authors, and films such as Prospero's Books , the author illuminates the process of textual visualization. Series: Cultural Memory in the Present. Num Pages: 192 pages, Illustrations. BIC Classification: DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 12. Weight in Grams: 270. . 1999. Paperback. . . . .…

Zustand: New. pp. 192.