Schwarz k robert (4 Ergebnisse)

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- Erstausgabe
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First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Series; 20th-century composers. Physical description; 239 pages : illustrations, portraits ; 22 cm. Notes; "Classi…fied lists of works": pages 218-227. Includes bibliographical references (page 228) and index. Discography: pages 229-232. Contents; La Monte Young and Terry Riley -- Steve Reich, minimalist -- Steve Reich, maximalist -- Philip Glass, minimalist -- Philip Glass, maximalist -- Adams, Monk, and post-minimalism -- Europeans : Nyman, Andriessen, Pärt. Subjects; Reich, Steve (1936-) Criticism and interpretation. Young, La Monte Criticism and interpretation. Glass, Philip. Adams, John (1947-). Monk, Meredith. Nyman, Michael.Andriessen, (Louis 1939-2021). Cage, John (1912-1992). Glass, Philip (1937-). Monk, Meredith (1942-). Nyman, Michael (1948-). Part, Arvo (1935-). Reich, Steve (1936-). Riley, Terry (1935-). Andriessen, Louis (1939-). Glass, Philip (1937-). Monk, Meredith (1943-). Pärt, Arvo (1935). Young, La Monte (1935-). Composers. Minimal music. Music United States 20th century History and criticism. Composers United States 20th century. Minimal music History and criticism. Music 20th century History and criticism. Composers ; Biography. Music United States 20th century History and criticism. Minimalism. Music. 20th Century. History. Music United States History 20th century. Composers ; Biography. Music United States 20th century History and criticism. United States. Composers Biography. Minimal music History and criticism. Genres; Bibliography. Biographies. Biography. Biography. Criticism, interpretation, etc. Discography. Illustrated. 1 Kg.

- Hardcover
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Hardcover. Zustand: gut. 2007. Die Schweizerische Nationalbank 1907-2007 [Gebundene Ausgabe] Werner Abegg (Autor), Ernst Baltensperger (Autor), Peter Bernholz (Autor), Urs W Birchler (Autor), Guido Boller (Autor), Michael Bordo (Autor), Cristina Borsani (Autor), Roberto Cippà (Autor), Vincent Crettol (Autor), Sophie M Faber (Aut…or), Robert Fluri (Autor), Marvin Goodfriend (Autor), Daniel Heller (Autor), Martin Hellwig (Autor), Werner Hermann (Autor), Daniel Hübscher (Autor), Karl Hug (Autor), James James (Autor), Jean P Jetzer (Autor), Thomas J Jordan (Autor), Peter B Kenen (Autor), Hans Ch Kesselring (Autor), Peter Klauser (Autor), Anne Kleinewefers Lehner (Autor), Hans Kuhn (Autor), Guy Maradan (Autor), Frederic S Mishkin (Autor), Dewet Moser (Autor), Manfred J Neumann (Autor), Michel Peytrignet (Autor), Eveline Ruoss (Autor), Umberto Schwarz (Autor), Thomas Stucki (Autor), Andy Sturm (Autor), Alexander K Swoboda (Autor), William R White (Autor), Thomas Wiedmer (Autor), Mathias Zurlinden (Autor) In deutscher Sprache. 866 pages. 25 x 16 x 4,6 cm.

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Taschenbuch. Zustand: Neu. HCI International 2025 - Late Breaking Papers | 27th International Conference on Human-Computer Interaction, HCII 2025, Gothenburg, Sweden, June 22-27, 2025, Proceedings, Part XIV | Brian K. Smith (u. a.) | Taschenbuch | Lecture Notes in Computer Science | xxi | Englisch | 2026 | Springer | EAN 9783032…131737 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The 16-volume set LNCS 16331 16346 constitutes late breaking papers from the 27th International Conference on Human-Computer Interaction, HCI International 2025, held in Gothenburg, Sweden, during June 22-27, 2025.439 papers and 104 posters were incl…uded in the volumes of the proceedings published after the conference, as Late Breaking Work .The papers were organized in topical sections as follows:Part I: Theoretical and Conceptual Advances in HCI; and User Interface and Interaction Design; Design for Inclusivity and Social Impact.Part II: Robotics, Embodied Agents, and Human-Robot Interaction; Smart Environments and Manufacturing Systems; Human-AI Interaction and Generative AI in Design; and Ethics, Privacy and Sustainability in Digital Systems.Part III: Human Experience in Virtual Environments; Human Factors in Intelligent and Autonomous Systems; and Computational Methods for Human Behavior Analysis. Part IV: Human Performance and Safety in Aviation; Human-Automation Teaming; Eye Tracking, Cognition, and Situation Awareness; and Innovations in Adaptive and Responsive Environments.Part V: Accessibility and Inclusive Interaction Design; Accessibility and Innovations in Intelligent Environments; and Human-Centered Technologies for Autism and Neurodiverse Populations.Part VI: Designing for Positive Change: Well-Being, Inclusion, and Social Impact; Cross-Cultural and Creative Design Futures; Design and Engineering of Mobility Experiences; and Human Factors, Safety, and Driver Assistance.Part VII: Social Media, Society, and Digital Communities; LLMs and Intelligent Agents in Social Computing and Security; Understanding User Behavior in Social Computing; and Security, Privacy, and Trust in Digital Environments.Part VIII: Frameworks and Computational Methods in XR; Human Factors and User Experience in XR; XR, Culture, and Immersive Heritage Experiences; Extended Reality in Healthcare and Medical Training; and Serious Games and Interactive Narratives. Part IX: Ergonomics and Digital Human Modeling; Digital Human Modeling in Fashion and Textiles; Artificial Intelligence and Smart Services in Digital Human Modeling; and Health Monitoring, Decision-Making, and Care Optimization.Part X: Generational Differences and Technology Acceptance in Older Adults; Healthy Lifestyle, Physical Activity, and Active Aging; Cognitive Health, Well-Being; and Preventive Care; Intelligent Systems, Safety, and Aging in Place; and Artificial Intelligence in Healthcare and Well-Being.Part XI: User Experience and Interaction for Positive Social Impact; User Experience Methods, Tools, and Metrics; User Experience in Education and Learning; and User Experience in Digital Heritage and Art. P.